Review Carlos Lozano's sexy, eyewitness account of life with Dali is described in a colourful, energetic style that touches the sublime and the magnificent. The combination of his story and the breathtaking style of his collaborator, the award winning writer Clifford Thurlow, combine to create a book that is truly memorable. For once, names are named and, the veil of hype and mystique that so often surrounded Dali is blown away for all to see. Once we started, we couldn't put it down! EXHIBIT: A - International Art & Literature Journal, April 2000 -- EXHIBIT: A - International Art & Literature Journal, April 2000 The Surrealist painter deliberately lived his life to complement his deceptive and illusory art. By the end, it was so close to being a confidence trick in itself that historians and biographers have had to struggle to separate fact from the sexual fantasy. Lozano's book is now set to bring the voice of an eye witness to the Salvador Dali myth - and to all the orgiastic gossip about the past. Vanessa Thorpe - The Observer February 20th, 2000. -- Vanessa Thorpe - The Observer February 20th, 2000 From the Author Revealed: the intimate secrets of Salvador Dali. Salvador Dali was the 20th century's most important artist. Okay. There's Picasso; Marcel Duchamp. But for suspending time in the Persistence of Memory, for appealing to our subconscious fears and frustrations in the Metamorphosis of Narcissus, for pure unadulterated personality, Dali is peerless. He was a circus. The big top was always full. He was always on stage: the clown, the magician, the man on the high wire and up there in the white heat of the spotlight what we see is an image, a shadow, a spectral secret few people were invited to share. Carlos Lozano was one of the select. They connected as young boys connect. Sometimes they were naughty boys. They played. They were always friends and within the bounds of this friendship, Carlos was enriched by insights that reveal the broadest range of emotions, the private terrors and the moments of self-doubt that make up the complex portrait of art's most intriguing practitioner. Dali hated pornography. He loved eroticism. Surrealism, drawing upon the insights of Freud, wanted to unlock human sexuality. Salvador Dali was its greatest exponent. As he said - and more than once: The only difference between me and the surrealists is that I am a surrealist. It was a privilege for me to be allowed to share Carlos Lozano's unique story and write his memoirs in Sex, Surrealism, Dali and Me. It is, I hope, surreal, erotic and lots of fun.

"Describes with plenty of colour how surrealism, from Rene Magritte's bowler hats to Salvador Dali's watches, was born and developed." - The Times (UK) As she did for the Modernists In Montmartre, noted art historian and biographer Sue Roe now tells the story of the Surrealists in Montparnasse. In Montparnasse begins on the eve of the First World War and ends with the 1936 unveiling of Dalí’s Lobster Telephone. As those extraordinary years unfolded, the Surrealists found ever more innovative ways of exploring the interior life, and asking new questions about how to define art. In Montparnasse recounts how this artistic revolution came to be amidst the salons and cafés of that vibrant neighborhood. Sue Roe is both an incisive art critic of these pieces and a beguiling biographer with a fingertip feel for this compelling world. Beginning with Duchamp, Roe then takes us through the rise of the Dada movement, the birth of Surrealist photography with Man Ray, the creation of key works by Ernst, Cocteau, and others, through the arrival of Dalí. On canvas and in their readymades and other works these artists juxtaposed objects never before seen together to make the viewer marvel at the ordinary—and at the workings of the subconscious. We see both how this art came to be and how the artists of Montparnasse lived. Roe puts us with Gertrude Stein in her box seat at the opening of The Rite of Spring; with Duchamp as he installs his famous urinal; at a Cocteau theatrical with Picasso and Coco Chanel; with Breton at a session with Freud; and with Man Ray as he romances Kiki de Montparnasse. Stein said it best when she noted that the Surrealists still saw in the common ways of the 19th century, but they complicated things with the bold new vision of the 20th. Their words mark an enormously important watershed in the history of art—and they forever changed the way we all see the world.

A revised edition of Whitney Chadwick’s seminal work on the women artists who shaped the Surrealist art movement. This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution. Their stories and achievements are presented here against the background of the turbulent decades of the 1920s, ’30s, and ’40s and the war that forced Surrealism into exile in New York and Mexico. Whitney Chadwick, author of the highly acclaimed Women, Art, and Society, interviewed and corresponded with most of the artists themselves in the course of her research. Women Artists and the Surrealist Movement, now revised with a new foreword by art historian Dawn Ades, contains a wealth of extracts from unpublished writings and numerous illustrations never before reproduced. Since this book was first published, it has acquired the undeniable status of a classic among artists, art historians, critics, and cultural historians. It has inspired and necessitated a revision of the story of the Surrealist movement.

Sensible artistic advice and lively personal anecdotes in rare important work by famed Surrealist. Filled with Dali's outrageous egotism and unconventional humor, insights into modern art and his own drawings in the margins.

The avant-garde movements of Dada and Surrealism continue to have a huge influence on cultural practice, especially in contemporary art, with its obsession with sexuality, fetishism, and shock tactics. In this new treatment of the subject, Hopkins focuses on the many debates surrounding these movements: the Marquis de Sade's Surrealist deification, issues of quality (How good is Dali?), the idea of the 'readymade', attitudes towards the city, the impact of Freud, attitudes to women, fetishism, and primitivism. The international nature of these movements is examined, covering the cities of Zurich, New York, Berlin, Cologne, Barcelona, Paris, London, and recenlty discovered examples in Eastern Europe. Hopkins explores the huge range of media employed by both Dada and Surrealism (collage, painting, found objects, performance art, photography, film) , whilst at the same time establishing the aesthetic differences between the movements. He also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Salvador Dalí at Home explores the influence of Catalan culture and tradition, Dalí's home life and the places he lived, on his life and work. Fully illustrated with over 130 illustrations of his famous work, as well as lesser known pieces, archive imagery, contemporary landscapes and personal photographs, the book provides uniquely accessible insight into the people and places that shaped this iconic artist and how the homes and landscapes of his life relate to his work.

The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.