A little girl named Noelle tells how she likes to go looking for things that are brown like her.

Zhara is a young girl whose family is constantly moving because her dad is in the military. Every move, she's never thrilled about starting over at a new school. However, with her teacher this year, that's all about to change! "She's Brown Like Me" by Febrah Hall will warm your heart and teach children about the importance of diversity and respecting differences in people.

You might feel that this fight is too big for you. How on earth can you dismantle so many complex, long-standing systems of oppression? My answer: piece by piece. Brown Girl Like Me is an inspiring memoir and empowering manifesto that equips women with the confidence and tools they need to navigate the difficulties that come with an intersectional identity. Jaspreet Kaur unpacks key issues such as the media, the workplace, the home, education, mental health, culture, confidence and the body, to help South Asian women understand and tackle the issues that affect them, and help them be in the driving seat of their own lives. Jaspreet pulls no punches, tackling difficult topics from mental health and menstruation stigma to education and beauty standards, from feminism to cultural appropriation and microaggressions. She also addresses complex issues, such as how to manage being a brown feminist without rejecting your own culture, and why Asian girls – the second highest performing group of students in the country – aren't seen in larger numbers in universities and head offices. Interviews with brilliant South Asian Women of all walks of life as well as academic insight show what life is really like for brown women in the diaspora. Part toolkit, part call-to-arms, Brown Girl Like Me is essential reading for South Asian women as well as people with an interest in feminism and cultural issues, and will educate, inspire and spark urgent conversations for change.

Elena is a spunky and curious little girl who realizes that none of the people in the stories they read in class look like her. Elena goes on a journey and discovers something amazing!

In this lyrical coming-of-age story about family, sisterhood, music, race, and identity, Schneider Family Book Award and Stonewall Honor-winning author Mariama J. Lockington draws on some of the emotional truths from her own experiences growing up with an adoptive white family. I am a girl but most days I feel like a question mark. Makeda June Kirkland is eleven years old, adopted, and black. Her parents and big sister are white, and even though she loves her family very much, Makeda often feels left out. When Makeda's family moves from Maryland to New Mexico, she leaves behind her best friend, Lena— the only other adopted black girl she knows— for a new life. In New Mexico, everything is different. At home, Makeda’s sister is too cool to hang out with her anymore and at school, she can’t seem to find one real friend. Through it all, Makeda can’t help but wonder: What would it feel like to grow up with a family that looks like me? Through singing, dreaming, and writing secret messages back and forth with Lena, Makeda might just carve a small place for herself in the world. For Black Girls Like Me is for anyone who has ever asked themselves: How do you figure out where you are going if you don’t know where you came from?

Growing up in the late 19th century, Laura Wheeler Waring didn't see any artists who looked like her. She didn't see any paintings of people who looked like her, either. As a young woman studying art in Paris, she found inspiration in the works of Matisse and Gaugin to paint the people she knew best. Back in Philadelphia, the Harmon Foundation commissioned her to paint portraits of accomplished African-Americans. Her portraits still hang in Washington DC's National Portrait Gallery, where children of all races can admire the beautiful shades of brown she captured.

Acclaimed R&B singer Bettye LaVette celebrates her storied career in show business in this compelling memoir. As a teenager in Detroit, Bettye LaVette had a hit single with “My Man—He’s a Lovin’ Man.” By the time she was twenty, she had faded back into obscurity and was barely surviving in New York City. For the next forty years, despite being associated with legends such as Aretha Franklin, Otis Redding, Marvin Gaye, and James Brown, she remained relatively unknown outside a circle of devoted fans. Every time it seemed that her dream of stepping into the spotlight was finally coming true, bad luck smashed her hopes, again and again. Then, after a lifetime of singing in clubs and lounges, her unforgettable televised performances at the 2008 Kennedy Center Honors and at President Obama’s pre-Inaugural Concert at the Lincoln Memorial in 2009 won her the recognition she had sought for her entire life. Bettye LaVette’s career has been a one-of-a-kind roller-coaster ride through the world of music; it has taken her from the peaks to the pits and back. In this unflinchingly honest memoir, she boldly recounts her freewheeling childhood—her parents ran an illegal liquor business out of their living room, which was frequented by some of the top acts of the forties and fifties—her short-lived conquest of the R&B world in the 1960s, her decline into poverty and despair, and her recent comeback and career revival, with two Grammy-nominated CDs and numerous appearances on major television talk shows. Poignant, brazen, and fearless, A Woman Like Me is a tour de force from one of the most outspoken female performers singing today—and she’s a force to be reckoned with.

It is the 1960s as Betty Jean Carter harbors a hidden desire to leave her hometown in the Bayou. She not only wants to attend college, but also escape her abusive stepfather and demanding mother. One day when Betty Jean tells her parents she wants to enroll in Howard University, her abusive stepfather and unsupportive mother shun the idea. Confused and hurt, Betty Jean runs away. After Betty Jean hitchhikes to Washington, D.C., she soon realizes she lacks the finances and criteria to be accepted at Howard. With nowhere to live, Betty Jean is embraced by the underground street life. As she delves into a dark world of drugs and prostitution, she must somehow learn to survive. Now torn between her hopes of attending college and her new normal, Betty Jean is propelled down a path she never could have imagined as tragedy waits to emerge from the shadows. In this compelling urban tale, a young woman embarks on a dangerous journey to find independence, realize her dreams, and overcome family secrets.

Nicole Homer's first full-length poetry collection, Pecking Order, is an unflinching look at how race and gender politics play out in the domestic sphere. Homer challenges the notion of family by forcing the reader to examine how race, race performance, and colorism impact motherhood immediately and from generation to generation. In a world where race and color often determine treatment, the home should be sanctuary, but often is not. Homer's poems question the construction of racial identity and how familial love can both challenge and bolster that construction. Her poems range from the intimate details of motherhood to the universal experiences of parenting; the dynamics of multiracial families to parenting black children; and the ingrained social hierarchy which places the black mother at the bottom. Homer forces us to reckon with the truth that no one–not even the mother–is unbiased.