A riveting exploration of how visual media has shifted the narrative on race and reignited the push towards justice by the author of the “worthy and necessary” (The New York Times) Nobody Marc Lamont Hill and the bestselling author and acclaimed journalist Todd Brewster. With his signature “clear and courageous” (Cornel West) voice Marc Lamont Hill and New York Times bestselling author Todd Brewster weave four recent pivotal moments in America’s racial divide into their disturbing historical context—starting with the killing of George Floyd. Seen and Unseen reveals the connections between our current news headlines and social media feeds and the country’s long struggle against racism. Drawing on the powerful role of technology as a driver of history, identity, and racial consciousness, Seen and Unseen asks why, after so much video confirmation of police violence on people of color, it took the footage of George Floyd to trigger an overwhelming response of sympathy and outrage. In the vein of The New Jim Crow and Caste, Seen and Unseen incisively explores what connects our moment to the history of race in America but also what makes today different from the civil rights movements of the past and what it will ultimately take to push social justice forward.

WINNER: 2022 Award for Excellence in Documenting Georgia's History, Georgia Archives HONORABLE MENTION: Georgia Author of the Year, Georgia Writers Association Seen/Unseen is a vivid portrait of the complex network that created, held, and sustained a community of the enslaved. The hundreds of men and women kept in bondage by the Cobb-Lamar family, one of the wealthiest and most politically prominent families in antebellum America, labored in households and on plantations that spanned Georgia. Fragments of their lives were captured in thousands of letters written between family members, who recorded the external experiences of the enslaved but never fully reckoned with their humanity. Drawn together for the first time, these fragments reveal a community that maintained bonds of affection, kinship, and support across vast distances of space, striving to make their experiences in slavery more bearable. Christopher R. Lawton, Laura E. Nelson, and Randy L. Reid have meticulously excavated the vast Cobb Family Papers at the University of Georgia to introduce into the historical record the lives of Aggy Carter and her father George, Rachel Lamar Cole, Alfred Putnam, Berry Robinson, Bob Scott, and Sylvia Shropshire and her daughter Polly. Each experienced enslavement in ways that were at once both remarkably different and similar. Seen/Unseen tells their stories through four interconnected chapters, each supported by a careful selection of primary source documents and letters. After mapping the underlying structures that supported the wealth and power of the Cobb-Lamar family, the authors then explore how those same pathways were used by the enslaved to function within the existing system, confront the limitations placed on them, challenge what they felt were its worst injustices, and try to shape the boundaries of their own lives.

"This book is not a history of art, or a history of science, or even a history of their interaction. Rather, Martin Kemp, the distinguished art historian, traces certain recurring themes in the imagery of art and science that reflect shared 'structural intuitions' about the seen and unseen worlds of nature."--BOOK JACKET.

How does secret knowledge shape how West African arts are created by different makers for disparate audiences? Recognizing that there is a tension between what is seen on the outside and what cannot be seen on the inside, Seeing the Unseen delves into the meaning of objects, assemblages, and performances among the Senufo-Mande people. The awareness of exceptional power and the profound knowledge of the artistic creators is constantly oscillating between what can be seen and what is known by their audiences. This constant negotiation of the mutual recognition of the others' potential agency provides a foundation for a new, compelling model for thinking about how the seen and unseen must operate in arts. The result is an engaging exploration of power associations and the social and political tensions they create through objects and performances.

This book illuminates the real effects of regulations on people’s everyday lives. It traces the effects of regulations on an economy by working through the ripple effects of changes. In so doing, the book provides a fundamental understanding for the economy as an organism rather than a machine, and enlightens the reader by offering a model for understanding the economy and market. Regulations, which are restrictions placed on the working of the economy, have consequences, both intended and unintended, direct and indirect. While the direct effects are well understood, the indirect effects are often overlooked because they don’t fit with the machine understanding of an economy. More to the point, this book emphasizes the real effects of regulation and market change on individual actors, thereby stressing how the economy works to provide an individual with the options that exist in choice situations. We draft a new definition of prosperity and well-being which focuses on the individual’s access to valuable alternatives. From this point of view, the real implications of regulation are traced step by step, following the logic of exchange and the effects on individual actors rather than the economy as a whole.

"Gracefully written and moving ... Things Seen and Unseen starts with Nora Gallagher entering the labyrinth of her life ... and ultimately it leads to the center of her being."--The Boston Globe It started with an occasional Sunday, a "tourist's" visit to a local church. Eventually Nora Gallagher entered into a yearlong journey to discover her faith and a relationship with God, using the Christian calendar as her compass. Whether writing about her brother's battle against cancer, talking to homeless men about the World Series, or questioning the afterlife ("One world at a time"), Gallagher draws us into a world of journeys and mysteries, yet grounded in a gritty reality. She braids together the symbols of the Christian calendar, the events of a year in one church, and her own spiritual journey, each strand combed out with harrowing intimacy. Thought provoking and profoundly perceptive, Things Seen and Unseen is a remarkable demonstration that "the road to the sacred is paved with the ordinary." "Like Kathleen Norris in Amazing Grace, Gallagher is renewing the language of ultimate concerns."--San Francisco Chronicle "The deep serenity that suffuses Gallagher's work, the lyrical cadences in which she writes, do not blunt the sharp edges of what she discovered in her quest for meaning."--Los Angeles Times

Spiritual warfare is real, and your faith is at stake. Based on Biblical principles, Seeing the Unseen helps you fight back against the enemy. In today’s world, Satan seems to be everywhere, and he seems to have the advantage. But the enemy is not of this world, and the war is in the spiritual world. Satan is trying to attack you and destroy your faith, and the only way to defeat him is to fight back. In this newly revised and updated bestseller, Joe Beam reveal Satan's powerful weaponry—his lies, deceptions, and manipulations—and unmasks his strategy to destroy your life and those you care for. This book will show you his plans and tactics, and teach you where he is likely to strike next and how to fight him. Based on a dedicated study of God’s word, this book is filled with stories of tragedy and triumph and will give you the tools you need to defeat the enemy.

"The work of Alejandra Cisneros marks a significant departure from the tropical 'Bali-style' villa design popularised in the past two decades and is a refreshing antidote to the anodyne villas invading Bali's centuries-old rice terraces. In Seen.

This long-awaited work explores the place of kokugaku (rendered here as "nativism") during Japan's Tokugawa period. Kokugaku, the sense of a distinct and sacred Japanese identity, appeared in the eighteenth century in reaction to the pervasive influence of Chinese culture on Japan. Against this influence, nativists sought a Japanese sense of difference grounded in folk tradition, agricultural values, and ancient Japanese religion. H. D. Harootunian treats nativism as a discourse and shows how it functioned ideologically in Tokugawa Japan.