Documentaire sur l'extermination des Juifs d'Europe par les Nazis au cours de la deuxième guerre mondiale à travers les témoignages de gens qui ont vécu à cette époque. Le réalisateur s'est surtout attaché à l'étude des méthodes utilisées dans les camps établis en Pologne tels Treblinka et Auschwitz en interrogeant des Juifs survivants, des Polonais qui vivaient à proximité de ces lieux et diverses personnes qui furent mêlées consciemment ou non à ce processus. En finale vient une section concernant la vie dans le ghetto de Varsovie et sa destruction.

On the eve of the Nazi invasion of the USSR in 1941, Ukraine was home to the largest Jewish community in Europe. Between 1941 and 1944, some 1.4 million Jews were killed there, and one of the most important centers of Jewish life was destroyed. Yet, little is known about this chapter of Holocaust history. Drawing on archival sources from the former Soviet Union and bringing together researchers from Ukraine, Germany, Great Britain, the Netherlands, and the United States, The Shoah in Ukraine sheds light on the critical themes of perpetration, collaboration, Jewish-Ukrainian relations, testimony, rescue, and Holocaust remembrance in Ukraine. Contributors are Andrej Angrick, Omer Bartov, Karel C. Berkhoff, Ray Brandon, Martin Dean, Dennis Deletant, Frank Golczewski, Alexander Kruglov, Wendy Lower, Dieter Pohl, and Timothy Snyder.

Comprehensive analysis of 220 hours of outtakes that impels us to reexamine our assumptions about a crucial Holocaust documentary. Claude Lanzmann’s 1985 magnum opus, Shoah, is a canonical documentary on the Holocaust—and in film history. Over the course of twelve years, Lanzmann gathered 230 hours of location filming and interviews with survivors, witnesses, and perpetrators, which he condensed into a 9½-hour film. The unused footage was scattered and inaccessible for years before it was restored and digitized by the United States Holocaust Memorial Museum. In An Archive of the Catastrophe, Jennifer Cazenave presents the first comprehensive study of this collection. She argues that the outtakes pose a major challenge to the representational and theoretical paradigms produced by the documentary, while offering new meanings of Shoah and of Holocaust testimony writ large. They lend fresh insight into issues raised by the film, including questions of resistance, rescue, refugees, and, above all, gender—Lanzmann’s twenty hours of interviews with women make up a mere ten minutes of the finished documentary. As a rare instance of outtakes preserved during the predigital era of cinema, this unused footage challenges us to establish a new critical framework for understanding how documentaries are constructed and reshapes the way we view this key Holocaust film. “Cazenave’s immense work of scholarship and reflection offers an intimate and exacting account of the way Lanzmann’s approach to the project shifted and changed over the years of its creation. Never before has there been a more insightful study of the evolution of his thinking. I believe that any scholar who has worked on this film will agree.” — Stuart Liebman, editor of Claude Lanzmann’s Shoah: Key Essays “This monumental book will profoundly change our understanding of Shoah and Lanzmann’s highly influential shaping of the Holocaust narrative. Cazenave reveals that the significance of Shoah is not only found in what is in it, but, perhaps more importantly, what was omitted from it.” — Aaron Kerner, author of Film and the Holocaust: New Perspectives on Dramas, Documentaries, and Experimental Films

A nine-and-a-half-hour documentary on the Nazi extermination camps, Shoah (the Hebrew word for "Holocaust") was internationally hailed as a masterpiece upon its release in 1985. Shunning any re-creation, archival footage, or visual documentation of the events, filmmaker Claude Lanzmann relied on the words of witnesses—Jewish, Polish, and German—to describe in ruthless detail the bureaucratic machinery of the Final Solution, so that the remote experiences of the Holocaust became fresh and immediate. This book presents in an accessible and vivid format the testimony of survivors, participants, witnesses, and scholars. This tenth anniversary edition, published on the fiftieth anniversary of the liberation of the camps, is newly revised and corrected in order to more accurately present the actual testimony of those interviewed. Shoah is an unparalleled oral history of the Holocaust, an intensely readable journey through the twentieth century's greatest horror.

Every day in Israel, memorials are held for people killed simply because they were Jews - condemned by the fury of Islamic fundamentalism. A New Shoah is the first book devoted to telling the story of these Israeli terror victims. It centers on a ...

Claude Lanzmann's epic 1985 film 'Shoah' tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Sue Vice addresses Lanzmann's central role in the film and the issue of representing the unrepresentable.

Groundbreaking analyses of the vast archive of newly digitized and released outtakes from Lanzmann's masterwork.

This volume discusses a Muslim's perspective on the Holocaust and antisemitism. It offers an honest and comprehensive interpretation of Jewish-Muslim relations in contemporary times. Afridi brings to light the enormity of the Holocaust for the world and in particular the Muslim reader.

*Surviving Auschwitz* tells the moving and inspirational story of three young girls who survived Auschwitz, Adolph Hitler’s most notorious death camp. With dramatic photographs, Tova Friedman, Frieda Tenebaum, and Rachel Hyams document the story in their own words.

Examines the change in memory regime in postwar France, from one centered on the concentration camps to one centered on the Holocaust.