Taking the colours of the spectrum as his keys to the natural world, Andrew Parker shows that nature's palette is a far more miraculous thing than we had previously imagined. With fascinating examples of how colour has affected flora and fauna in different environments across the globe.

'Color Influencing Form' offers a compact, comprehensive and inexpensive coursebook for the study of color in art and design. In 35,000 words it methodically covers all basic color theory for visual artists and designers, including relationships between light sources, surfaces and vision, visual illusions, and symbolic and functional aspects of color. It further proposes how color can be examined creatively in relation to the perception of form, including figure-ground division, contour, tone and texture, opacity and transparency, spatial ambiguity, and perspective of color, detail, size, and shape. Roy Osborne is an artist and author of books on color. He has lectured at over 200 colleges worldwide. In 2003 he received the Turner Medal of the Colour Group (Great Britain), and in 2019 received the Colour in Art, Design and Environment Medal of the International Colour Association.

Reproductions of silk screen prints depict a variety of subjects including the zodiac, the seven deadly sins, and the emotions

Colours of Film is an introduction to film through the lens of colour. Taking you from the 1900s to today, it showcases the most extraordinary use of colour and provides visually appealing palettes of some of the best movies ever made.

A thrilling and bold take on the classic Western tale of redemption and revenge. ONE DEADLY MISSION.1857. Texas. A group of death row criminals is recruited by a priest for a suicide mission into Comancheria. Led by an outlaw with a bloody past, this deadly crew embarks on an action-packed adventure in this bold new vision of the American West. Written by Tze Chun (GOTHAM, ONCE UPON A TIME), drawn by Artyom Trakhanov (UNDERTOW, TURNCOAT), colored by Giulia Brusco (DJANGO UNCHAINED, SCALPED), and lettered by Jared K Fletcher (PAPER GIRLS).

In this book, Robert Sokolowski argues that being a person means to be involved with truth. He shows that human reason is established by syntactic composition in language, pictures, and actions and that we understand things when they are presented to us through syntax. Sokolowski highlights the role of the spoken word in human reason and examines the bodily and neurological basis for human experience. Drawing on Husserl and Aristotle, as well as Aquinas and Henry James, Sokolowski here employs phenomenology in a highly original way in order to clarify what we are as human agents.

In this vivid and captivating journey through the colors of an artist’s palette, Victoria Finlay takes us on an enthralling adventure around the world and through the ages, illuminating how the colors we choose to value have determined the history of culture itself. How did the most precious color blue travel all the way from remote lapis mines in Afghanistan to Michelangelo’s brush? What is the connection between brown paint and ancient Egyptian mummies? Why did Robin Hood wear Lincoln green? In Color, Finlay explores the physical materials that color our world, such as precious minerals and insect blood, as well as the social and political meanings that color has carried through time. Roman emperors used to wear togas dyed with a purple color that was made from an odorous Lebanese shellfish–which probably meant their scent preceded them. In the eighteenth century, black dye was called logwood and grew along the Spanish Main. Some of the first indigo plantations were started in America, amazingly enough, by a seventeen-year-old girl named Eliza. And the popular van Gogh painting White Roses at Washington’s National Gallery had to be renamed after a researcher discovered that the flowers were originally done in a pink paint that had faded nearly a century ago. Color is full of extraordinary people, events, and anecdotes–painted all the more dazzling by Finlay’s engaging style. Embark upon a thrilling adventure with this intrepid journalist as she travels on a donkey along ancient silk trade routes; with the Phoenicians sailing the Mediterranean in search of a special purple shell that garners wealth, sustenance, and prestige; with modern Chilean farmers breeding and bleeding insects for their viscous red blood. The colors that craft our world have never looked so bright.

A beautifully illustrated visual and cultural history of the color red throughout the ages The color red has represented many things, from the life force and the divine to love, lust, and anger. Up through the Middle Ages, red held a place of privilege in the Western world. For many cultures, red was not just one color of many but rather the only color worthy enough to be used for social purposes. In some languages, the word for red was the same as the word for color. The first color developed for painting and dying, red became associated in antiquity with war, wealth, and power. In the medieval period, red held both religious significance, as the color of the blood of Christ and the fires of Hell, and secular meaning, as a symbol of love, glory, and beauty. Yet during the Protestant Reformation, red began to decline in status. Viewed as indecent and immoral and linked to luxury and the excesses of the Catholic Church, red fell out of favor. After the French Revolution, red gained new respect as the color of progressive movements and radical left-wing politics. In this beautifully illustrated book, Michel Pastoureau, the acclaimed author of Blue, Black, and Green, now masterfully navigates centuries of symbolism and complex meanings to present the fascinating and sometimes controversial history of the color red. Pastoureau illuminates red's evolution through a diverse selection of captivating images, including the cave paintings of Lascaux, the works of Renaissance masters, and the modern paintings and stained glass of Mark Rothko and Josef Albers.

Summer, 1840. Edgar Allan Poe sails from Philadelphia to London to meet his friend C. Auguste Dupin, with the hope that the great detective will help him solve a family mystery. For Poe has inherited a mahogany box containing a collection of letters allegedly written by his grandparents, Elizabeth and Henry Arnold. The Arnolds were actors who struggled to make a living on the London stage, but the mysterious letters suggest that the couple has a more clandestine and nefarious lifestyle, stalking well-to-do young women at night, to slice their clothing and derrières. Poe hopes to prove the missives forgeries; Dupin wonders if perhaps they are real, but their content fantasy. Soon Poe is being stalked by someone who knows far more about his grandparents and their crimes than he does. And then he remembers disturbing attacks made upon him as a child in London—could the perpetrators be connected?