A dramatic comedy combines high comedy with social commentary in deflating misconceptions about love and warfare.

These books are intended to make Virgil's Latin accessible even to those with a fairly rudimentary knowledge of the language. There is a departure here from the format of the electronic books, with short sections generally being presented on single, or double, pages and endnotes entirely avoided. A limited number of additional footnotes is included, but only what is felt necessary for a basic understanding of the story and the grammar. Some more detailed footnotes have been taken from Conington's edition of the Aeneid.

Viktor Shklovsky (1893-1984) was both patriarch and enfant terrible of Formalism, a literary and film scholar, a fiction writer and the protagonist of other people's novels, instructor of an armored division and professor at the Art History Institute, revolutionary and counterrevolutionary. His work was deeply informed by his long and eventful life. He wrote for over seventy years, both as a very young man in the wake of the Russian revolution and as a ninety-year old, never tiring of analyzing the workings of literature. Viktor Shklovsky: A Reader is the first book that collects crucial writings from across Shklovsky's career, serving as an entry point for first-time readers. It presents new translations of key texts, interspersed with excerpts from memoirs and letters, as well as important work that has not appeared in English before.

2007 Lambda Literary Awards finalist The Singing of Swans tells the story of Madalene Ross, a thirty-year-old American who "lives in her head," cut off from her body, her heart, and her sense of purpose in the world. En route to and from her job as a computer programmer in Minneapolis, Madalene is hounded on the downtown streets by a homeless woman who asks "Got a match?" At night bizarre dreams haunt her sleep. Women fly through rooftops, chant in ancient temples, paint tongues of fire on vivid white canvases. Madalene's story is interwoven with the lives of three women: Rosalina, a priestess of Persephone in 70 B.C.E. Sicily; Ziza, a strega (Italian witch) in 16th century northeastern Italy, and Ibla, an herbalist and painter in 18th century southern Italy. Sicily's Lake Pergusa and the Black Madonna also act as a portal to the rich tradition of pre-Christian spirituality that lies beneath Church dogma. The Singing of Swans takes readers on a multi-century journey to uncover long-silenced traditions, crack Madalene's spiritual code and reclaim her soul. Elements of magical realism dovetail with historical storytelling as this compelling tale of redemption unfolds. "The Singing of Swans is a remarkable narrative calling -- even compelling -- us to connect with our own ancestral roots, to seek our own inner wisdom, and to reclaim, our own inner voices," says Margaret Starbird, author of The Woman with the Alabaster Jar & Mary Magdalene: Bride in Exile. "The Roman poet Ovid sang of the beautiful Sicilian lake where Persephone descended to the otherworld -- a lake now dying from overdevelopment," says Patricia Monaghan, author of The Goddess Path and The Red-Haired Girl from the Bog. "No siren's song could be more commanding than this novel centered on that magical lake. Generations of women of the streghe tradition -- call them pagans, call them witches -- join their voices in this tightly wrought magical chorus."