A survey of the major developments in art from the end of the Middle Ages to the present, with a list of major museums and galleries throughout the world and an index to the Time-Life Library of Art series.

"The vessels in the pages that follow open to us a world flickering with the light of a people's collective character and shared philosophy. These vessels have bodies of clay, but they float before us in the zero gravity of wisdom and belief."-- Edwin L. Wade Canvas of Clay tells the story of Hopi ceramics from the 14th century to recent times, offering a particularly close look at the art and life of the master potter Nampeyo (1860-1942). It analyzes the specific dynamics of nearly 100 jars and bowls, all richly illustrated, weaving in many insights into Hopi history, aesthetics, and symbolism. Included are original schematic drawings that will help readers understand how pottery decoration is built from ingeniously combined design elements. This book is a glorious testament to a brilliant art form and its practitioners, presented with passion, knowledge, and respect.

Published in conjunction with an exhibition organized by and presented at The Art Institute of Chicago, Sept. 25, 2010-Jan. 2, 2011.

"Santi Leksukhum's text traces the complex history of these paintings. It examines the development of their distinctive style, from the arrival of Buddhism, to the overwhelming influence of the royal workshops of Bangkok to the incorporation of Western techniques as Thailand opened to the West in the mid-nineteenth century." "The renowned French photographer Gilles Mermet made several expeditions to Thailand to photograph these magnificent murals especially for this volume.".

"A cellar door creaking open in the middle of the night, or a hand slipping quickly into a trench coat – the most compelling transactions are surely those we never see. Smuggling can conjure images of adventure and rebellion in popular culture, but as this fascinating book shows, it has also had a profound effect on the geopolitics of the world. Shining a light onto seven centuries of dark history, it illuminates a world of intrigue and fortune, hinged on furtive desires and those who have been willing to fulfil them. World-changing contraband has ranged from silk, spices and silver in the Age of Exploration to gold, opium, tea and rubber in times of empire, as well as drugs, people and blood diamonds today. Guns and art have always been smuggled, as have the most dangerous of all contraband – ideas. Central to this story are the (not always) legitimate forces of the Dutch and British East India Companies, the luminaries of the Spanish Empire, Napoleon Bonaparte, the Nazis, Soviet trophy brigades and the CIA, all of whom, at one point or another, have made smuggling part of their business. In addition, Simon Harvey traces out the smaller-time smugglers, the micro-economies of everyday goods, precious objects and people, drawing these stories together into a map of a subterranean world criss-crossed by smugglers’ paths. All told, this is the story of an unrelenting drive of markets to subvert the law, and of the invisible seams that have sewn the globe together."--Book jacket flap.

The hundreds of recipes in Maxime de la Falaise's delight-ful book triumphantly attest to the virtues of Anglo-Saxon gastronomy. Rich with the historical sense of taste, this book allows you to cook the rudiments of a medieval royal banquet, an Elizabethan nursery breakfast, or an eighteenth-century tavern lunch. The recipes are divided into five chronological sections, each preceded by an introduction recounting the fashions and the changes in the food and drink of the period; together they provide an overview of the evolution of English cookery. The earliest recipes, dating from the thirteenth century, are presented in their original language ("Take faire Mutton that hath ben roste . . .") as well as in a modern translation, and all measures and quantities have been updated throughout. Many of the dishes are quite simple to make; others are, quite literally, fit for a king. All together they constitute a delectable, sensual cele-bration of the development of English cuisine.

A fly-on-the-wall account of the smart and strange subcultures that make, trade, curate, collect, and hype contemporary art. The art market has been booming. Museum attendance is surging. More people than ever call themselves artists. Contemporary art has become a mass entertainment, a luxury good, a job description, and, for some, a kind of alternative religion. In a series of beautifully paced narratives, Sarah Thornton investigates the drama of a Christie's auction, the workings in Takashi Murakami's studios, the elite at the Basel Art Fair, the eccentricities of Artforum magazine, the competition behind an important art prize, life in a notorious art-school seminar, and the wonderland of the Venice Biennale. She reveals the new dynamics of creativity, taste, status, money, and the search for meaning in life. A judicious and juicy account of the institutions that have the power to shape art history, based on hundreds of interviews with high-profile players, Thornton's entertaining ethnography will change the way you look at contemporary culture.

“[A] gripping, and at times unsettling, history of . . . the Zeytun Gospels, a lavishly illuminated Armenian book that miraculously survived centuries of war.” —The Wall Street Journal In 2010, the world’s wealthiest art institution, the J. Paul Getty Museum, found itself confronted by a century-old genocide. The Armenian Church was suing for the return of eight pages from the Zeytun Gospels, a manuscript illuminated by the greatest medieval Armenian artist, Toros Roslin. Protected for centuries in a remote church, the holy manuscript had followed the waves of displaced people exterminated during the Armenian genocide. Passed from hand to hand, caught in the confusion and brutality of the First World War, it was cleaved in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty. This is the biography of a manuscript that is at once art, sacred object, and cultural heritage. Its tale mirrors the story of its scattered community as Armenians have struggled to redefine themselves after genocide and in the absence of a homeland. Heghnar Zeitlian Watenpaugh follows in the manuscript’s footsteps through seven centuries, from medieval Armenia to the killing fields of 1915 Anatolia, the refugee camps of Aleppo, Ellis Island, and Soviet Armenia, and ultimately to a Los Angeles courtroom. Reconstructing the path of the pages, Watenpaugh uncovers the rich tapestry of an extraordinary artwork and the people touched by it. At once a story of genocide and survival, of unimaginable loss and resilience, The Missing Pages captures the human costs of war and persuasively makes the case for a human right to art. “A well-told tale of the history of the Armenian people [and] a wondrous and terrifically engrossing journey of this sacred religious object and priceless work of art.”—Michael Bazyler, author of Holocaust Justice: The Battle for Restitution in America’s Courts

The imperial diaspora -- The Lusophone African diaspora -- Oriental imaginings and travel at the turn of the twentieth century -- Into the wilderness : the race for Africa and the promise of Brazil -- The Casa dos Estudantes do Império and mensagem -- A Lusotropicalist tourist and soldiers, East Indians, and Cape Verdeans on the move -- War in Africa and the global economy : leaving home and returning -- Epilogue : the Portuguese-speaking diaspora and "Lusofonia