An essential addition to every shelf of 20-century poetry.

Mystical poems explore the author's experiences communicating with a spirit named Ephraim through an Ouija board

For the first time in a stand-alone edition, the acclaimed poet's classic poem about his communication with Ephraim, a guiding spirit in the Other World, is here introduced and annotated by poet and Merrill scholar Stephen Yenser. "The Book of Ephraim," which first appeared as the final poem in James Merrill's Pulitzer-winning volume Divine Comedies (1976), tells the story of how he and his partner David Jackson (JM and DJ as they came to be known) embarked on their experiments with the Ouija board and how they conversed after a fashion with great writers and thinkers of the past, especially in regard to the state of the increasingly imperiled planet Earth. One of the most ambitious long poems in in English in the twentieth century, originally conceived as complete in itself, it was to become the first part of Merrill's epic The Changing Light at Sandover (1982), the multiple prize-winning volume still in print. Merrill's "supreme tribute to the web of the world and the convergence of means and meanings everywhere within it" is introduced and annotated by one of his literary executors, Stephen Yenser, in a volume that will gratify veteran readers and entice new ones.

"A biography of the acclaimed poet James Merrill"--

This volume brings together the best of Merrill—and dazzles at every turn. This balanced and compact selection will be an ideal introduction to his work for both students and general readers, and an instant favorite among his familiars. James Merrill himself once called his body of work “chronicles of love and loss,” and in twenty books written over four decades he used the details of his own life—comic and haunting, exotic and domestic—to shape a portrait that in turn mirrored the image of our world and our moment. Includes poems from the domestic rupture of “The Broken Home” to the universal connections of “Lost in Translation”; from the American storyteller of “The Summer People” to the ecologically motivated satirist of “Self-Portrait in a TyvekTM Windbreaker.” Log Then when the flame forked like a sudden path I gasped and stumbled, and was less. Density pulsing upward, gauze of ash, Dear light along the way to nothingness, What could be made of you but light, and this?

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • The selected correspondence of the brilliant poet, one of the twentieth century's last great letter writers. "I don't keep a journal, not after the first week," James Merrill asserted in a letter while on a trip around the world. "Letters have got to bear all the burden." A vivacious correspondent, whether abroad, where avid curiosity and fond memory frequently took him, or at home, he wrote eagerly and often, to family and lifelong friends, American and Greek lovers, confidants in literature and art about everything that mattered—aesthetics, opera and painting, housekeeping and cooking, the comedy of social life, the mysteries of the Ouija board and the spirit world, and psychological and moral dilemmas—in funny, dashing, unrevised missives, composed to entertain himself as well as his recipients. On a personal nemesis: "the ambivalence I live with. It worries me less and less. It becomes the very stuff of my art"; on a lunch for Wallace Stevens given by Blanche Knopf: "It had been decided by one and all that nothing but small talk would be allowed"; on romance in his late fifties: "I must stop acting like an orphan gobbling cookies in fear of the plate's being taken away"; on great books: "they burn us like radium, with their decisiveness, their terrible understanding of what happens." Merrill's daily chronicle of love and loss is unfettered, self-critical, full of good gossip, and attuned to the wicked irony, the poignant detail—a natural extension of the great poet's voice.

James Merrill has come to be regarded as one of the outstanding American poets of the 20th century with the publication of his Changing Light at Sandover, a grand, narrative poem in its complete form, and From the First Nine, Poems 1946-1976, a full selection from his first nine books of poems. In Late Settings he has produced another book of poems of the greatest distinction. Included in this collection is a set of six poems called "From the Cutting-room Floor." Another amazing long poem "Santorini: Stopping the Leak" (originally published, minus two stanzas, in The New Yorker) is included in its entirety. Merill's works have been honored with several awards: two National Book Awards, the Bollingen Prize in Poetry, the Pulitzer Prize, and the Book Critics Circle Award. ISBN 0-689-11572-5 : $12.95.

Poems by the Pulitzer prizewinner examine mortality, nature, memory, myths, and the role of the artist.

Alison Lurie, one of America's greatest novelists, has written a loving memoir of world-famous poet James Merrill and his longtime partner David Jackson. Drawing on her forty-year friendship with Merrill and Jackson, Lurie reveals the couple's deep involvement with ghosts, gods, and spirits, with whom they communicated through a Ouija board. Among the results of their intense twenty-year preoccupation with the occult is the brilliant book-length poem "The Changing Light at Sandover", which Merrill called his "chronicles of love and loss." Recalling Merrill and Jackson's life together in New York, Athens, and Key West, Familiar Spirits is a poignant memoir infused with great affection and generous amounts of Lurie's signature wit.

James Merrill--winner of the Pulitzer and National Book Award--is one of America's most celebrated poets. This acclaimed memoir--nominated for the National Book Critics Circle Award--traces Merrill's painful yet often hilarious life as a young man. "Stands with Merrill's finest work".-- Los Angeles Times Book Review.