The debate over the true author of the Shakespeare canon has raged for centuries. Astonishingly little evidence supports the traditional belief that Will Shakespeare, the actor and businessman from Stratford-upon-Avon, was the author. Legendary figures such as Mark Twain, Walt Whitman and Sigmund Freud have all expressed grave doubts that an uneducated man who apparently owned no books and never left England wrote plays and poems that consistently reflect a learned and well-traveled insider's perspective on royal courts and the ancient feudal nobility. Recent scholarship has turned to Edward de Vere, 17th Earl of Oxford-an Elizabethan court playwright known to have written in secret and who had ample means, motive and opportunity to in fact have assumed the "Shakespeare" disguise. "Shakespeare" by Another Name is the literary biography of Edward de Vere as "Shakespeare." This groundbreaking book tells the story of de Vere's action-packed life-as Renaissance man, spendthrift, courtier, wit, student, scoundrel, patron, military adventurer, and, above all, prolific ghostwriter-finding in it the background material for all of The Bard's works. Biographer Mark Anderson incorporates a wealth of new evidence, including de Vere's personal copy of the Bible (in which de Vere underlines scores of passages that are also prominent Shakespearean biblical references).

Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.

This erudite and entertaining work of literary detection sets out to solve the most puzzling mystery in all of literary history: Who wrote Shakespeare's plays? Presenting his case for a swashbuckling Elizabethan courtier, Sobran vindicates a long list of prominent skeptics, among them the great Shakespearean actors, Kenneth Branagh and Sir John Gielgud. of photos & illustrations.

It successfully argues that "William Shakespeare" was the pen name of an aristocrat, and that William Shakespeare of Stratford-upon-Avon was a shrewd entrepreneur, not a dramatist."--BOOK JACKET.

Selling Shakespeare tells a story of Shakespeare's life and career in print, a story centered on the people who created, bought, and sold books in the early modern period. The interests and investments of publishers and booksellers have defined our ideas of what is 'Shakespearean', and attending to their interests demonstrates how one version of Shakespearean authorship surpassed the rest. In this book, Adam G. Hooks identifies and examines four pivotal episodes in Shakespeare's life in print: the debut of his narrative poems, the appearance of a series of best-selling plays, the publication of collected editions of his works, and the cataloguing of those works. Hooks also offers a new kind of biographical investigation and historicist criticism, one based not on external life documents, nor on the texts of Shakespeare's works, but on the books that were printed, published, sold, circulated, collected, and catalogued under his name.

Did Shakespeare write Shakespeare? This authoritative collection of essays brings fresh perspectives to bear on an intriguing cultural phenomenon.

Shakespeare and the Book Trade follows on from Lukas Erne's groundbreaking Shakespeare as Literary Dramatist to examine the publication, constitution, dissemination and reception of Shakespeare's printed plays and poems in his own time and to argue that their popularity in the book trade has been greatly underestimated. Erne uses evidence from Shakespeare's publishers and the printed works to show that in the final years of the sixteenth century and the early part of the seventeenth century, 'Shakespeare' became a name from which money could be made, a book trade commodity in which publishers had significant investments and an author who was bought, read, excerpted and collected on a surprising scale. Erne argues that Shakespeare, far from indifferent to his popularity in print, was an interested and complicit witness to his rise as a print-published author. Thanks to the book trade, Shakespeare's authorial ambition started to become bibliographic reality during his lifetime.

Non-fiction research book about Shakespeare, the man and his works, based on contemporary evidence. This evidence conflicts with the orthodox view; for example, contemporary evidence shows that ?William Shakespeare? was a pen name, and that his plays were written far earlier than believed. The book also deconstructs the case of the Stratford Man as Shakespeare, and presents a theory how and why the two different identities were later confused. 2nd edition, 448 pages, footnotes, plates.

“Utterly delicious, original, witty, hilarious and brilliant. Shakespeare in Love on magic mushrooms. The Bard has never been this much fun.” —Christopher Buckley, New York Times-bestselling author A tale of two Shakespeares . . . Struggling UC Santa Cruz grad student Willie Shakespeare Greenberg is trying to write his thesis about the Bard. Kind of . . . Cut off by his father for laziness, and desperate for dough, Willie agrees to deliver a single giant, psychedelic mushroom to a mysterious collector, making himself an unwitting target in Ronald Reagan’s War on Drugs. Meanwhile, would-be playwright (and oppressed Catholic) William Shakespeare is eighteen years old and stuck teaching Latin in the boondocks of Stratford-upon-Avon. The future Bard’s life is turned upside down when a stranger entrusts him with a sacred relic from Rome . . . This, at a time when adherents of the “Old Faith” are being hanged, drawn, and quartered as traitors. Seemingly separated in time and place, the lives of Willie and William begin to intersect in curious ways, from harrowing encounters with the law (and a few ex-girlfriends) to dubious experiments with mind-altering substances. Their misadventures could be dismissed as youthful folly. But wise or foolish, the bold choices they make will shape not only the “Shakespeare” each is destined to become . . . but the very course of history itself. “Hilarious, fascinating . . . a cunningly witty, frolicsome, time-warping bildungsroman . . . Winfield slings bucketfuls of double-entendres and wily puns, and he slips in hilarious variations on Shakespeare’s best-known lines . . . Winfield’s high-spirited tribute is a celebration of the power of language and story.” —Los Angeles Times

The identity of Shakespeare, the most important poet and dramatist in the English language, has been debated for centuries. This historical work investigates the role of Edward de Vere, the 17th Earl of Oxford, establishing him as most likely the author of Shakespeare's literary oeuvre. Topics include the historical background of English literature from 1530 through 1575, major contemporary transitions in the theatre, and a linguistically rich examination of Oxford's life and the events leading to his literary prominence. The sonnets, Oxford's early poetry, juvenile "pre-Shakespeare" plays, and his acting career are of particular interest. An appendix examines the role of the historical William Shakespeare and how he became associated with Oxford's work.