The structure of a Silverman game can be explained very quickly: Each of two players independently selects a number out of a prede termined set, not necessarily the same one for both of them. The higher number wins unless it is at least k times as high as the other one; if this is the case the lower number wins. The game ends in a draw if both numbers are equal. k is a constant greater than 1. The simplicity of the rules stimulates the curiosity of the the orist. Admittedly, Silverman games do not seem to have a direct applied significance, but nevertheless much can be learnt from their study. This book succeeds to give an almost complete overview over the structure of optimal strategies and it reveals a surprising wealth of interesting detail. A field like game theory does not only need research on broad questions and fundamental issues, but also specialized work on re stricted topics. Even if not many readers are interested in the subject matter, those who are will appreciate this monograph.

A charming and inclusive YA anthology all about games—from athletic sports to board games to virtual reality—from editor Laura Silverman and an all-star cast of contributors. From the slightly fantastical to the utterly real, light and sweet romance to tales tinged with horror and thrills, Game On is an anthology that spans genre and style. But beneath each story is a loving ode to competition and games perfect for anyone who has ever played a sport or a board game, picked up a video game controller, or rolled a twenty-sided die. A manhunt game is interrupted by a town disappearing beneath the players' eyes. A puzzle-filled scavenger hunt emboldens one college freshman to be brave with the boy she's crushing on. A series of summer nights full of card games leads a boy to fall for a boy who he knows is taken. And a spin the bottle game could end a life-long friendship. Fifteen stories, and fifteen unforgettable experiences that may inspire readers to start up that Settlers of Catan game again.

In the mid-1990s, the NYPD created a performance management strategy known as Compstat. It consisted of computerized data, crime analysis, and advanced crime mapping coupled with middle management accountability and crime strategy meetings with high-ranking decision makers. While initially credited with a dramatic reduction in crime, questions quic

TV game shows are an American pastime, broadcast ratings champ, and cultural institution. Lavishly illustrated and filled with entertaining titbits, Game Shows FAQ presents an unprecedented look at how the game show genre has evolved in the past hundred years. From its earliest days as a promotional tool for newspapers, to the high-browed panel games on radio, to the scandalous years of the quiz shows, to the glitzy and raucous games of the 1970s, to the prime-time extravaganzas of the modern era – this book examines the most relevant game shows of every decade, exploring how the genre changed and the reasons behind its evolution. Packed with photos and mementos to give a feel of how game shows evolved over the years, the book includes interviews and insights from the shows' beloved hosts, including Wink Martindale and Marc Summers, executives Bob Boden and Jamie Klein, and producers Aaron Solomon and Mark Maxwell-Smith, among others. Game Shows FAQ offers a richly detailed lineage of this American television institution.

“Moore is a gardener of nightmares, artlessly turning over the dark soil in which the horrors that entangle ordinary people in their killing grasp bloom” (Michael Rowe, award-winning author of October). All these worlds, and more, await you . . . Only able to recall the memories of others, a ghost must solve the mystery of his own death. The zombie apocalypse is the gateway to a higher human consciousness. An amusement park of the future might turn you into the attraction. An engineer-turned-mercenary races to kill the savior of mankind. After the sky falls, can anyone still hope? Twenty-one horror and science fiction tales of the bizarre, the terrifying, the all-too-near future. “Subtle power, intelligence, and humanity are the hallmarks of Moore’s work. These stories are apt to stick in your mind like quills. They did in mine.”—Nick Cutter, national bestselling author of The Troop “Moore takes us on a multitude of wild rides. If there is one thing I can say about these, it’s that they are action-packed . . . Moore is also very good at wrenching emotion out of his readers, whether abject horror or discomfort, the effect is visceral and real.” —The Ottawa Review of Books “Like the best science fiction or horror writers out there, Moore’s talent doesn’t stop at combining the everyday with the speculative—the real magic is his character work.” —Black Gate

KI 2008 was the 31st Annual German Conference on Arti?cial Intelligence held September 23–26 at the University of Kaiserslautern and the German Research Center for Arti?cial Intelligence DFKI GmbH in Kaiserslautern, Germany. The conference series started in 1975 with the German Workshop on AI (GWAI), which took place in Bonn, and represents the ?rst forum of its type for the German AI Community. Over the years AI has become a major ?eld in c- puter scienceinGermanyinvolvinga numberof successfulprojects thatreceived much international attention. Today KI conferences are international forums where participants from academia and industry from all over the world meet to exchange their recent research results and to discuss trends in the ?eld. Since 1993 the meeting has been called the “Annual German Conference on Arti?cial Intelligence,” designated by the German acronym KI. This volume contains the papers selected out of 77 submissions, including a number of submissions from outside German-speaking countries. In total, 15 submissions (19%) were accepted for oral and 30 (39%) for poster presentation. Oralpresentationsattheconferenceweresingletrack. Becauseofthis,thechoice of presentation form (oral, poster) was based on how well reviews indicated that the paper would ?t into one or the other format. The proceedings allocate the same space to both types of papers. In addition, we selected six papers that show high application potential - scribing systems or prototypical implementations of innovative AI technologies. They are also included in this volume as two-page extended abstracts.

To All the Boys I’ve Loved Before meets You’ve Got Mail in this charming and hilarious rom-com following two teen booksellers whose rivalry is taken to the next level as they compete for the top bookseller bonus. Shoshanna Greenberg loves working at Once Upon, her favorite local bookstore. And with her moms fighting at home and her beloved car teetering on the brink of death, the store has become a welcome escape. When her boss announces a holiday bonus to the person who sells the most books, Shoshanna sees an opportunity to at least fix her car, if none of her other problems. The only person standing in her way? New hire Jake Kaplan. Jake is an affront to everything Shoshanna stands for. He doesn’t even read! But somehow his sales start to rival hers. Jake may be cute (really cute), and he may be an eligible Jewish single (hard to find south of Atlanta), but he’s also the enemy, and Shoshanna is ready to take him down. But as the competition intensifies, Jake and Shoshanna grow closer and realize they might be more on the same page than either expects…