The Seven Pomegranate Seeds are seven contemporary monologues for female speakers, thematically linked and with powerful mythical origins. Loosely based on seven of Euripides’ female characters - Medea, Phedra, Demeter, Persephone, Hypsipyle, Creusa and Alcestis - these monologues explore classical mother and child stories in the context of modern Britain. With the tale of an abducted child echoing throughout and reflecting cases such as the Moors Murders, Madeline McCann and Louise Woodward, these individual monologues come together in a compelling conclusion. Originally commissioned by the Onassis Foundation and performed for their inaugural event in Oxford by Claire Higgins, this volume is published to coincide with Teevan’s professorial inaugural lecture on June 11 2014, at Birkbeck, University of London and is accompanied by his short introductory lecture.

Her light reached into the pits of darkness in which he dwelled with pleading souls, pouring through the fault in the ground like liquid gold. It was a lively aura that brought him to crawl straight from the depths of the Underworld. The moment he saw her smile that lit up Hell itself, he knew he forever wanted to be engulfed in its warmth. A warmth he hadn't felt in hundreds of years.The God of the Underworld had fallen for a damsel, one that was far too sweet for him. But that wouldn't stop him on his quest to take a bite of forbidden fruit, and neither would it Persephone, for she had plans for a taste as well.

"The Pomegranate Seeds" is a short story written by the American author Nathaniel Hawthorne. It is one of Hawthorne's works of short fiction, known for its moral and allegorical themes. The story is based on a classic myth from Greek mythology, the myth of Persephone, which explains the changing of the seasons. In Hawthorne's version, he explores the idea of temptation and the consequences of yielding to it. The story centers around the character of Ceres, the goddess of agriculture, and her daughter Proserpina, who is lured by a demon to eat pomegranate seeds from the underworld. As a result, Proserpina must spend part of each year in the underworld, leading to the changing of the seasons. Hawthorne's adaptation of the myth is notable for its moral and allegorical elements, exploring themes of temptation, loss, and the cycles of nature. It reflects his interest in retelling and reinterpreting classic myths and legends within his own literary context.

Pomegranate Seedsis the first collection of the oral tradition of Latin American Jews to be presented in English. These thirty-four tales span the 500 years of Jewish presence in Latin America and the Caribbean. The folktales and cultural oral narratives were often based on actual events, recorded not only from the Ashkenazi perspective but from the Sephardic and Oriental as well. Like dispersed pomegranate seeds, all the stories come from a common cluster, yet each is a separate kernel. The stories are short, between five and fifteen pages, and each is carefully annotated. In addition to gathering stories from eleven Latin American countries, the author found material in the United States and Israel. Regardless of their origin, several tales have to do with personal feelings, emotional insights, and interpretation of the protagonists, while others deal with happy or traumatic events that cannot be forgotten and dreams that have not been fulfilled. Not surprisingly, trauma and bigotry are common threads through some of the stories. These are tales, as Nadia Grosser Nagarajan says, "concealed by tropical greenery, encircled by vast jungles and flowing majestic rivers that echo many voices and reflect many views and visions."

Demeter refuses to allow spring to appear until she has been reunited with her daughter Persephone, who has been abducted to the Underworld by Pluto.

An intensely powerful and moving memoir about genetics, mortality, family, femininity, and the author’s battle with cancer After the grief of losing her mother to cancer when Sarah Gabriel was a teenager, she had learned to appreciate "the charms of simple happiness." With a career as a journalist, a home in Oxford, England, a husband, and two young daughters, she was content. But then at age forty-four, she was diagnosed with breast cancer—the result of M18T, an inherited mutation on the BRCA1 gene that had taken the lives of her mother and countless female ancestors. Eating Pomegranates is Gabriel’s candid and incredibly intimate story of being forced to acknowledge that while you can try to overcome the loss of a parent, you can never escape your genetic legacy. Being diagnosed with the same disease that killed her mother compelled Gabriel to write this story. In her struggle for survival, she recounts the rigors of her treatments and considers the impact of a microscopic piece of DNA on generations of her family’s dynamics. She also revisits her past in an effort to reclaim her identity and learn more about the mother who disappeared too early from her life. Beautiful and brutal, Eating Pomegranates—like the myth of Persephone and Demeter, which inspires the title—is about mothers and motherless daughters. It is about a woman so afraid of abandoning her children that she is hardly able to look at them, and about the history of breast cancer itself, from early radical surgeries to contemporary medicine. Combining passion, humor, fierce intelligence, and clinical detail, Eating Pomegranates is an extraordinary book about an all-too-ordinary disease.

The tenth anniversary edition of an essential text on food politics: “Well researched and lucidly written . . . This book is sure to spark discussion” (Publishers Weekly). When John Robbins first released The Food Revolution in 1987, his insights into America’s harmful eating habits gave us a powerful wake-up call. Since then, Robbins has continued to shine a spotlight on the most important issues in food politics, such as our dependence on animal products, provoking awareness and promoting change. Robbins’s arguments for a plant-based diet are compelling and backed by over twenty years of work in the field of sustainable agriculture and conscious eating. This timely new edition will enlighten those curious about plant-based diets and fortify the mindsets of the already converted.

Three handsome and clever brothers compete to find the world's most unusual gift. Includes a note on doing good deeds, or mitzvot, and discusses the symbolism of the pomegranate in Judaism.

Sarah Coates, blogger behind the award-winning thesugarhit.com, is a baking genius. Sarah’s first book, The Sugar Hit!, introduces us to her fabulous cookies, cakes, pancakes, doughnuts, ice creams, brownies, drinks, cupcakes, pies and heaps more. She’s compiled her most ass-kicking recipes with the goal of bringing ridiculously spectacular, chocolate-coated, sprinkle-topped, pastry-wrapped, deep-fried, syrup-drizzled sweets into your life and kitchen. Sarah’s got you covered from first thing in the morning to the middle of the night. Wake up to Blueberry Pancake Granola, take a break with a couple of Choc Chip Pretzel Cookies, or recharge with a Cherry Hazelnut Energy Bar. Or hey, why not just blow the lid off the place with a Filthy Cheat’s Jam Donut? The Sugar Hit! is divided into 6 fun chapters: Breakfast & Brunch Coffee Break Healthy Junk Midnight Snacks Party Time Happy Holidays Grab some sugar, butter, flour, chocolate and eggs and you’re just a cream, sift, melt and crack away from creating delicious snacks, cakes and desserts.

Persephone is a goddess without a title even though her relatives include the Lord of Light, Goddess of Wisdom, and the Queen of the Gods. She’s only known as the daughter of her mother, something that leaves her feeling frustrated. She longs to escape Mount Olympus to discover who she truly is. Hades is the god of the Underworld, and when family obligations force him to attend a festival, he sees Persephone and knows what he’s looking at: a vibrant young goddess aching to break free. So begins an unlikely and tentative friendship that allows Persephone to cultivate her curiosity and blossom as a goddess in her own right. The two escape to the Underworld together, infuriating Persephone’s mother, the goddess Demeter. Crops die and mortals begin to starve as a consequence of Demeter’s wrath, and Persephone has two choices: Take charge of her own life or abandon the person she has become by returning to Olympus. Passions swirl, violence erupts, and the fate of the world is at stake as gods and goddesses let loose in Olympian Confessions.