* * * In his two most famous poems, Muhammad Iqbal sets out to reconcile the vacuum between Man and God with his philosophy and vision intricately woven in this epic dialogue * * * Besides other translations out there, this book aims to provide a more literal and detailed analysis that will appeal to the young and old readers alike. Read on to gain a better understanding of arguably Iqbal's best works and discover why he was named The Poet of the East as this iconic dialogue incites a feeling of pride and re-connection to one's Self.

Though much of Iqbal's best poetry is written in Persian, he is also a poet of colossal stature in Urdu. Shikwa (1909) and Jawab-i-Shikwa (1913) extol the legacy of Islam and its civilising role in history, bemoan the fate of Muslims everywhere, and squarely confront the dilemmas of Islam in modern times. Shikwa is thus, in the form of a complaint to Allah for having let down the Muslims and Jawab-i-Shikwa is Allah's reply to thepoet's complaint.

An excellent work detailing with notes the thoughts of Allama Iqbal in his famous work. The text features extensive notes and gives an introduction to each poem.

When Muhammad Iqbal first recited Shikwa (Taking Issue) in 1909, his audience was enraged by his effrontery. Iqbal, in his lament, took issue with Allah directly, audaciously implicating Him for the sorry state of Muslims worldwide and ruing the lost glory of Islam. In recompense, Iqbal composed Jawaab-e-Shikwa (Allah’s Answer) in 1913. Here, Allah responds to the poet, first berating his community, then offering hope for Islam in the world. Iqbal’s mellifluous words greatly assuaged those angered earlier. Over time, the poems have found their place in the canon of South Asian literature, and, through recitation, repetition and selective use, have forwarded a variety of agendas in the subcontinent. In this elegant translation by Mustansir Dalvi, these classics by the most influential poet of his generation come alive once again in a language that is contemporary and immediate.

Decolonization and Anti-colonial Praxis presents research on contemporary forms of decolonization and anti-colonialism in practice. It pertains to the ways in which individuals, groups, and communities engage with the logic of epistemic colonial power within areas of citizenship, migration, education, Indigeneity, language, land struggle, and social work. The contributions in this edited volume empirically document the conceptual and bodily engagement of racialized and violated individuals and communities as they use anti-colonial principles to disrupt criminalizing institutional discourses and policies within various global imperial contexts. The terms ‘Decolonization’ and ‘Anti-colonialism’ are used in diverse and interdisciplinary academic perspectives. They are researched upon and elaborated in necessary ways in the theoretical literature, however, it is rare to see these principles employed in applied forms. Decolonization and Anti-colonial Praxis provides a much needed contemporary and representative reclamation of these concepts from the standpoint of racialized communities. It explores the frameworks and methods rooted in their indigeneity, cultural history and memories to imagine a new future. The research findings and methodological tools presented in this book will be of interdisciplinary interest to teachers, graduate students and researchers. Contributors are: Harriet Akanmori, Ayah Al Oballi, Sevgi Arslan, Jacqueline Benn-John, Lucy El-Sherif, Danielle Freitas, Pablo Isla Monsalve, Dionisio Nyaga, Hoda Samater, Rose Ann Torres, Umar Umangay, and Anila Zainub.

The Secrets of the Self is a book-length, philosophical poem rooted in metaphysical thought and ideology, as well as Islamic theology. Originally published in 1915, the poem speaks of the "Self" in relation to the universe, how it is the inner power and soul of each individual human. It instructs on how to improve the Self through Love and willpower, which can then help one control the forces within the universe. The poem includes stories that illustrate its points and promotes the spread of Islamic ideals. MUHAMMAD IQBAL (1877-1938) was a poet, prophet, and politician in British India. Born in Sialkot, Punjab, Iqbal converted to Islam with his family as a child. He studied literature and law at Cambridge, Munich, and Heidelberg before starting his own law practice and concentrating on his scholarly writing, which he authored primarily in Persian. Many of Iqbal's works promote Islamic revival, especially in South Asia, and he was a well-known leader of the All India Muslim League. Today, he is recognized as the official poet of Pakistan, and his birthday is celebrated as a national holiday.

Allama Mohammad Iqbal, whom Sarojini Naidu called the ‘Poet laureate of Asia’, remains a controversial figure in the history of the Indian subcontinent. On the one hand, he is considered the ‘Spiritual Father of Pakistan’. On the other, his message of Eastern revivalism places him in the ranks of the twentieth century’s major intellectuals. Iqbal’s tragedy was that after his death, he was made the national poet of Pakistan and largely ignored in India. In his time, he was lauded as much as Tagore, but today India celebrates Tagore while Iqbal has been banished from her consciousness. This meticulously researched biography will redress that erasure. This is the story of Iqbal’s evolution as a poet, philosopher and politician. While his role in the struggle for India’s freedom and the Pakistan movement are well known, not much is known about his personal life. This book highlights some of the least known facets of the poet’s life: how did a nationalist poet transform into a poet of Islamic revivalism and global revolution? How did three years in Europe change Iqbal’s political and philosophical outlook? Why did he start writing in Persian during his stay in Europe? Why did his first marriage fail and how did his romantic relationships affect him? What exactly was the poet’s role in bringing about Partition? Written with the passion of an ardent devotee, Zafar Anjum’s Iqbal answers all of these questions—and many more—in this carefully told biography.