Foreword by Günter Grass This anthology gives a sense of the broad range of prose writing, the many interests of the seventeenth century intellectual, a rich diversity of genres, fictions and non-fictions.

This collection features a cogent introduction and includes representative poems by some 60 modern poets, including Ingeborg Bachmann, Gottfried Benn, Berthold Brecht, Paul Celan, Gnnter Eich, Gnnter Grass, Georg Heym, Hugo von Hofmannsthal, Franz Kafka, Gnnter Kunert, Gertrud Kolmar, Friederike Mayr÷cker, Rainer Maria Rilke, Nelly Sachs, and many others.

This collection of High Modernism among Austrian and German writers includes:--Pogrom and a selection from The Case of Sergeant Grischa by Arnold Zweig--"The Murder of a Buttercup" and a selection from Berlin Alexanderplatz (recently cited as one of the 100 Most Meaningful Books of All Time in a survey that was reported in The Guardian, and made into a landmark multipart television series by Rainer Werner Fassbinder) by Alfred D÷blin--Selections from Jew Snss and The Oppermans by Lion Feuchtwanger--A selection from The Seventh Cross and "Excursion of the Dead Girls" by Anna Seghers>

Includes: Gunther Anders, "Victims of Aggression"; Hannah Arendt, "From the Life of the Mind"; Ernst Bloch, "On Fine Arts in the Machine Age, From "The Principle of Hope"; Karl Jaspers, "Existential Philosophy"; Albert Schweitzer, "Philosophy of Civilization"; Karl R. Popper, "An Optimistic View of Our Age"; Ludwig Wittgenstein, From "Philosophical Investigations"; and more.

Included in this anthology are: --Farmyard by Franz Xaver Kroetz--Offending the Audience by Peter Handke--Eve of Retirement by Thomas Bernhard--Big and Little by Botho Strauss>

Long in preparation and in considerable demand, here are the essential poems and prose of one of the giants of 20th century world literature. Following an authoritative introduction by Reinhold Grimm, the volume includes German and English poems on facing pages.

"Written during the last years of the Weimar Republic, the two novels collected here address the urgent problems of that age. Both Erich Maria Remarque (1898-1970) and Joseph Roth (1894-1939) served in World War I, Remarque with the German army and Roth with the Austrian. Their experiences would help define what Gertrude Stein referred to as the "Lost Generation." All Quiet on the Western Front is the testimony of a soldier who had become aware of how much he, and those of his generation who had survived, had been affected by the trauma of the Great War. For Joseph Roth, World War I had cost him his homeland and turned him into a nomad. Job, in abridged form for The German Library, addresses the theme of Jewish identity in a newly mobilized society."--Jacket.

A Runaway Horse by Martin Walser revolves around two friends, long separated, who meet on vacation. One is an idle teacher; the other an optimistic go-getter. The teacher discovers that one cannot avoid dealing head-on with life any better than one can reason with a runaway horse. Peter Schneider's Lenz, which takes its title from the melancholy novella by Georg Bnchner, is about the life of a young intellectual in 1960s East Germany. This is its first publication in English. The Sunday I Became World Champion, by F. C. Delius, portrays a postwar German village through the eyes of a preacher's son--a boy whose stutter is helped by the success of the national soccer team.

Both works in this volume - a play by Carl Zuckmayer (1896-1977) and an unusual contemporary study of Nazi Germany by Sebastian Haffner (1907-99) - bear testimony to the disturbing events that were to change German history in the aftermath of World War I. The abridged translation of The Devil's General, which was approved by Zuckmayer himself, is about a World War I flier who commits suicide as he comes to realize the unintended havoc he has wrought in his obsession to fly. Sebastian Haffner, whose real name was Raimund Pretzel (which was changed with the publication of Germany: Jekyll and Hyde), remained a controversial journalist all his life, working for both left-wing and right-wing journals. The work excerpted here was written in 1940 when Haffner, reared in a liberal tradition, was in a British detention camp as an enemy alien.