Shingon Buddhism arose in the eighth century and remains one of Japan's most important sects, at present numbering some 12 million adherents. As such it is long overdue appropriate coverage. Here, the well-respected Mark Unno illuminates the tantric practice of the Mantra of Light, the most central of Shingon practices, complete with translations and an in-depth exploration of the scholar-monk Myoe Koben, the Mantra of Light's foremost proponent.

In From Outcasts to Emperors, David Quinter illuminates the Shingon Ritsu movement founded by the charismatic monk Eison (1201–90) at Saidaiji in Nara, Japan. The book’s focus on Eison and his disciples’ involvement in the cult of Mañjuśrī Bodhisattva reveals their innovative synthesis of Shingon esotericism, Buddhist discipline (Ritsu; Sk. vinaya), icon and temple construction, and social welfare activities as the cult embraced a spectrum of supporters, from outcasts to warrior and imperial rulers. In so doing, the book redresses typical portrayals of “Kamakura Buddhism” that cast Eison and other Nara Buddhist leaders merely as conservative reformers, rather than creative innovators, amid the dynamic religious and social changes of medieval Japan.

Takes the reader on a pilgrimage to Mount Kōya, the holy Buddhist mountain in Japan.

Present book surveys and re-interprets the vast work of traditional and modern Japanese scholarship on the Twin mandalas.

Kakuban (1095-1144) is the second most important figure in the history of the Shingon sect of Esoteric Buddhism, but there are few studies about him in Western languages. This work contains a biography and a discussion of Kakuban's works, focusing on his doctrines. Although it is widely believed that Kakuban incorporated Amidist ideas and practices into Shingon, this study shows that Kakuban's aim was to explain the practices of other schools from an orthodox Shingon point of view. The translations of Kakuban's major works, the Amida hishaku and the Gorin kuji myô himitsushaku, clearly support this idea.

This volume includes five texts by Kukai (On the Differences between the Exoteric and Esoteric Teachings; The Meaning of Becoming a Buddha in This Very Body; The Meanings of Sound, Sign, and Reality; The Meanings of the Word Hum; The Precious Key to the Secret Treasury), and two by Kakuban (The Illuminating Secret Commentary on the Five Cakras and the Nine Syllables; The Mitsugonin Confession). On the Differences between the Exoteric and Esoteric Teachings aims to highlight the differences between Exoteric and Esoteric Buddhism and explain why the latter is superior to the former. The Meaning of Becoming a Buddha in This Very Body is a collection of discussions and remarks on the possibility of attaining enlightenment in ones lifetime. The Meanings of Sound, Sign, and Reality concerns the problem of expressing ultimate reality through language. It extends the connotations of "language" to embrace all phenomena. The Meanings of the Word Hum demonstrates how the entire teachings of Buddhism can be encapsulated in a single word or syllable. The Precious Key to the Secret Treasury is an abridged version of the teachings of the Shingon school. It discusses the ten stages of Buddhism and how each successive stage overcomes the limitations of previous stages. The Mitsugonin Confession is a text recited in the daily services of Shingi-Shingon temples throughout Japan and reflects the actual conditions of monastic life on Koyasan during its founder Kakuban's lifetime. The Illuminating Secret Commentary on the Five Cakras and the Nine Syllables is a work assimilating the Shingon and Pure Land schools from the standpoint of the Shingon teachings established by Kukai. It argues that attaining enlightenment in one's present body through esoteric practices is the same ultimately as being born in the Western Paradise through chanting Amitabha's name.