Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.

This 1852 volume offers an illustrated look at a number of London's historic sites.

Medieval London is a historical account of the England's capital during the Middle Ages, written by Sir Walter Besant, English novelist and historian who dedicated most of his life researching history and topography of London. The work is divided in three parts: first part is historical and it deals with mediaeval sovereigns of England and their treatment of the city; second part presents general view of London, dealing with social life, customs, tradition, and other aspect of city life such as trade, crime, literature or sports. Final part of the work is ecclesiastical and deals with religion, religious houses and objects of faith that signified the capital of England in the Middle Ages.