"Shepard Fairey Inc. - Artist/Professional/Vandal, is the first treatment of his extraordinary domain that is not an authorized product of his studio. From clothing and advertising to the world of fine art, the reach of this "street artist" extends to all aspects of society; yet given his great success, he is also the target of critics and detractors. He has challenged conventions, formulas, paradigms, and traditional borders that make many uncomfortable, spurring consistent debate over the legitimacy of his artwork, the authenticity of his background, and the ethics of his design processes. By reflecting on the many layers of being an antimodern artist, we learn much about both the current state of the art world and Fairey's influence on it. Featuring a wide variety of remarkable color photographs and a foreword by Robbie Conal, Shepard Fairey Inc. gives us a fresh, objective understanding of the work of this astonishing artist"--Provided by publisher.

E Pluribus Venom collects a large body of work produced by Shepard Fairey and presented at the Jonathan Levine Gallery during his massive exhibition in the summer of 2007. The title, which translates Out of many, poison is derived from E Pluribus Unum (out of many, one) an early motto adopted by the U.S. Government which appears on U.S. currency. The artists thesis is that many becoming one, or a loss of power and influence of the individual in favor of homogeny is a symptom of a society in decline. The book is comprised of artworks designed to question the symbols and methods of the American machine and American dream and also celebrate those who oppose blind nationalism and war. Some of Faireys works use currency motifs or a Norman Rockwell aesthetic to employ the graphic language of the subjects they critique. Other works use a blend of Art Nouveau, hippie, and revolutionary propaganda styles to celebrate subjects advocating peace.

Andre the Giant Has a Posse is a street art campaign based on an original design by Frank Shepard Fairey created in 1989 while Fairey was a student at the Rhode Island School of Design (RISD). At the time Fairey declared the campaign to be "an experiment in phenomenology." Over time the artwork has been reused in a number of ways and has become a world-wide pataphysical movement, following in the footsteps of Ivan Stang's Church of the SubGenius and populist WWII icon Kilroy Was Here. At the same time, Fairey's work has evolved stylistically and semantically into the OBEY Giant campaign. This book displays 10 years of graphic evolution - from the first photocopied "Andre the Giant" sticker that Shepard Fairey made at RISD to the giant billboard posters you see all around the world. A stunning full-colour documentation of Fairey's T `campaign' of postering and stencils It attempts to simultaneously bring the viewer to question propaganda absorption and to encourage a better use of public space.

It was 1989 when Shepard Fairey, a student at the Rhode Island School of Design, first created the now-infamous The Giant has a Posse sticker. The black and white image of the huge wrestler's subdued and vacant stare became an underground icon and by the mid-90's about a half-million had been posted around the world. This monograph is a reprint of a limited edition paperback published in Japan. It documents Shepard Fairey's career from his creation of the Giant phenomenon up to and including the advent of Black Market, a San Diego design agency Fairey formed with Dave Kinsey and Philip Dewolff and which focuses on the action sport and music industries. Today Shepard Fairey creates designs for high profile clients such as Pepsi and Universal Pictures, produces Giant art, exhibits worldwide in galleries, and still keeps his Giant images on the streets.

From Obey to Obama and all that s in between, Supply & Demand, The Art of Shepard Fairey - 20th Anniversary Edition expands upon the previous version of this book and adds 100 new pages of illustrations and text to showcase Fairey s entire body of work, a massive retrospective covering 20 colorful years. Recently thrust into the spotlight for his image of President-elect Barack Obama, Fairey helped catalyze a movement from his unique vantage at the intersection of art, popular culture and politics. The book includes versions of the image as well as a copy of correspondence from the soon-to-be President himself thanking Mr. Fairey for his support.

Stay Up! Los Angeles Street Art is an investigation of the global phenomenon of street art. Told from the perspective of artists working in Los Angeles, it offers a new vantage point for understanding an art form that is widely popular yet has been the subject of speculation and much uncertainty. Questions whether street art is the next major art movement or if it a simply a trend and the differences between graffiti and street art are explored. A number of counterintuitive themes plague street art but that does not stop the excitement and enthusiasm surrounding this engaging and exciting art form. Street art has exploded as a creative outlet and progressed from a counter culture movement based in graffiti in previous decades to a legitimate business platform in design, fashion, film, publishing, and art. The author explores the uniqueness of L.A. along with some of the successes and pitfalls these creative artists encounter. The major themes presented will familiarize the reader with the street art scene in L.A. and add new meaning to this creative capital.

Accompanying DVDs (directed by Ted Newsome; produced by 2HeadedHorse) contain interviews, biomentary, and skate videos.

2nd Edition Special Anniversary Black & White Edition THE PHILOSOPHY OF OBEY (i.e. Obey Giant / Shepard Fairey) is one of the fundamental texts of 21st Century aesthetics - short, bold, candid, puzzling and remarkable in its power to stir the imagination of philosophers and artists alike. Arguably one of the most compelling works of philosophy and art written in the twentieth-first century, Philosophy of Obey is the only artistic - philosophical work that Obey has published during its campaign. Written in short, carefully crafted sentences of extremely revealing candor, it will capture the imagination of a generation of Street Artists and philosophers. For Obey, discourse is something we use to examine reality which is in itself both elusive and unobtainable. Obey famously summarized this book in the following words: I aim to bring something new to every artwork. The work is prefaced by Sarah Jaye Williams introduction to the first edition. Obey Giant (1989 2008) is regarded by many as one of the most significant street art campaigns. This book is a work of theoretical philosophy, contemporary art, and contemporary art history. Any illegal activity or actions deduced or derived from this work is entirely inappropriate and beyond the scope and intent of either the author or publisher. # # # # #

Filled with art, design, fashion, music, & culture, this is the third volume of this quarterly book/periodical. It features music, fashion, graphics and more. Swindle is not too serious, but it is funny, progressive and introduces ideas and images and addresses the trend of cross-culturalization.