The street lights make shadows on Kevin's wall In those shadows, he sees monsters, dragons, and all sorts of frightening creatures. Does he let them scare him or does he find imaginative ways of dealing with these creepy shadows? Find out in this frightfully fun book. Through 15 creative illustrations of silhouetted shadow characters, contrasting with night-time colors, Kevin's room and his imagination come to life Illustrations also show how you can create your own shadow figures From Kevin's experience, children will learn how to deal with their own shadowy fears. Picture book-ages 0-6.

IN THIS FIRST BOOK IN THE HAUNTING YORK TRILOGY, DAN TRIES TO SHED SOME LIGHT UPON THE SHADOWS ON THE WALL... Dan is confused but thrilled when his parents decide to take a family vacation to York, England, right in the middle of the school year. But his excitement turns to dread when he discovers a terrible family secret that threatens to destroy everything. As if Dan doesn't have enough to worry about, the ancient Roman ruins of York are alive with ghosts of Roman soldiers, and they all seem to be reaching out to him. Could they be trying to tell him something? And what d the local gypsies have to do with it all? Do they know something about Dan's future that he doesn't?

Explores how to use one's fingers to create animal shadows on the wall.

"Shadows on the Wall: Deterrence and Disarmament examines and contrasts the three alternative philosophical positions about the nature of the international system and patterns of human behavior that underlie three competing narratives seen in U.S. public debate regarding nuclear deterrence and disarmament. For over six decades, these three competing narratives, built on contrary philosophical traditions, have been the basis for contending positions regarding U.S. nuclear policy-ranging from advocacy for complete global nuclear disarmament to advocacy for the maintenance of robust U.S. nuclear capabilities for deterrence. Each of these three different narratives is based on different speculative expectations about developments in the international system and future patterns of human behavior. Given the inherent uncertainties about future developments in the international system and human behavior, none of these narratives can be deemed to objectively correct, or certainly wrong. They may, nevertheless, be judged to entail different levels of prudence for U.S. and allied security"--

This version of 'Shadows from the Walls of Death' is a tribute to Robert Clark Kedzie, who produced the originals of which there are now only two left in existence. They are located at the University of Michigan and Michigan State University. The originals are approximately 22 x 30 inches containing a title page and an 8 page preface followed by 86 samples cut from rolls of arsenic impregnated wallpaper. The book is sealed in a protective container and each individual page is encapsulated. This particular edition does not actually contain any arsenic. Further to that the content of this volume including both text and images are for entertainment purposes.

An unassuming family struggles to keep up with the ruthless pace of progress in “a genuinely brilliant novel” from a Nobel Prize winner (Chicago Tribune). A Los Angeles Times Best Book of the Year and a New York Times Notable Book Cipriano Algor, an elderly potter, lives with his daughter Marta and her husband Marçal in a small village on the outskirts of The Center, an imposing complex of shops, apartments, and offices. Marçal works there as a security guard, and Cipriano drives him to work each day before delivering his own humble pots and jugs. On one such trip, he is told not to make any more deliveries. People prefer plastic, apparently. Unwilling to give up his craft, Cipriano tries his hand at making ceramic dolls. Astonishingly, The Center places an order for hundreds, and Cipriano and Marta set to work—until the order is cancelled and the penniless trio must move from the village into The Center. When mysterious sounds of digging emerge from beneath their new apartment, Cipriano and Marçal investigate; what they find transforms the family’s life, in a novel that is both “irrepressibly funny” (The Christian Science Monitor) and a “triumph” (The Washington Post Book World). “The struggle of the individual against bureaucracy and anonymity is one of the great subjects of modern literature, and Saramago is often matched with Kafka as one of its premier exponents. Apt as the comparison is, it doesn’t convey the warmth and rueful human dimension of novels like Blindness and All the Names. Those qualities are particularly evident in his latest brilliant, dark allegory, which links the encroaching sterility of modern life to the parable of Plato’s cave . . . [a] remarkably generous and eloquent novel.” —Publishers Weekly Translated from the Portuguese by Margaret Jull Costa

Seven short stories. Ten essays. Eighteen poems. Thirty-four women. One powerful anthology.We Are Not Shadows is a feminist anthology covering issues such as race, gender, sexuality, disability, and more. It is a platform for speaking up and speaking out about the many things women have, and continue to, endure.

I wasn't always the law––abiding, churchgoing young woman I am today. Not too long ago I did shameful things and then ran far away. Not even my beloved fi anc?, youth minister Greg Whitten, knows the truth about my past. But now my worst nightmare has come true. Someone has pictures of the old me and is sending them to me, to Greg, to the church. And if I want to live happily ever after––if I want to live at all––I'll need my newfound faith and Greg's love more than ever.