Short stories that are “achingly true to life when it comes to the many ways mothers and daughters grow together and apart, over and over again” (O, The Oprah Magazine). “Mothers and daughters go at it in the way only mothers and daughters can, with full hearts and claws out, in Natalie Serber’s funny, bittersweet collection” of short fiction named a New York Times Notable Book (Vanity Fair). In a battle between a teenager and her mother, wheat bread and plain yogurt become weapons. An aimless college student, married to her much older professor, sneaks cigarettes while caring for their newborn son. On the eve of her husband’s fiftieth birthday, a pilfered fifth of rum, an unexpected tattoo, and rogue teenagers leave a woman questioning her place. And in a suite of stories, we follow capricious, ambitious single mother Ruby and her cautious, steadfast daughter, Nora, through their tumultuous life—stray men, stray cats, and psychedelic drugs—in 1970s California. “The characters are irresistible . . . Serber writes with exquisite patience and sensitivity, and is an expert in the many ways that love throws people together and splits them apart, often at the same time.” —TheWall Street Journal “From its first page, Serber’s debut collection plunges us into the humid heat and lightning of a perfect storm: that of American mothers and daughters struggling for power, love, meaning, and identity. . . . Serber’s writing sparkles: practical, strong, brazenly modern, marbled with superb descriptions.” —San Francisco Chronicle “Mothers and daughters burst from these pages in stories about food, boyfriends, birthdays, husbands and more.” —Houston Chronicle “In the tradition of Lorrie Moore and Tobias Wolff, Natalie Serber’s stories uncover the secret hearts of seemingly ordinary people. Funny, heart-felt, and keenly perceptive, this is a book worth shouting about.” —Dan Chaon, author of If I Loved You I Would Tell You This

Rapunzel escapes her tower-prison all on her own, only to discover a world beyond what she'd ever known before. Determined to rescue her real mother and to seek revenge on her kidnapper would-be mother, Rapunzel and her very long braids team up with Jack (of Beanstalk fame) and together they perform daring deeds and rescues all over the western landscape, eventually winning the justice they so well deserve.

People used to say Iris Bowen was beautiful, what with the wild weave of her red hair, the high cheekbones, and the way she carried herself like a barefoot dancer through the streets of Ranelagh on the outskirts of Dublin city. But that was a lifetime ago. In a cottage in the west of Ireland, Iris--gardener and mother to an adopted daughter, Rose--is doing her best to carry on after the death of her husband two years before. At the back of her mind is a promise she never intended to keep, until the day she gets a phone call from her doctor. Meanwhile, nineteen-year-old Rose is a brilliant violinist at the Royal Academy in London, still grieving for her father but relishing her music and life in the city. Excited but nervous, she hums on the way to an important master class, and then suddenly finds herself missing both of her parents when the class ends in disaster. After the doctor's call, Iris is haunted by the promise she made to her husband--to find Rose's birth mother, so that their daughter might still have family if anything happened to Iris. Armed only with a twenty-year-old envelope, Iris impulsively begins a journey into the past that takes her to Boston and back, with unexpected results for herself and for Rose and for both friends and strangers. Intimate, moving, and witty, Christine Breen's Her Name is Rose is a gorgeous novel about what can happen when life does not play out the way you expect.

Diagnosed with breast cancer, Natalie Serber did the only thing she could: she wrote her way through the confusion and fear. In this fierce and good-humored memoir, she maintains her sense of gratitude and grace. Praise for Community Chest: I loved Natalie Serber's smart, funny and bittersweet report from the Land of Breast Cancer. Fear and grief take turns with an "almost normal day"; kindness and honesty collide with "irrational" rage. While generously detailing the unique aspects of her personal journey, she also manages to honor the collective experience so many (too many!) of us have shared. Now we have this story to share too. -Elizabeth Rosner, author of Electric City, Blue Nude, and The Speed of Light Natalie Serber is the kind of friend you long for when things get hard-tough enough to see how dark things can get, but with enough pluck and fortitude to show you how to thrash through it. This perfect memoir is not just a tale of surviving a diagnosis but of truly experiencing it, observing it, and feeling all that it brings-gravity, absurdity, craziness, fury, tenacity, and love. -Robin Romm, author of The Mercy Papers and The Mother Garden What I loved about this book: the honesty, the unadorned reality, the bitter, the sweet, the surrender-the lucidness, and lyric grace that touched these pages, calling you friend, whispering secrets, helping readers grapple with their own struggles with the fear and pain and shame that comes from a diagnosis of Cancer. Natalie Serber is a born writer, braiding past, present and future into a story that is both vulnerable and strong, witty and filled with insight. -Naseem Rakha, author of The Crying Tree Natalie Serber's Community Chest closely describes and considers her experience of breast cancer-from diagnosis through surgery and chemotherapy and recovery to the lovely abyss of remission. Serber's prose is totally stunning, is both clipped, compact and capaciously expansive. The writing reveals Serber's varied emotional, bodily experience with great precision and complexity. She especially writes deeply about the experiences of loneliness and anxiety (Anxiety is imagining forward, imagining the worst.). The knockout sections here are "Pierced" and "#Baldunderneath." Both describe what underscores any day of illness (any day of wellness too)-loss of body, decline of the body amidst other bodies in decline, in fruition, and even though Serber experiences (and endures) bodily loss, the prose forms into its own beautifully fecund body regaining itself. -Jay Ponteri, author of Wedlocked and Darkmouth Strikes Again

Two best friends torn apart by a life-altering secret. One summer to set the record straight. When twelve-year-olds Kat Steiner and Blake O’Neill meet at Camp Chickawah, they have an instant connection. But everything falls apart when they learn they’re not just best friends—they’re also half sisters. Confused and betrayed, the girls break off all contact. Fifteen years later, when their father dies suddenly, Kat and Blake discover he’s left them a joint inheritance: the family beach house in Destin, Florida. The two sisters are immediately at odds. Blake, who has recently been demoted from regular nanny to dog nanny, wants to sell the house, while social media influencer Kat is desperate to hold on to the place where she lived so many happy memories. Kat and Blake reluctantly join forces to renovate the dilapidated house, with the understanding that Kat will try to buy Blake out at the end of the summer. The women clash as Blake’s renovation plans conflict with Kat’s creative vision; meanwhile, each sister finds herself drawn into a summer romance. As the weeks pass, the two women realize the most difficult project they face this summer will be coming to grips with their shared past—and learning how to become sisters.

A New York Times bestseller and one of 2019's best-reviewed books, a poetic memoir and call to action from the award-winning author of Speak, Laurie Halse Anderson! Bestselling author Laurie Halse Anderson is known for the unflinching way she writes about, and advocates for, survivors of sexual assault. Now, inspired by her fans and enraged by how little in our culture has changed since her groundbreaking novel Speak was first published twenty years ago, she has written a poetry memoir that is as vulnerable as it is rallying, as timely as it is timeless. In free verse, Anderson shares reflections, rants, and calls to action woven between deeply personal stories from her life that she's never written about before. Described as "powerful," "captivating," and "essential" in the nine starred reviews it's received, this must-read memoir is being hailed as one of 2019's best books for teens and adults. A denouncement of our society's failures and a love letter to all the people with the courage to say #MeToo and #TimesUp, whether aloud, online, or only in their own hearts, SHOUT speaks truth to power in a loud, clear voice-- and once you hear it, it is impossible to ignore.

In Lori Lansens’ astonishing second novel, readers come to know and love two of the most remarkable characters in Canadian fiction. Rose and Ruby are twenty-nine-year-old conjoined twins. Born during a tornado to a shocked teenaged mother in the hospital at Leaford, Ontario, they are raised by the nurse who helped usher them into the world. Aunt Lovey and her husband, Uncle Stash, are middle-aged and with no children of their own. They relocate from the town to the drafty old farmhouse in the country that has been in Lovey’s family for generations. Joined to Ruby at the head, Rose’s face is pulled to one side, but she has full use of her limbs. Ruby has a beautiful face, but her body is tiny and she is unable to walk. She rests her legs on her sister’s hip, rather like a small child or a doll. In spite of their situation, the girls lead surprisingly separate lives. Rose is bookish and a baseball fan. Ruby is fond of trash TV and has a passion for local history. Rose has always wanted to be a writer, and as the novel opens, she begins to pen her autobiography. Here is how she begins: I have never looked into my sister’s eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to a beguiling moon. I’ve never used an airplane bathroom. Or worn a hat. Or been kissed like that. I’ve never driven a car. Or slept through the night. Never a private talk. Or solo walk. I’ve never climbed a tree. Or faded into a crowd. So many things I’ve never done, but oh, how I’ve been loved. And, if such things were to be, I’d live a thousand lives as me, to be loved so exponentially. Ruby, with her marvellous characteristic logic, points out that Rose’s autobiography will have to be Ruby’s as well — and how can she trust Rose to represent her story accurately? Soon, Ruby decides to chime in with chapters of her own. The novel begins with Rose, but eventually moves to Ruby’s point of view and then switches back and forth. Because the girls face in slightly different directions, neither can see what the other is writing, and they don’t tell each other either. The reader is treated to sometimes overlapping stories told in two wonderfully distinct styles. Rose is given to introspection and secrecy. Ruby’s style is "tell-all" — frank and decidedly sweet. We learn of their early years as the town "freaks" and of Lovey’s and Stash’s determination to give them as normal an upbringing as possible. But when we meet them, both Lovey and Stash are dead, the girls have moved back into town, and they’ve received some ominous news. They are on the verge of becoming the oldest surviving craniopagus (joined at the head) twins in history, but the question of whether they’ll live to celebrate their thirtieth birthday is suddenly impossible to answer. In Rose and Ruby, Lori Lansens has created two precious characters, each distinct and loveable in their very different ways, and has given them a world in Leaford that rings absolutely true. The girls are unforgettable. The Girls is nothing short of a tour de force.