An exclusive look inside the world of Moreschi, one of the world’s most prestigious shoemakers. Moreschi is renowned for its exacting standards and unique style, and for producing each and every pair on-site, from the arrival of the leather to boxing and dispatching to stores. The art of shoemaking is detailed throughout this richly illustrated book. Through conversations with the founder, the artisans’ memories, and pictures of dozens of the factory’s creations, a story unfolds that confirms the vast heritage of artisan culture that lies behind Italian production. Moreschi shoes have been worn by the likes of Richard Burton, Liam Neeson, Adrien Brody, Michael Jackson, James Brown, Johnny Cash, and also sports stars such as Michael Jordan, Novak Djokovic, and Alberto Tomba.

Applies traditional epideiologic methods for determining disease etiology to the real-life applications of public health and health services research. This text contains a chapter on the development and use of systematic reviews and one on epidemiology and the law.

This 1885 classic by John Bedford Leno (1826–94) includes over 100 diagrams and illustrations inside the following chapters: 1. Historical 2. The Anatomy of the Foot 3. The Foot:—Its Ailments, and Their Remedies 4. Measurement 5. Lasts 6. Fitting Up the Last 7. Choice and Purchase of Materials 8. Cutting Out 9. Fitting and Closing 10. Boot and Shoemaking: Men’s Work 11. Boot and Shoemaking: Women’s Work 12. Leggings and Gaiters 13. Mending 14. Furring 15. Bows and Rosettes 16. Boot and Shoe Armour: Tips, Plates, and Nails 17. Kit-Cutting 18. Sharpening Knives and Awls 19. Special Operations 20. Boot and Shoe Machines 2.1 Leather Cutting, Splitting, and Rolling Machines 22. Machines Employed for Preparatory Processes—Upper Splitting and Skiving 23. Upper Closing and Sole Attaching Machines 24. Machines for Building, Moulding, Attaching, Breasting, and Finishing Heels 25. Machines Used for Levelling Seams of Uppers, Edge Setting, and Levelling and Buffing Bottoms 26. Useful Receipts for Shoemakers 27. Conclusion