The author studies the impact of race on the everyday lifes of working-class African American women by using beauty shop talk. They discuss from relationships and beauty to politics, equality, race, gender, and class. They speak in their own words about their families and communities and the struggles they face in areas of life.

The Fairy Tale Girl is the exciting second book in USA Today bestselling Texas romance author Ann Major’s ANN MAJOR CLASSICS: Men of the West series. “Ann Major’s name on the cover instantly identifies the book as a good read.” –New York Times bestselling author Sandra Brown “Want it all? Read Ann Major.” –New York Times bestselling author Nora Roberts “No one provides hotter emotional fireworks than the fiery Ann Major.” RT Reviews She’s on the run from her dangerous past... The last thing recently divorced Amber Johnson wanted when she fled the Bahamas for Colorado was to fall for handsome rancher, Jake Kassidy, her next-door neighbor. He’s a poor boy made good; a cowboy with a wounded heart... Jake had his own reasons for not wanting to fall in love. From his first tempestuous encounter with Amber, he’s too fiercely drawn to walk away. But will shocking secrets from their pasts destroy their second chance at love? The MEN OF THE WEST series of romance novels includes: Wild Lady The Fairy Tale Girl Meant to Be Golden Man Review THE FAIRY TALE GIRL Ms. Major really creates great emotional intensity… RT Reviews

DIVScientific research has now established that race should be understood as a social construct, not a true biological division of humanity. In Imagining Black America, Michael Wayne explores the construction and reconstruction of black America from the arrival of the first Africans in Jamestown in 1619 to Barack Obama’s reelection. Races have to be imagined into existence and constantly reimagined as circumstances change, Wayne argues, and as a consequence the boundaries of black America have historically been contested terrain. He discusses the emergence in the nineteenth century—and the erosion, during the past two decades—of the notorious “one-drop rule.” He shows how significant periods of social transformation—emancipation, the Great Migration, the rise of the urban ghetto, and the Civil Rights Movement—raised major questions for black Americans about the defining characteristics of their racial community. And he explores how factors such as class, age, and gender have influenced perceptions of what it means to be black. Wayne also considers how slavery and its legacy have defined freedom in the United States. Black Americans, he argues, because of their deep commitment to the promise of freedom and the ideals articulated by the Founding Fathers, became and remain quintessential Americans—the “incarnation of America,” in the words of the civil rights leader A. Philip Randolph./div

Five women and one city in a heartwarming story of life, love and war.Belfast 1939: Martha Goulding’s world is shattered by a sudden death and the outbreak of war that leaves her family facing an uncertain future. Her daughters are talented singers who join a troupe of entertainers led by Goldstein, a Polish Jew, who is determined to raise morale and money for the war effort. But Martha is torn between allowing her girls to perform and keeping them safe from men, both in and out of uniform, and their own headstrong personalities.Irene is drawn to Sean, but the relationship leads her into danger. Peggy is charmed by the enigmatic Harry. Pat doesn’t realise she’s fallen in love at all until it’s too late. Sheila longs to sing with her older sisters.The rise in the girls’ success as the renamed Golden Sisters is played out against a backdrop of Belfast life – from elegant Royal Avenue, into the mills, aircraft factory, concert and dance halls to the heart of the Stormont government. Apathy and lack of resources have left the city unprepared and vulnerable, its people unaware of the horror about to befall them, and Martha’s family will need all their strength and courage to survive.

Over the last century, there has been a revolution in self-presentation and social attitudes towards hair. Developments in mass manufacturing, advances in chemical science and new understandings of bodies and minds have been embraced by new kinds of hairdressers and their clientele and embodied in styles that reflect shifting ideals of what it is to be and to look modern. The emergence of the ladies hairdressing salon, the rise of the celebrity stylist, the impact of Hollywood, an expanding mass media, and a new synergy between fashions in clothing and hairstyles have rippled out globally. Fashions in hair styles and their representation have taken on new meanings as a way of resisting dominant social structures, experimenting with social taboos, and expressing a modern sense of self. From the 1920s bob to the punk cut, hair has continued to be deeply involved in society's larger issues. Drawing on a wealth of visual, textual and object sources, and illustrated with 75 images, A Cultural History of Hair in the Modern Age presents essays that explore how politics, science, religion, fashion, beauty, the visual arts, and popular culture have reshaped modern hair and its significance as an agent of social change.

Murder has a way of killing business... In the small village of Kilbane, County Cork in Ireland, Naomi’s Bistro has always been warm and welcoming. Nowadays, twenty-two-year-old Siobhán O’Sullivan runs the family bistro named for her mother, along with her five siblings, after the death of their parents in a car crash almost a year ago. It’s been a rough year for the O’Sullivans, but it’s about to get rougher. One morning, as they’re opening the bistro, they discover a man seated at a table with a pair of hot pink barber scissors protruding from his chest. With the local garda suspecting the O’Sullivans, and their business in danger of being shunned, it’s up to Siobhán to solve the crime and save her beloved brood. A charming Irish village mystery, perfect for fans of Betty Rowlands and Dee Macdonald.

Investigates when and how preschool children acquire the vernacular norms of the community they come from.

Black women comprise one of the fastest-growing groups of business owners in the United States. In Doing Business with Beauty, sociologist Adia Harvey Wingfield examines this often-overlooked group and one of the most popular businesses run by these entrepreneurs: hair salons. Using in-depth interviews with hair salon owners, Doing Business with Beauty explores several facets of the business of owning a hair salon, including the process of becoming an owner, the dynamics of the owner-employee relationship, and the factors that steer black women to work in the hair industry. Through Harvey Wingfield's research we can understand the black female business owner's struggle for autonomy and her success in entrepreneurship. Book jacket.

Black behind the Ears is an innovative historical and ethnographic examination of Dominican identity formation in the Dominican Republic and the United States. For much of the Dominican Republic’s history, the national body has been defined as “not black,” even as black ancestry has been grudgingly acknowledged. Rejecting simplistic explanations, Ginetta E. B. Candelario suggests that it is not a desire for whiteness that guides Dominican identity discourses and displays. Instead, it is an ideal norm of what it means to be both indigenous to the Republic (indios) and “Hispanic.” Both indigeneity and Hispanicity have operated as vehicles for asserting Dominican sovereignty in the context of the historically triangulated dynamics of Spanish colonialism, Haitian unification efforts, and U.S. imperialism. Candelario shows how the legacy of that history is manifest in contemporary Dominican identity discourses and displays, whether in the national historiography, the national museum’s exhibits, or ideas about women’s beauty. Dominican beauty culture is crucial to efforts to identify as “indios” because, as an easily altered bodily feature, hair texture trumps skin color, facial features, and ancestry in defining Dominicans as indios. Candelario draws on her participant observation in a Dominican beauty shop in Washington Heights, a New York City neighborhood with the oldest and largest Dominican community outside the Republic, and on interviews with Dominicans in New York City, Washington, D.C., and Santo Domingo. She also analyzes museum archives and displays in the Museo del Hombre Dominicano and the Smithsonian Institution as well as nineteenth- and early-twentieth-century European and American travel narratives.