Vincent van Gogh painted Self-Portrait with Bandaged Ear in 1889. While quarrelling with friend and fellow artist Paul Gauguin, van Gogh had a seizure during which he threatened Gauguin with a razor, leading him to sever part of his own ear.He then took the piece, in his subsequent feverish state, to the Maison de Tolérance bordello and presented it to a prostitute named Rachel. Features of this journal are: 6x9in, 110 pages lined (standard, B&W) on both sides front title and owner's contact details page cover soft, matte This elegantly simple journal - which will make wonderful Vincent van Gogh gifts for women and men and children - presents a uniquely beautiful work of art from one of the master painters, a distinctive Vincent van Gogh notebook (and van Gogh self portrait print, especially memorable and powerful among all van Gogh portraits) that aims to inspire in its owner greater and more imaginative writing. To browse the wide selection of journals from Golding Notebooks, please refer to our Amazon author page.

A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.

On May 8th, 1889, Vincent Van Gogh was admitted to a mental asylum near St.-Remy-de-Provence where he remained as a voluntary patient until May the following year. Throughout the year, Van Gogh enjoyed a continuous dialogue with his brother about his art, his mental condition, his hopes and ambitions, and from time to time his despair and sense of failure. The asylum year saw Vincent at his most raw and needy, but also at his most creative - turning out the equivalent of a masterpiece a day. This book offers an account, month by month, of that crucial penultimate chapter in Van Gogh s life. It is separated from the other chapters in the artist s life because although treated in all the numerous biographies it is none the less a self-contained episode, a play within a play, with a shape and dynamic of its own. Van Gogh s asylum year is unlike any other year in the long history of art."

An original and delightful approach: imagined visits to artists' studios bring art vividly to life for children. Through the pages of this book, young readers step into a famous artist's studio in medieval Germany, Renaissance Italy, or nineteenth-century France. As the making of a particular work is described, the child smells the paint, hears the chisel chipping into marble, or experiences the wonders of a working printing press. The twenty artists are featured in easy-to-follow chronological order: Giotto, Leonardo da Vinci, Albrecht Dürer, Michelangelo, Raphael, Titian, Hans Holbein the Younger, El Greco, Caravaggio, Artemisia Gentileschi, Bernini, Velázquez, Rembrandt, Goya, Jacques-Louis David, Turner, Delacroix, Manet, Monet, and van Gogh. All have remarkable life stories that will entrance any child. Beautifully produced illustrations include an introductory portrait or self-portrait of each artist, followed by reproductions of some of their greatest works. Both paintings and sculptures are represented, offering children an inspiring insight into the visual arts. The artworks—Michelangelo's colossal statue of David, van Gogh's self-portrait with bandaged ear, Velázquez's Las Meninas with little Infanta at center stage, Delacroix's dramatic Liberty Leading the People—have all been chosen specifically to appeal to a young audience. Extended picture captions offer further information, focusing on key details or telling memorable anecdotes, and the book includes a listing of where the artworks can be seen.

This book, written by authorities in the field, maps the many developments in Rembrandt’s self-portraiture during his life and attempts to explain exactly why this genre played such a dominant role in his work. The authors give new emphasis to the tradition of self-portrayal in Netherlandish art and the impact of his innovative style on his contemporaries (whether artists or collectors) and on his followers. Significant reinterpretations of Rembrandt’s approach also arise from a close investigation of lesser-known aspects of his work, such as his manipulation of his features or his depiction of himself in a variety of highly authentic historical costumes.

Vincent van Gogh continues to fascinate more than a century after his death in 1890. Yet how much of what is commonly known about this world-renowned artist is accurate? Though he left thousands of works and a trove of letters, the definitive Van Gogh remains elusive. Was he a madman who painted his greatest pieces in a passionate fury or a lifelong student of art, literature and science who carefully planned each composition? Was he a loner dedicated only to his craft or an active collaborator with his contemporaries? Why is he best known for self-mutilation and "The Starry Night"? This book has biographers, scriptwriters, lyricists, actors, museum curators and tour guides, among others, presenting diverse interpretations of his life and work, creating a mythic persona that may, in fact, help us in the search for the real Van Gogh.

Van Gogh in Saint-Remy and Auvers is the sequel to the highly acclaimed exhibition catalogue Van Gogh in Arles. The seventy paintings, eighteen drawings, and one etching selected for the present volume--drawn from public and private collections throughout Europe, the United States, and Asia for exhibition at the Metropolitan Museum of Art--include some of Vincent van Gogh's most famous images. Remarkable for their intensity and clarity of expression, they trace the development of van Gogh as an artist from May 1889, when he left Arles for a private asylum in Saint-Remy-de-Provence, some fifteen miles northeast of Arles, to his death in Auvers-sur-Oise, near Paris, in July 1890.

When an aristocratic old lady is brutally murdered in her country home the night before 9/11, it takes all the resources of the FBI and Interpol to work out the connection between her and the possible motive for her death - a priceless Van Gogh painting. It's a young woman in the North Tower when the first plane crashed into the building who has the courage and determination to take on both sides of the law and avenge the old lady's death. Anna Petrescu is missing, presumed dead, after 9/11 and she uses her new status to escape from America, only to be pursued across the world from Toronto to London, to Hong Kong, Tokyo and Bucharest, but it is only when she returns to New York that the mystery unfolds. Why are so many people willing to risk their own lives and others' to own the Van Gogh Self-Portrait with Bandaged Ear?

An irresistible volume featuring illustrations of famous dramatis personae—with a feline twist What happens when a cat becomes the subject of da Vinci’s Mona Lisa or takes the starring role in Hamlet or Lawrence of Arabia? Susan Herbert’s feline interpretations of famous images from Western culture have charmed and amused readers for decades. Cats Galore brings together illustrations from the affectionately envisioned Pre-Raphaelite Cats, Shakespeare Cats, Movie Cats, and Opera Cats—as well as other delightful images of cats cast in scenes from art, theater, and film—into one delightful volume. Divided into three sections—Cats in Art, Cats on Stage, and Cats in the Movies—this is the ultimate compendium for cat-loving culture buffs and cultured pet owners alike. Works by Degas and van Gogh retain their distinctive styles in spite of the furry faces; cats shine in Much Ado About Nothing and The Barber of Seville; and a bushy-tailed James Dean in Rebel Without a Cause stares at the camera with the iconic cigarette in his mouth.

The best-known and most sensational event in Vincent van Gogh’s life is also the least understood. For more than a century, biographers and historians seeking definitive facts about what happened on a December night in Arles have unearthed more questions than answers. Why would an artist at the height of his powers commit such a brutal act? Who was the mysterious “Rachel” to whom he presented his macabre gift? Did he use a razor or a knife? Was it just a segment—or did Van Gogh really lop off his entire ear? In Van Gogh’s Ear, Bernadette Murphy reveals, for the first time, the true story of this long-misunderstood incident, sweeping away decades of myth and giving us a glimpse of a troubled but brilliant artist at his breaking point. Murphy’s detective work takes her from Europe to the United States and back, from the holdings of major museums to the moldering contents of forgotten archives. She braids together her own thrilling journey of discovery with a narrative of Van Gogh’s life in Arles, the sleepy Provençal town where he created his finest work, and vividly reconstructs the world in which he moved—the madams and prostitutes, café patrons and police inspectors, shepherds and bohemian artists. We encounter Van Gogh’s brother and benefactor Theo, his guest and fellow painter Paul Gauguin, and many local subjects of Van Gogh’s paintings, some of whom Murphy identifies for the first time. Strikingly, Murphy uncovers previously unknown information about “Rachel”—and uses it to propose a bold new hypothesis about what was occurring in Van Gogh’s heart and mind as he made a mysterious delivery to her doorstep. As it reopens one of art history’s most famous cold cases, Van Gogh’s Ear becomes a fascinating work of detection. It is also a study of a painter creating his most iconic and revolutionary work, pushing himself ever closer to greatness even as he edged toward madness—and one fateful sweep of the blade that would resonate through the ages.