The battle in Grand Prix racing between the German Mercedes-Benz and Auto Union teams during the six years from 1934 through 1939 was probably the greatest, most spectacular and most important era in motor racing history. The two German teams almost completely dominated Grand Prix racing, mainly because of their technical superiority. This superiority was made possible by the vast sums that the two teams could expend on racing. The money paid to them by the German government was not a direct subsidy, but represented the generous margin above cost incorporated in government contracts. In effect, while Mercedes-Benz developed and manufactured aero engines for the Luftwaffe, the Auto Union Group manufactured tanks and other armored vehicles for the Wehrmacht.

The heart-pounding story of an unlikely band of ragtags who took on Hitler's Grand Prix driver. In the years before World War II, Adolf Hitler wanted to prove the greatness of the Third Reich in everything from track and field to motorsports. The Nazis poured money into the development of new race cars, and Mercedes-Benz came out with a stable of supercharged automobiles called Silver Arrows. Their drivers dominated the sensational world of European Grand Prix racing and saluted Hitler on their many returns home with victory.As the Third Reich stripped Jews of their rights and began their march toward war, one driver, Rene Dreyfus, a 32-year-old Frenchman of Jewish heritage who had enjoyed some early successes on the racing circuit, was barred from driving on any German or Italian race teams, which fielded the best in class, due to the rise of Hitler and Benito Mussolini.So it was that in 1937, Lucy Schell, an American heiress and top Monte Carlo Rally driver, needed a racer for a new team she was creating to take on Germany's Silver Arrows. Sensing untapped potential in Dreyfus, she funded the development of a nimble tiger of a new car built by a little-known French manufacturer called Delahaye. As the nations of Europe marched ever closer to war, Schell and Dreyfus faced down Hitler's top drivers, and the world held its breath in anticipation, waiting to see who would triumph.

Following in the mould of 'Silver Arrows in Camera', this book explores in period photographs the extraordinary story of the BRM V16, which raced between 1950 and 1954. Over 400 photographs, including a small amount of rare colour pictures are accompanied by an informative commentary. BRM (British Racing Motors) was a motor racing venture created in 1950 to represent Britain in the new Formula 1 category. A symbol of Britain’s post-war rebirth, the BRM car did nothing by halves: its 1.5-litre 16-cylinder supercharged engine and advanced specification made it a technical tour de force, but it earned a reputation as a fantastic folly, such that Stirling Moss described it as ‘without doubt the worst car I ever drove’. This book is a fascinating portrait of a racing car that still engenders enduring fascination.

'A tragic age and a tragic character, both seemingly compelled to destroy themselves...a chilling reminder of how little control we have over our fates' Damon Hill 'One of the greatest motor racing stories' Nick Mason 'Timely, vivid and enthralling … it’s unputdownable’ Miranda Seymour, author of The Bugatti Queen Dick Seaman was the archetypal dashing motorsport hero of the 1930s, the first Englishman to win a race for Mercedes-Benz and the last Grand Prix driver to die at the wheel before the outbreak of the Second World War. Award-winning author Richard Williams reveals the remarkable but now forgotten story of a driver whose battles against the leading figures of motor racing's golden age inspired the post-war generation of British champions. The son of wealthy parents, educated at Rugby and Cambridge, Seaman grew up in a privileged world of house parties, jazz and fast cars. But motor racing was no mere hobby: it became such an obsession that he dropped out of university to pursue his ambitions, squeezing money out of his parents to buy better cars. When he was offered a contract with the world-beating, state-sponsored Mercedes team in 1937, he signed up despite the growing political tensions between Britain and Germany. A year later, he celebrated victory in the German Grand Prix with the beautiful 18-year-old daughter of the founder of BMW. Their wedding that summer would force a split with his family, a costly rift that had not been closed six months later when he crashed in the rain while leading at Spa, dying with his divided loyalties seemingly unresolved. He was just 26 years old. A Race with Love and Death is a gripping tale of speed, romance and tragedy. Set in an era of rising tensions, where the urge to live each moment to the full never seemed more important, it is a richly evocative story that grips from first to last.

Reproduction of the original: The Camera Fiend by E.W Hornung

This book showcases the latest digital skin imaging, optical/laser systems and advanced immunologic therapies including topics ranging from the basic dermatologic sciences to advanced microscopic and laser optics. The addition of radiologic breakthroughs serves as comprehensive source for the dermatologic community, helping them access sonographic, CT, MRI and nuclear medicine procedures refined for dermatologic and subcutaneous pathologies. In addition, it assists radiologists determine the appropriate imaging technologies for specific clinical dermal disorders. A detailed and up-to-date overview of image-guided treatments is provided. The initial chapters on benign and inflammatory diseases are precursors to advanced chapters on hidradenitis suppurativa and pigmented lesion analysis. A dedicated chapter on melanoma skin cancer and malignant melanoma is followed by updated concepts of melanoma treatment, including genetic markers and PET/CT to monitor therapeutic success. Further chapters address such topics as dermal trauma from foreign bodies and burns, scar imaging, fillers complications and podiatric imaging. Chapters on optical coherence tomography and reflectance confocal microscopy complete the coverage. All chapters were written by dermatologists trained in ultrasound diagnosis, interventional radiologists, dermatopathologists and specialists in advanced optical and microscopic dermatologic analysis, providing a reference guide to noninvasive diagnosis techniques and image guided minimally invasive treatment options. As such, Image Guided Dermatologic Treatments will be an invaluable asset for clinicians in medical and allied fields where dermatologic diagnosis using the least invasive option is required.

Experimental Filmmaking and the Motion Picture Camera is an introductory guide to experimental filmmaking, surveying the practical methods of experimental film production as well as the history, theory, and aesthetics of experimental approaches. Author Joel Schlemowitz explains the basic mechanism of the camera before going on to discuss slow and fast motion filming, single-frame time lapse, the long take, camera movement, workings of the lens, and the use of in-camera effects such as double exposure. A comprehensive guide to using the 16mm Bolex camera is provided. Strategies for making films edited in-camera are covered. A range of equipment beyond the basic non-sync camera is surveyed. The movie diary and film portrait are examined, along with the work of a range of experimental filmmakers including Stan Brakhage, Rudy Burckhardt, Paul Clipson, Christopher Harris, Peter Hutton, Takahiko Iimura, Marie Losier, Rose Lowder, Jonas Mekas, Marie Menken, Margaret Rorison, Guy Sherwin, and Tomonari Nishikawa. This is the ideal book for students interested in experimental and alternative modes of filmmaking. It provides invaluable insight into the history, methods, and concepts inherent to experimental uses of the camera, while providing students with a solid foundation of techniques and practices to foster their development as filmmakers. Supplemental material, including links to films cited in the book, can be found at www.experimentalfilmmaking.com.

Design, production, and service histories of our most popular subjects combined with top-notch color photograph.