A rich portrait of a major figure in American art & architecture & his role in shaping American cultural identity.

A generous selection of illustrations, together with a list of surviving landscape sites accessible to the public, brings both the subjects and their art to life.

As showcases for dramatic changes in garden style and new technology, world's fairs offered leading landscape designers and nurserymen the chance to tempt visitors to try new garden trends in backyards across the nation. From horticultural innovations to new landscape styles, the wonders displayed at these fairs had a distinct influence on America's largest urban parks. In World's Fair Gardens, Cathy Jean Maloney offers a lavishly illustrated exploration of the gardens and grounds of America's nineteenth- and early-twentieth-century world's fairs. Maloney describes the landscapes of nine of America's great fairs from the 1876 Centennial Exhibition in Philadelphia to the 1940 World's Fair of Tomorrow in New York, many of whose legacies are still evident. The fairs also created an arena for intense competition among nations. Foreign plant introductions included English rhododendrons in Philadelphia, Mexican cacti in New Orleans, and Japanese gardens at nearly all the fairs, a feat considering the formidable challenge of shipping live plants great distances in those times. Maloney also explores innovations from the "glazeless putty system" greenhouse in 1884 and cold storage systems in 1904 to modernistic glass fences in 1940. Complete with more than 50 color and 70 black-and-white illustrations, World's Fair Gardens will appeal to historians, gardeners, urban planners, landscape architects, public park advocates, preservationists, and anyone interested in the history of these global festivals. Supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts

The only compact yet comprehensive survey of environmental and cultural forces that have shaped the visual character and geographical diversity of the settled American landscape. The book examines the large-scale historical influences that have molded the varied human adaptation of the continent’s physical topography to its needs over more than 500 years. It presents a synoptic view of myriad historical processes working together or in conflict, and illustrates them through their survival in or disappearance from the everyday landscapes of today.

Shaping the Postwar Landscape is the latest contribution to the Cultural Landscape Foundation's well-known reference project, Pioneers of American Landscape Design, the first volume of which appeared nearly a quarter of a century ago. The present collection features profiles of seventy-two important figures, including landscape architects, architects, planners, artists, horticulturists, and educators. The volume focuses principally on individuals whose careers reached their height during the period between the end of World War II and the American Bicentennial. In that postwar era, landscape architects played an important part in the revitalization of American cities, introducing new typologies for public spaces in the civic realm. Among these were parks that capped freeways, plazas and gardens atop buildings, promenades on revitalized waterfronts, "vest pocket" parks on tiny urban plots and derelict sites, and pedestrian-friendly downtown malls. Practitioners were also active on the new suburban frontier, their influence extending as far as Levittown and mobile-home communities. They created new outdoor living environments tailored to the California climate, and their work shaped landscaped in the American South, East, West, and Heartland. At a time when interest in midcentury architecture is flourishing, Shaping the Postwar Landscape offers a substantial parallel contribution to the field of landscape studies. It belongs not only on the bookshelves of serious students and scholars but in the office of every landscape architect sensitive to significant works of the recent past.

"Some anthologies seem slapdash or opportunistic; others are labors of love, informed by a mastery of a particular field and a passion for sharing the heterogeneous richness of their documents. "Building the Nation" is happily one of the latter. . . . Vastly useful."--"Preservation"

Looks at the ways Americans have altered the landscape from the arrival of early Spanish settlers to the beginning of the country's rapid urbanization

For decades, concerns have been raised about the consequences of relentless suburban expansion in the United States. But so far, government programs to control urban sprawl have had little effect in slowing it down, much less stopping it. In this book, Pietro S. Nivola raises important questions about the continued suburbanization of America: Is suburban growth just the result of market forces, or have government policies helped induce greater sprawl? How much of the government intervention has been undesirable, and what has been beneficial? And, if suburban growth is to be controlled, what changes in public policies would be not only effective, but practical? Nivola addresses these questions by comparing sprawling U.S. metropolitan areas to compact development patterns in Europe. He contrasts the effects of traditional urban programs, as well as "accidental urban policies" that have a profound if commonly unrecognized impact on cities, including national tax systems, energy conservation efforts, agricultural supports, and protection from international commerce. Nivola also takes a hard look at the traditional solutions of U.S. urban policy agenda involving core-area reconstruction projects, mass transit investments, "smart" growth controls, and metropolitan organizational rearrangements, and details the reasons why they often don't work. He concludes by recommending reforms for key U.S. policies--from taxes to transportation to federal regulations--based on the successes and failures of the European experience. Brookings Metropolitan Series

Since they were first established in the 1880s, children’s summer camps have touched the lives of millions of people. Although the camping experience has a special place in the popular imagination, few scholars have given serious thought to this peculiarly American phenomenon. Why were summer camps created? What concerns and ideals motivated their founders? Whom did they serve? How did they change over time? What factors influenced their design? To answer these and many other questions, Abigail A. Van Slyck trains an informed eye on the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and modernity and its impact on the lives of children. Following a fascinating history of summer camps and a wide-ranging overview of the factors that led to their creation, Van Slyck examines the intersections of the natural landscape with human-built forms and social activities. In particular, she addresses changing attitudes toward such subjects as children’s health, sanitation, play, relationships between the sexes, Native American culture, and evolving ideas about childhood. Generously illustrated with period photographs, maps, plans, and promotional images of camps throughout North America, A Manufactured Wilderness is the first book to offer a thorough consideration of the summer camp environment.