Sarah Nelson, recognized as one of the key figures in the studying gender in the ancient world and women in archaeology, brings together much of the work she has done in a single volume with her latest thinking on the development of gender studies in the field.

This book concentrates on female shamanisms in Asia and their relationship with the state and other religions, offering a perspective on gender and shamanism that has often been neglected in previous accounts. An international range of contributors cover a broad geographical scope, ranging from Siberia to South Asia, and Iran to Japan. Several key themes are considered, including the role of bureaucratic established religions in integrating, challenging and fighting shamanic practices, the position of women within shamanic complexes, and perceptions of the body. Beginning with a chapter that places the shamaness at the centre of the discussion, chapters then approach these issues in a variety of ways, from historically informed accounts, to presenting the findings of extensive ethnographic research by the authors themselves. Offering an important counterbalance to male dominated accounts of shamanism, this book will be of great interest to scholars of Indigenous Peoples across Religious Studies, Anthropology, Asian Studies, and Gender Studies.

For millennia, people have universally engaged in ecstatic experience as an essential element in ritual practice, spiritual belief and cultural identification. This volume offers the first systematic investigation of its myriad roles and manifestations in the ancient Mediterranean and Near East. The twenty-nine contributors represent a broad range of scholarly disciplines, seeking answers to fundamental questions regarding the patterns and commonalities of this vital aspect of the past. How was the experience construed and by what means was it achieved? Who was involved? Where and when were rites carried out? How was it reflected in pictorial arts and written records? What was its relation to other components of the sociocultural compact? In proposing responses, the authors draw upon a wealth of original research in many fields, generating new perspectives and thought-provoking, often surprising, conclusions. With their abundant cross-cultural and cross-temporal references, the chapters mutually enrich each other and collectively deepen our understanding of ecstatic phenomena thousands of years ago. Another noteworthy feature of the book is its illustrative content, including commissioned reconstructions of ecstatic scenarios and pairings of works of Bronze Age and modern psychedelic art. Scholars, students and other readers interested in antiquity, comparative religion and the social and cognitive sciences will find much to explore in the fascinating realm of ecstatic experience in the ancient world.

Drawing upon historical, archaeological, and mythical examples from around the world, this book reveals how societal views of female empowerment and authority can be directly traced to the reverence once directed towards female warriors, priestesses, healers, queens, pharaohs, and goddesses. Communities which revered women as sacred idols of their belief systems were far more likely to place women in prominent positions of social or political influence, since their members were quite used to envisioning power in the hands of a strong or divine woman. The book also explores how goddesses were purposefully devalued during the rise of patriarchal civilizations, thus restricting the social importance of earthly women and their accompanying rights. One such instance can be found in Greek mythology's Gaia: once revered as a dominant earth mother, she was replaced by a division of less-powerful figures with more socially acceptable feminine roles, such as Aphrodite, the goddess of love (typically held up as an object of male lust); Hera, the goddess of marriage and childbirth (often portrayed as obsessed with jealousy over the extramarital exploits of her husband); and the mostly silent goddess of the hearth, Hestia. The devaluing of once revered goddesses appeared in quite distinct ways across different cultures; thus, this book breaks down its chapters by global region, including Europe, the Middle East, the Mediterranean, India, Asia, Africa, the Americas, and Oceania.

Identity, Oppression, and Diversity in Archaeology documents how racism, classism, sexism, heterosexism, and ableism affect the demographics of archaeology and discusses how knowledge that archaeologists produce is shaped by the discipline’s demographic homogeneity. Previous research has shown that, like many academic fields, archaeology is numerically dominated by straight white cisgender people, and those in positions of authority are predominantly men. This book examines how and why those demographic trends persist. It also elucidates how individual archaeologists’ social identities shape the research they conduct, and therefore, how our demographics affect and limit our knowledge production on a disciplinary scale. It explains how, through unflinching reflection, proactive policymaking, and sincere community-building, we can build a diverse and inclusive discipline. This book will appeal to archaeologists who have an interest in diversity and inclusion within the discipline as well as scholars in other disciplines who are engaged in research on diversity in academia.

Archaeology: The Science of the Human Past introduces students to the wide-ranging and fascinating world of archaeology and provides them with a comprehensive understanding of fundamental archaeological concepts and methods. The seventh edition keeps pace with the developments in archaeological science with up-to-date information on dating, artifact analyses, and remote sensing. Theoretical developments in power, gender, and cognition are also included. Introducing the key components of archaeology, including sites, artifacts, ecofacts, remote sensing, and excavation, it discusses the ways archaeologists obtain, analyze, and interpret evidence. Varying perspectives are considered to provide holistic coverage of how archaeological techniques and methods are used to formulate and test models of what happened in the past. Cultural resource management and the laws and regulations that deal with archaeology around the world are described. Archaeology is placed in the context of current topics, from environmental problems to issues affecting Indigenous populations. Archaeology: The Science of the Human Past remains an ideal introduction to archaeology by offering students a broad and clear understanding of the theoretical and scientific aspects of archaeology and how various archaeological perspectives and techniques help us comprehend not just the past but the contemporary world as well.

This volume challenges traditional narratives on power, moving away from elite-centered models and focusing instead on the archaeology of commoners.

This reference offers reliable knowledge about women's diverse faith practices throughout history and prehistory, and across cultures. Across the span of human history, women have participated in world-building and life-sustaining cultural creativity, making enormous contributions to religion and spirituality. In the contemporary period, women have achieved greater equality, with more educational opportunities, female role models in public life, and opportunities for religious expression than ever before. Contemporaneously with this increased visibility, women are actively and energetically engaging with religion for themselves and for their communities. Drawing on the expertise of a range of scholars, this reference chronicles the religious experiences of women across time and cultures. The book includes sections on major religions as well as on spirituality, African religions, prehistoric religions, and other broad topics. Each section begins with an introduction, followed by reference entries on specialized subjects along with excerpts from primary source documents. The entries provide numerous suggestions for further reading, and the book closes with a detailed bibliography.

Seeking to move beyond the customary limits of archaeological prose and representation, Subjects and Narratives in Archaeology presents archaeology in a variety of nontraditional formats. The volume demonstrates that visual art, creative nonfiction, archaeological fiction, video, drama, and other artistic pursuits have much to offer archaeological interpretation and analysis. Chapters in the volume are augmented by narrative, poetry, paintings, dialogues, online databases, videos, audio files, and slideshows. The work will be available in print and as an enhanced ebook that incorporates and showcases the multimedia elements in archaeological narrative. While exploring these new and not-so-new forms, the contributors discuss the boundaries and connections between empirical data and archaeological imagination. Both a critique and an experiment, Subjects and Narratives in Archaeology addresses the goals, advantages, and difficulties of alternative forms of archaeological representation. Exploring the idea that academically sound archaeology can be fun to create and read, the book takes a step beyond the boundaries of both traditional archaeology and traditional publishing.

Seeking to move beyond the customary limits of archaeological prose and representation, Subjects and Narratives in Archaeology presents archaeology in a variety of nontraditional formats. The volume demonstrates that visual art, creative nonfiction, archaeological fiction, video, drama, and other artistic pursuits have much to offer archaeological interpretation and analysis. Chapters in the volume are augmented by narrative, poetry, paintings, dialogues, online databases, videos, audio files, and slideshows. The work will be available in print and as an enhanced ebook that incorporates and showcases the multimedia elements in archaeological narrative. While exploring these new and not-so-new forms, the contributors discuss the boundaries and connections between empirical data and archaeological imagination. Both a critique and an experiment, Subjects and Narratives in Archaeology addresses the goals, advantages, and difficulties of alternative forms of archaeological representation. Exploring the idea that academically sound archaeology can be fun to create and read, the book takes a step beyond the boundaries of both traditional archaeology and traditional publishing.