Colonialism in settler societies such as Canada depends on a certain understanding of the relationship between time and Indigenous peoples. Too often, these peoples have been portrayed as being without a future, destined either to disappear or assimilate into settler society. This book asserts quite the opposite: Indigenous peoples are not in any sense “out of time” in our contemporary world. Shaping the Future on Haida Gwaii shows how Indigenous peoples in Canada not only continue to have a future, but are at work building many different futures – for themselves and for their non-Indigenous neighbours. Through the experiences of the Haida First Nation, this book explores these possible futures in detail, demonstrating how Haida ways of thinking about time, mobility, and political leadership are at the heart of contemporary strategies for addressing the dilemmas that come with life under settler colonialism. From the threat of ecological crisis to the assertion of sovereign rights and authority, Weiss shows that the Haida people consistently turn towards their possible futures in order to work out how to live in and transform the present.

Five hundred years. A vast geography. Making and Breaking Settler Space explores how settler spaces have developed and diversified from contact to the present. Adam Barker traces the trajectory of settler colonialism, drawing out details of its operation that are embedded not only in imperialism but also in contemporary contexts that include problematic activist practices by would-be settler allies. Unflinchingly engaging with the systemic weaknesses of this process, he proposes an innovative, unified spatial theory of settler colonization in Canada and the United States that offers a framework within which settlers can pursue decolonial actions in solidarity with Indigenous communities.

"Out of Concealment presents the origin stories of the Haida Nation through the vibrant depiction of its female supernatural beings. Passed on from generation to generation through oral tradition, these stories are important historical narratives that illustrate the Haida's values, customs, rituals, and relationships with the earthly and metaphysical realms. This book features over thirty full-colour surreal photo collages by Haida artist, performer, and activist Terri-Lynn Williams-Davidson. Each image is accompanied by insightful, reflective text describing the being's place in Haida mythology. Out of Concealment encourages readers to see the feminine in the powerful land and seascapes of Haida Gwaii, through a worldview where the environment is worthy of respect, not to be dominated or exploited."--

Introduction: Politics on the boundaries -- The U.S.-indigenous relationship : a struggle over colonial rule -- Resisting American domestication : the U.S. Civil War and the Cherokee struggle to be "still, a nation"--1871 and the turn to postcolonial time in U.S.-indigenous relations -- Indigenous politics and the "gift" of U.S. citizenship in the early twentieth century -- Between civil rights and decolonization : the claim for postcolonial nationhood -- Indigenous sovereignty versus colonial time at the turn of the twenty-first century -- Conclusion: The third space of sovereignty.

Canada is a bounded land – a nation situated between rock and cold to the north and a border to the south. Cole Harris traces how society was reorganized – for Indigenous and non-Indigenous people alike – when Europeans resettled this distinctive land. Through a series of vignettes that focus on people’s experiences on the ground, he exposes the underlying architecture of colonialism, from first contacts, to the immigrant experience in early Canada, to the dispossession of First Nations. In the process, he unearths fresh insights on the influence of Indigenous peoples and argues that Canada’s boundedness is ultimately drawing it toward its Indigenous roots.

A gift from the Creator – that is where it all began. The game of lacrosse has been a central element of many Indigenous cultures for centuries, but once non-Indigenous players entered the sport, it became a site of appropriation – then reclamation – of Indigenous identities. Focusing on the history of lacrosse in Indigenous communities from the 1860s to the 1990s, The Creator’s Game explores Indigenous-non-Indigenous relations and Indigenous identity formation. While the game was being stripped of its cultural and ceremonial significance and being appropriated to construct a new identity for the nation-state of Canada, it was also being used by Indigenous peoples for multiple ends: to resist residential school experiences; initiate pan-Indigenous political mobilization; and articulate Indigenous sovereignty and nationhood on the world stage. The multilayered story of lacrosse serves as a potent illustration of how identity and nationhood are formed and reformed. Engaging and innovative, The Creator’s Game provides a unique view of Indigenous self-determination in the face of settler-colonialism.

The future of northern British Columbia, a vast, resource-rich region of vibrant cultures and diverse communities, could be either driven by a narrow economic agenda or guided by innovative, place-based solutions that seek to build viable communities and resilient local and regional economies. Investing in Place is about creating the foundations for renewing northern British Columbia’s rural and small-town economies. Markey, Halseth, and Manson argue that renewal is not about nostalgic reliance on the policies and economic strategies of the past – rather, it is about building a pragmatic and innovative vision for development, one that acknowledges both the opportunities and the challenges posed by resource development and global and technological change. For policy-makers and residents alike the path to renewal lies in place-based development, which consists of people working together at all levels of the community and region to take advantage of local opportunities in a sustainable, responsible way.

In 2000, the Nisg̱a’a treaty marked the culmination of over one hundred years of Nisg̱a’a people protesting, petitioning, litigating, and negotiating for recognition of their rights. Beyond Rights explores this ground-breaking achievement and its impact. The Nisg̱a’a were trailblazers in gaining Supreme Court recognition of unextinguished Aboriginal title, and the treaty marked a turning point in the relationship between First Nations and provincial and federal governments. Using this treaty as a pivotal case study, Carole Blackburn analyzes treaty making as a way to address historical injustice and to achieve contemporary legal recognition, and explores the possibilities for a distinct Indigenous citizenship in a settler state.

The political concept of recognition has introduced new ways of thinking about the relationship between minorities and justice in plural societies. But is a politics informed by recognition valuable to minorities today? Contributors to this volume examine the successes and failures of struggles for recognition and self-determination in relation to claims of religious groups, cultural minorities, and indigenous peoples on territories associated with Canada, the United States, Europe, Latin America, India, New Zealand, and Australia. The chapters look at cultural recognition in the context of public policy about intellectual and physical property, membership practices, and independence movements, while probing debates about toleration, democratic citizenship, and colonialism. Together the contributions point to a distinctive set of challenges posed by a politics of recognition and self-determination to peoples seeking emancipation from unjust relations.

Knowledge Within: Treasures of the Northwest Coast looks into seventeen of the numerous sites in the Pacific Northwest region with major collections of Northwest Coast Indigenous material culture, bringing attention to a wide range of approaches to caring for and exhibiting such treasures. Each chapter is written by one or more people who work or worked in the organization they write about. Each chapter takes a different approach to the invitation to reflect upon their institution: some narrate a history of the institution, some focus on particular pieces in the collection, and some consider the significance of the work currently being done for the present and future. They do more than fill in the gaps and background of an already existing discussion. They show that these are places and moments in a much longer story, still ongoing, with many characters--individuals, institutions, communities, artworks, treasures--on different, although often parallel or intersecting, journeys.