This book explores the nature of liberal property in the twenty-first century. It contains three parts. The first examines how we have arrived at the liberal concept of property—what many scholars call the 'bundle of rights' metaphor of property. This part argues that the liberal conception embodied in the bundle of rights metaphor is really a way of masking or hiding what property really is: an exercise of ego about the way goods and resources are used. Or, put another way, it enshrines the ability to suit personal preferences about the way things are used, rather than what might better serve the common good. The second part provides an important modern critique of the bundle of rights metaphor—that, in addition to being a collection of rights, property is also about social relations that exist between people. Through these social relations, which are contained in law, any decision that a person makes about how to use a good or resource necessarily carries implications for others. While those effects can be both positive and negative, we are much more familiar with the latter, including most of the global challenges we face today—climate change, extreme weather, global hunger, and global poverty. Taking those global challenges as its focus, the final part of the book suggests possible futures of property in which it is reconceived in ways that reduce the potential for negative impacts on others.

The year 167 B.C.E. marked the beginning of a period of intense persecution for the people of Judea, as Seleucid emperor Antiochus IV Epiphanes attempted -- forcibly and brutally -- to eradicate traditional Jewish religious practices. In Apocalypse against Empire Anathea Portier-Young reconstructs the historical events and key players in this traumatic episode in Jewish history and provides a sophisticated treatment of resistance in early Judaism. Building on a solid contextual foundation, Portier-Young argues that the first Jewish apocalypses emerged as a literature of resistance to Hellenistic imperial rule. In particular, Portier-Young contends, the book of Daniel, the Apocalypse of Weeks, and the Book of Dreams were written to supply an oppressed people with a potent antidote to the destructive propaganda of the empire -- renewing their faith in the God of the covenant and answering state terror with radical visions of hope.

What strings control a puppet? Endless questions faced Morgan and her company of adventures, and every revelation only served to raise more. Free of the dark Labyrinth now she faces the endless daylight of the magical desert. The mage tower and the answers held within await. Can Morgan unravel the secrets of her past or will she become one more victim of the sins of her father? Read the final book in Morgan’s story to learn the truth.

Our human psyches possess astonishing resources that wait within us, but we might not even know they exist until we discover how to access them and cultivate their powers, their untapped potentials and depths. Wild Mind identifies these resources — which Bill Plotkin calls the four facets of the Self, or the four dimensions of our innate human wholeness — and also the four sets of fragmented or wounded subpersonalities that form during childhood. Rather than proposing ways to eliminate our subpersonalities (which is not possible) or to beat them into submission, Plotkin describes how to cultivate the four facets of the Self and discover the gifts of our subpersonalities. The key to reclaiming our original wholeness is not merely to suppress psychological symptoms, recover from addictions and trauma, or manage stress but rather to fully embody our multifaceted wild minds, commit ourselves to the largest, soul-infused story we’re capable of living, and serve the greater Earth community.

“I do not seek to follow in the footsteps of the men of old; I seek the things they sought.” —Basho In every tradition, saints and poets speak of the soul’s search for the beloved, the seeker’s yearning for the divine. This holy longing is a secret feeling with many disguises, leading us to pursue a higher union in spiritual practice, religious discipleship, even romantic embrace. It guides us to timeless wisdom and transcendent experiences. But it also can go awry when we misplace it onto food, alcohol, drugs, or sex. Or when we project it onto an authoritarian teacher, priest, guru, or roshi who abuses power. Whether the abuse is sexual, financial, or emotional coercion, we feel the shock of betrayal, our innocence lost, our faith shaken. This book tells the stories of renowned teachers—Sufi poet Rumi, Hindu master Ramakrishna, Christian saint Catherine of Siena—whose lives unfolded as they followed their longing. And it tells the tales of contemporary teachers of Buddhism, Hinduism, and Catholicism, who acted out their shadows in destructive ways, leaving their followers traumatized and lost. Both faithful seekers who feel hopeful and inspired and disillusioned seekers who feel hopeless and disoriented will find wise counsel here and will retrace the narrow path through the darkness toward the light.

Lila is Sanskrit for play, the play of the gods. It is the self-generating genesis of Bliss, created by Bliss for the purpose of Bliss. It is the uninhibited, impulsive sport of Brahman, the free spirit of creation that results in the spontaneous unfolding of the cosmos to be found in the eternity of each moment. It is beyond the confining locks and chains of reason, beyond the steel barred windows looking out from the cages of explanation, beyond the droning tick-tick-tick of the huge mechanical clocks of time. Come, let us enter the realm of the madman and the finely wrought threads of Clotho as they are measured out by Lachesis and cut by Atropos to create the great tapestry of life, including the intricate, intertwining designs of dementia with the trickster, the shaman, the scapegoat, the shadow, the artist and the savior. Come, let us join in the divine madness of the gods.

"Who knows what evil lurks in the hearts of men? The Shadow knows! A ruthless blackmailer acquires the Q-ray, a deadly device that kills with eerie selectivity via "The Dark Death." Then, a dying gunman asks the Knight of Darkness to save his brother from a life of crime in "House of Shadows," a powerful tale of redemption. BONUS: An executed murderer returns to exact vengeance on Margo Lane's father in "Murder by the Dead," a lost radio thriller from Orson Welles' first month as The Shadow. This instant collector's item showcases the original color pulp covers by George Rozen and Graves Gladney and all the classic interior illustrations by Tom Lovell and Edd Cartier, with historical articles by Will Murray and Anthony Tollin. (Sanctum Books) Softcover, 7x10. B&W, $12.95

How contemporary novels use narrative time to counter cultural homogenization and historical flattening. In From Empire to Anthropocene, Betty Joseph celebrates how contemporary fiction contributes to a novel framing of world literature by playing with our understanding of time. Bringing together an unusual constellation of writers—including Jamaica Kincaid, Teju Cole, Hari Kunzru, and Barbara Kingsolver—Joseph traces how the novelistic interplay of concrete and abstract temporalities offers a new theory of critical globality. Joseph examines time in contemporary life through five conceptual metaphors that have captivated literary, critical, and cultural studies: specters, attachments, networks, markets, and assemblages. Joseph demonstrates how these terms are embedded with their own temporal structures and linguistic complexity. She develops a mode of reading that she calls "conceptual-metaphorical performances," which embody the writers' complex chronopolitical commitments and their refusal to concede to the political paralysis implied in the synchronous and flattened world-time of globality. Time, rather than space, is the axis along which contemporary fiction challenges us to imagine forms of coexistence and social collectivity under the precarious conditions of global capitalism and environmental damage. From Empire to Anthropocene convincingly dispels the notion that so-called English-language "world literature" precludes the possibility of historical analysis and social collectivity. Bringing postcolonialism and Marxist theory into conversation with critical global and ecological perspectives, this book paves the way for a new literary theorization of contemporary Anglophone literature and contributes a fresh perspective to the field of cultural studies.