DigiCat Publishing presents to you this special edition of "Showell's Dictionary of Birmingham" (A History and Guide, Arranged Alphabetically) by Walter Showell, Thomas T. Harman. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Birmingham, the cradle of the industrial revolution and the world's first manufacturing town, is an important focus for many family historians who will find that their trail leads through it. Rural migrants, Quakers, Jews, Irish, Italians, and more recently people from the Caribbean, South-Asia and China have all made Birmingham their home. This vibrant history is reflected in the city's rich collections of records, and Michael Sharpe's handbook is the ideal guide to them. He introduces readers to the wealth of information available, providing an essential guide for anyone researching the history of the city or the life of an individual ancestor. His work addresses novices and experienced researchers alike and offers a compendium of sources from legal and ecclesiastical archives, to the records of local government, employers, institutions, clubs, societies and schools. Accessible, informative and extensively referenced, it is the perfect companion for research in Britain's second city.

A study of farmers' gamble with cotton in Vidarbha, India by relying on historical research and 12 years of longitudinal study.

In Auld Lang Syne: A Song and its Culture, M. J. Grant explores the history of this iconic song, demonstrating how its association with ideas of fellowship, friendship and sociality has enabled it to become so significant for such a wide range of individuals and communities around the world. This engaging study traces different stages in the journey of Auld Lang Syne, from the precursors to the song made famous by Robert Burns to the traditions and rituals that emerged around the song in the nineteenth and early twentieth centuries, including its use as a song of parting, and as a song of New Year. Grant’s painstaking study investigates the origins of these varied traditions, and their impact on the transmission of the song right up to the present day. Grant uses Auld Lang Syne to explore the importance of songs and singing for group identity, arguing that it is the active practice of singing the song in group contexts that has made it so significant for so many. The book offers fascinating insights into the ways that Auld Lang Syne has been received, reused and remixed around the world, concluding with a chapter on more recent versions of the song back in Scotland. This highly original and accessible work will be of great interest to non-expert readers as well as scholars and students of musicology, cultural and social history, social anthropology and Scottish studies. The book contains a wealth of illustrations and includes links to many more, including manuscript sources. Audio examples are included for many of the musical examples. Grant’s extensive bibliography will moreover ease future referencing of the many sources consulted.