This is a complete presentation of the principles and applications of one of the most effective martial arts styles, written by one of the most sought-after Silat masters of all time, the late Herman Suwanda. The book explores the art and science of this Indonesian combat method. There is a detailed breakdown of the offensive and defensive skills used in Pentjak Silat, and the tactical elements of timing, distance, rhythm, cadence, and tempo. The unique principles and techniques of Silat as taught by the late Herman Suwanda are fully described in this authoritative book. It is a true gem by one of the legendaries masters of Pentjak Silat.

Renowned silat instructor Burton Richardson, who has cross-trained in Brazilian jiu-jitsu, kali, jeet kune do and muay Thai, reveals what his knowledge of those systems and MMA helped him identify as the best silat tactics and techniques for modern self-defense. His Silat for the Street breaks down fights into various sections to make them more readily understandable. They include the following: * Footwork -- These movement patterns will give you the advantage when you need to attack an opponent. * Entries -- They will enable you to safely and dynamically enter into close quarters, where you can fire your weapons or execute a takedown. * Clinch positions -- These inside control positions will permit you to trap your opponent's arms, neck or body while minimizing your chance of being hit. * Takedowns -- These moves offer a variety of methods for getting an opponent on the ground, all of which are explained in detail. * Ground fighting -- This part of silat enables you to quickly dispatch an opponent if you end up on the ground. * Sarong tactics -- This section demonstrates how you can use a towel or jacket as a makeshift weapon of self-defense.

Fighting arts have their own beauty, internal philosophy, and are connected to cultural worlds in meaningful and important ways. Combining approaches from ethnomusicology, ethnochoreology, performance theory and anthropology, the distinguishing feature of this book is that it highlights the centrality of the pluripotent art form of pencak silat among Southeast Asian arts and its importance to a network of traditional and modern performing arts in Southeast Asia and beyond. By doing so, important layers of local concepts on performing arts, ethics, society, spirituality, and personal life conduct are de-mystified. With a distinct change in the way we view Southeast Asia, this book provides a wealth of information about a complex of performing arts related to the so-called 'world of silat'. An ancillary media companion website (www.bits4culture.org/pencaksilatandmusic/) is part of this work. Login authorisation information is included in the book. Contributors include: Bussakorn Binson, Jean-Marc de Grave, Gisa Jähnichen, Margaret Kartomi, Zahara Kamal, Indija Mahjoeddin, Ako Mashino, Paul H. Mason, Uwe U. Paetzold, Kirstin Pauka, Henry Spiller and Sean Williams.

Have you ever dreamed of living in foreign and faraway places? Have you ever wondered how, in such places, your cultural identity and your sense of self would endure? Malaysian students have been organising cultural festivals in the land, Down Under for more than 20 years. These festivals play host to cultural heritage performances that represent the various ethnicities found in the Malaysian homeland. However, very little is known about the way these diasporic performances differ from those in the homeland, and whether these differences can adversely affect the Malaysian identity they are intended to represent. This book presents the role of intangible cultural heritage performances in developing a sense of identity amongst diasporic communities by focusing on the martial art performance of Silat at three Malaysian festivals in Australia. The martial art of Silat is acknowledged in Malaysia as a Malay cultural heritage and a Malaysian national heritage. Silat contains the typical fighting skills and strategies that can be found in other martial arts. However, the culture of Silat also has the element of performance. In Malaysia, Silat is traditionally performed either in private or public contexts. As a Silat practitioner, I have personally experienced performing Silat in my Malaysian homeland and in the diasporic environment of Australia. Using participant observation in Melbourne, my own participation as a Silat performer in Sydney and Brisbane, together with numerous interviews with other performers, members of the audience, festival attendees and festival organisers, this book reveals how the performance of Silat in Malaysian festivals reflects the diasporic and multicultural identities of Malaysian communities in Australia. The information in this book provides refreshing insights into the martial art of Silat from a personal as well as diasporic perspective.

The effort O'ong Maryono has made to compile a book on the development of pencak silat, is, in itself, commendable. This integrated presentation provides for a better and more comprehensive understanding of the various aspects of pencak silat. As well as discussing the historical aspects of pencak silat, O'ong Maryono also examines current issues in pencak silat. In other words, a retrospective and prospective view of pencak silat. I hope that this book will be widely read, and provide a 'lively' and substantial critical analysis that will improve the quality of discourse on pencak silat as a whole. Edy Sedyawati Director General of Culture Department of Education and Culture This book is quite unique. Unique in the literal sense: there is no other like it. It is quite a remarkable fact that although frequent reference is made to pencak silat in various contexts, and it even constitutes a specific type of literature and category of film that relate the heroic stories of its masters, never before has a writer attempted to gather comprehensive information about this 'art of self defence'. Therefore, this book by O'ong Maryono could be said to be uncontested. And herein lies its second uniqueness: this encyclopedic book was written not by a graduate in the peace and quiet of his study, but by an expert in silat in the frenzy of the contest arena. Henri Chambert-Loir Director Ecole Fran9ais D'Extreme-Orient

This manual lays out techniques of the Keluarga Pencak Silat Nusantara (KPSN), one of the leading pencak silat organizations in Indonesia. Moving from the fundamental elements—stances and strikes—to exploring complex series of moves for exercise, self-defense, and competition, the manual shows the richness and uniqueness of this still relatively unknown martial art. The concise text and attractive illustrations provide an easy learning tool for beginners or enthusiasts looking to expand their knowledge of pencak silat.

This is the first in-depth study of the Malay martial art, silat, and the first ethnographic account of the Haqqani Islamic Sufi Order. Drawing on 12 years of research and practice, the author provides a major contribution to the study of Malay culture.

THIS IS THE 2nd EDITION OF THE ORIGINAL BOOK. It has been retitled from: An Indo-Malay Martial Art: Pencak Silat Pertempuran Volume 1 to Pencak Silat Pertempuran: Vol. 1. There is also a new cover. About The Book: This is a Perfect bound soft cover book over 350 pp. It is specifically created for those who study the martial art of pencak silat known as Pencak Silat Pertempuran and contains many photos and detailed explanations of the material. An excellent resource about the ferocious art of pencak silat. Pencak Silat is probably best known worldwide for its use of weapons, specifically, bladed weapons of all types, sizes, and variations. That said it is also a martial art that is rich in culture and artistic elements. The first book of a series to address this particular style of Pencak Silat and detail some of its physical manifestations, theories, and principles. It is also one of a few books written in English to address pencak silat at all.

Preserved in music, dance, and art--as well as in ritual, tribal law, and mythology--the fighting arts of the Indonesian archipelago play a central role in Indonesian culture. The Martial Arts of Indonesia is a heavily illustrated and well-researched work from revered martial arts scholar and teacher Donn F. Draeger. Draeger offers an expert's perspective on the story of Indonesia's martial culture, providing a comprehensive introduction to the sophisticated forms of empty-hand combat. These acrobatic fighting styles like Pencak Silat--which was granted World Cultural Heritage status by UNESCO in 2019--and Kuntao are growing in popularity around the world. This book also has extensive information on traditional Indonesian weapons including: Keris: A dagger with a waved blade and pistol-grip handle Kujang: A sickle-shaped dagger with a distinctive curve Rencong: An L-shaped knife with a slightly curved blade Draeger shows how these unique Indonesian forms are related to their mainland cousins, provides a historical context for their development, and describes the various combat methods employed throughout Indonesia. This edition includes a new foreword by Gary Nathan Gartenberg, the world's leading expert on Indonesian martial arts, which explains the lasting importance of this classic study of an ancient martial tradition. With over 400 photos and illustrations of moves and weapons that showcase the intricacies of the Indonesian fighting forms, The Martial Arts of Indonesia is an indispensable addition to any martial artist's library.