Cleaning woman and karate expert Lily Bard is a woman with a complicated past. Trying her best to copy with her terrifying memories, she decides to join a therapy group in her adopted hometown of Shakespeare, Arkansas. As it turns out, the group members' feelings aren't the only things that need sorting out, as they assemble for a session only to find a woman dead, left on display to send a twisted message. Lily soon finds herself embroiled in the murder and its aftermath. Some of her own terrible secrets have been dredged up, and she may not be able to rest until she can untangle the 'who' and the 'why' of this terrible crime. But can she do so before the killer strikes again - and before her own nightmares send her over the edge?

Cleaning woman and karate expert Lily Bard is a woman with a complicated past. Trying her best to cope with her terrifying memories and horrible nightmares, she decides to join a weekly group therapy session in her hometown of Shakespeare, Arkansas. At first, Lily can hardly believe the number of her fellow Shakespeareans that share her life experiences. As it turns out, the group members' feelings aren't the only things that need sorting out -- they assemble for a session and find a woman dead, killed in bone-chilling fashion and deliberately left on display to send a twisted message. Who would commit such horrendous crime, and who is the intended recipient of the message? Before long, Lily becomes embroiled in this disturbing murder and its aftermath, one in which the brutal killer's motives are entirely unclear. The truth is, the situation has dredged up more than a few of her own terrible secrets, and she may not be able to rest until she can untangle the who and why of this terrible crime. But can she accomplish this before the killer strikes again, and before her nightmares send her over the edge? Shakespeare's Counselor is the most complex and absorbing installment yet in Charlaine Harris's engaging, original, and more than slightly dark mystery series.

Welcome back to Shakespeare - a charming Arkansas town with endless back roads, an eclectic mix of residents, and a dollop of noir. Featuring cleaning woman/karate expert Lily Bard, Charlaine Harris's series puts a unique spin on the traditional cozy to create mysteries that "work on every level. The writing and plotting are first rate [and] Lily is appealing in her own prickly way" --Washington Times In this installment, Lily discovers lifelong Shakespeare resident Deedra Dean murdered inside a car parked in a woodsy area outside town. Determined not to get involved, Lily wants to leave the police work to Sheriff Marta Schuster and her team of deputies, and concentrate on cleaning, high kicks, and her boyfriend Jack's impending visit. But when Deedra's notoriously promiscuous lifestyle provides an extensive list of suspects but very few clues, Lily has no choice but to resume the roll of amateur detective and join the investigation. In Shakespeare's Trollop, the fourth book in Charlaine Harris's highly acclaimed and darkly compelling series, Lily Bard delivers a hard-hitting mix of Southern charm and street smarts, a combination so alluring that long-time readers and newcomers will be dying to visit Shakespeare again.

From Charlaine Harris, the #1 New York Times and USA TODAY bestselling author behind HBO’s hit series True Blood and NBC’s Midnight, Texas, the first in a series of mysteries that hits as hard as its heroine... Lily Bard has no illusions about her little town being safe, or peaceful, or full of goodness. Shakespeare, Arkansas, was nothing but a name on a map when she moved here. But Lily has kept her head down in Shakespeare for four years: cleaned houses, blocked unwelcome memories, and honed her body into a weapon with goju karate. It’s as long as she’s lasted anywhere since the nightmare that changed her life, and she’s willing to dust around the skeletons in her neighbors’ closets—provided they mind their business about her past, too. But when a dead body is dumped practically in her front yard, she can’t look away and leave it to innocents to find. And as the investigation creeps closer to Lily, her clients, and the secrets they all keep, she knows her hard-fought peace is in danger. She’s living in close quarters with a murderer. The police are sniffing around her history. And once again, all eyes are on Lily Bard. She could leave town, and give up on the home she’s begun to make. Or she could stay, and root out the killer herself...

Cleaning woman and karate expert Lily Bard is back in Charlaine Harris's latest cozy-but-noirish mystery about the dark secrets of a small Southern town In Shakespeare’s Christmas, Lily heads home to Bartley, Arkansas--always an uncomfortable scenario for the introverted Lily--for her sister Varena’s Christmas wedding. But Lily has more to worry about than being a bridesmaid for a sister to whom she’s no longer close. Soon after she arrives in Bartley, Lily’s private-detective boyfriend shows up too, and not just for moral support: He’s investigating a four-year-old unsolved kidnapping. Try as she might, Lily can’t help but get involved when she discovers that the case hits dangerously close to home--for Varena’s new husband is the widowed father of a girl bearing a remarkable resemblance to the vanished child.

Author of the books that inspired True Blood on HBO and Midnight, Texas on NBC Newspaper reporter Catherine Linton ignored her investigative instincts when her parents died in a mysterious car crash six months ago — grief obscuring the warning signs that something was amiss. But when she discovers the beaten body of her father’s nurse on Linton property, Catherine quickly realizes her parents’ death was no accident. Though the sleepy Southern town that Catherine’s family has called home for generations still prickles with racial tension and decades-old classism, Catherine never expected that Lowfield, Mississippi, could harbor a murderer. Now, it seems everyone has a terrible secret. But how many people in Lowfield would kill to keep them hidden? Catherine finds herself both the sheriff’s lead suspect and the killer’s next target. With the help of her handsome editor, Randall, and her quirky fellow reporter, Tom, Catherine must untangle the dark roots of the murders and stop the killer who wears a neighbor’s face. Sweet and Deadly is the thrilling stand-alone mystery debut from Charlaine Harris, the #1 New York Times bestselling author of the Sookie Stackhouse vampire series, as well as the award-nominated Aurora Teagarden Series, Lily Bard Series, and Harper Connelly Series.

In Subjects of Advice, Ivan Lupić uncovers the rich interconnectedness of dramatic art and the culture of counsel in the early modern period. While counsel was an important form of practical knowledge, with concrete political consequences, it was also an ingrained cultural habit, a feature of obligatory mental, moral, and political hygiene. To be a Renaissance subject, Lupić claims, one had to reckon with the advice of others. Lupić examines this reckoning in a variety of sixteenth-century dramatic contexts. The result is an original account of the foundational role that counsel played in the development of Renaissance drama. Lupić begins by considering the figure of Thomas More, whose influential argument about counsel as a form of performance in Utopia set the agenda for the entire century. Resisting linear narratives and recovering, instead, the simultaneity of radically different kinds of dramatic experience, he shows the vitality of later dramatic engagements with More's legacy through an analysis of the moral interlude staged within Sir Thomas More, a play possibly coauthored by Shakespeare. More also helps explain the complex use of counsel in Senecan drama, from the neo-Latin plays of George Buchanan, discussed in connection with Buchanan's political writings, to the historical tragedies of the mid-sixteenth century. If tyranny and exemplarity are the keywords for early Elizabethan drama of counsel, for the plays of Christopher Marlowe it is friendship. Lupić considers Marlowe's interest in friendship and counsel, most notably in Edward II, alongside earlier dramatic treatments, thus exposing the pervasive fantasy of the ideal counselor as another self. Subjects of Advice concludes by placing King Lear in relation to its dramatic sources to demonstrate Shakespeare's deliberate dispersal of counsel throughout his play. Counsel's customary link to plain and fearless speech becomes in Shakespeare's hands a powerful instrument of poetic and dramatic expression.

This volume of Handbook of Counseling Women brings together in one place the historical context and current theories of, research on, and the issues involved in the practice of counselling women. Topics covered include the development during adulthood, balancing work and family, pregnancy, childbirth and postpartum and women in intimate relationships.

An updated revision of Jeffrey Kottler's classic book reveals the new realities and inner experiences of therapeutic practice today For more than 25 years On Being a Therapist has inspired generations of mental health professionals to explore the most private and sacred aspects of their work helping others. In this new edition, he explores many of the challenges that therapists face related to increased technology, surprising research, the Internet, advances in theory and technique, as well as stress in the international and global economy, managed care bureaucracy, patients with anxiety and depression from unemployment, dysfunctional families, poor education, poverty, parenting issues, often court mandated. Consequently, there's a wealth of new information that explores many forbidden subjects that are rarely admitted, much less talked about openly. Goes deeper than ever before into the inner world of therapist's hopes and fears Written by Jeffrey Kottler the "conscience of the profession" for his willingness to be so honest, authentic, and courageous New chapters explore dealing with failures, reluctant patients, how clients change therapists, and more There is also increased focus on the therapist's role and responsibility to promote issues of social justice, human rights, and systemic changes within the community and world at large.

An NYRB Classics Original Shakespeare, Nietzsche wrote, was Montaigne’s best reader—a typically brilliant Nietzschean insight, capturing the intimate relationship between Montaigne’s ever-changing record of the self and Shakespeare’s kaleidoscopic register of human character. And there is no doubt that Shakespeare read Montaigne—though how extensively remains a matter of debate—and that the translation he read him in was that of John Florio, a fascinating polymath, man-about-town, and dazzlingly inventive writer himself. Florio’s Montaigne is in fact one of the masterpieces of English prose, with a stylistic range and felicity and passages of deep lingering music that make it comparable to Sir Robert Burton’s Anatomy of Melancholy and the works of Sir Thomas Browne. This new edition of this seminal work, edited by Stephen Greenblatt and Peter G. Platt, features an adroitly modernized text, an essay in which Greenblatt discusses both the resemblances and real tensions between Montaigne’s and Shakespeare’s visions of the world, and Platt’s introduction to the life and times of the extraordinary Florio. Altogether, this book provides a remarkable new experience of not just two but three great writers who ushered in the modern world.