Learn more Shona words! The Shona Children's Dictionary is an illustrated version of the Shona Learner's Dictionary. It is made especially for your multilingual child to develop their Shona and English reading skills. Contains over 50 simple nouns for every day use. Discover the joy of reading in Shona and English together with your multilingual child. Suitable for children 8 to 11 years old.

Did you ever want to teach your kids the basics of Shona ? Learning Shona can be fun with this picture book. In this book you will find the following features: Shona Alphabets. Shona Words. English Translations.

Little learners will read essential first words in Shona and Ndebele, the two main native languages of Zimbabwe. Colorful illustrations are paired with simple first words for readers of all ages to learn.

Shona, a Bantu language, is spoken in Zimbabwe and Mozambique by 8 million people. This dictionary and phrasebook features the ChiShona dialect. Included are vocabulary sections, a phrasebook, pronunciation tips, a brief outline of the language's grammar and information about local culture.

This third edition of Kenneth Katzner's best-selling guide to languages is essential reading for language enthusiasts everywhere. Written with the non-specialist in mind, its user-friendly style and layout, delightful original passages, and exotic scripts, will continue to fascinate the reader. This new edition has been thoroughly revised to include more languages, more countries, and up-to-date data on populations. Features include: *information on nearly 600 languages *individual descriptions of 200 languages, with sample passages and English translations *concise notes on where each language is spoken, its history, alphabet and pronunciation *coverage of every country in the world, its main language and speaker numbers *an introduction to language families

Learn Shona is an ideal short introductory course for English speakers learning Shona. Does your family speak Shona but you do not? Are you a Shona-speaking parent but you do not have structured material to teach Shona to your English-speaking children? Are you visiting Zimbabwe and would like to learn Shona? Do your friends speak Shona but you do not? Are you a non-Shona speaker living or working in Zimbabwe wanting to learn Shona in a structured way? If you answered yes to any of the above questions then this is the right book for you. The book assumes no prior knowledge of Shona and will help you master the basics. The book has simple rules to help you learn Shona without learning complex grammar rules. To help you practise, there are practice questions at the end of the chapter and answers at the end of the book. On completing the course you will be able to do the following: greet and introduce people; understand basic expressions; build simple sentences; ask questions; express your emotions; and count in Shona. The book also provide some insights into Shona culture. The book also has reference material to access when needed.

This is the first book to give a full and readable account of how dictionaries are made. It is both a general introduction to lexicography and a systematic guide to lexicographic methods. Included are sections on treatment of pronunciation, inflection, constructions, collocations, and idioms; the structure of entries and their arrangement in a dictionary; and the planning, execution, and monitoring of a dictionary project. Practical Lexicography demonstrates how both one-language and two-language dictionaries are written, the ways in which materials are selected, arranged, and explained, and how computers have revolutionized the making of dictionaries.

Zimdancehall is a musical movement in Zimbabwe that has grown significantly since 2010. The Zimdancehall Revolution brings together critical essays on various aspects of Zimdancehall culture by scholars from diverse disciplines. Traditionally, music critics and senior academics have not taken Zimdancehall seriously, regarding it as vulgar, transient, bubble gum, lacking depth, and in short, a fad. There were also allegations that the lyrics influenced factionalism, incited violence and glorified drug use and unbridled promiscuity among the youth. This book affords this movement the protracted intellectual engagement that it deserves and argues that Zimdancehall is more than just a musical genre but an everyday culture, a way of life. The genre’s close association with the ghetto is telling and enables critics to look at it as a social movement, a revolution, or a raw, petulant and raging disturbance of peace by those who live their lives on the margins. It is, thus, a violent irruption onto the public space by marginalised young people whose presence as artistes creating art from the margins, simultaneously as victims and agents, circulating in a geography that escapes the limits of nationalist ideological and physical territory, in a way subverts communitarian prescriptions and allows young people entry into the world, albeit in a painful, tumultuous and violent way. The essays range from the mapping of the genre’s historical development to theoretical interventions in understanding the genre and its relationship with various aspects of the Zimbabwean society like politics, gender, religion, language, dance, cultural values and other genres.