Bernardo Bellotto's magnificent View of the Grand Canal provides a rich visual record of life in eighteenth-century Venice. This painting--one of the most popular in the Getty Museum--is so sweeping in its scope and so detailed that it requires repeated viewings to take in its portrait of daily life in Venice in the 1780s. This small book presents Bellotto's great painting in a series of beautiful details that allow the reader to examine the painting closely and enjoy the colorful and busy goings-on of Venetian life captured so unforgettably by Bellotto. The book jacket unfolds to become a small poster of the painting in its entirety. Accompanying these delightful images is a lyrical essay by noted American poet Mark Doty. Together, Bellotto's painting and Doty's prose make for an unforgettable encounter with the art and life of Venice.

An armchair traveler’s companion to Donna Leon’s Brunetti mysteries: “a splendid present for mystery-fiction fans [or] travel-lit buffs” (Tom Nolan, The Wall Street Journal). Follow Commissario Guido Brunetti, star of Donna Leon’s international bestselling mystery series, on over a dozen walks that highlight Venice’s churches, markets, bars, cafes, and palazzos. In Brunetti’s Venice, tourists and armchair travelers follow in the footsteps of Brunetti as he traverses the city he knows and loves. With his acute eye, fascination with history, ear for language, passion for food, and familiarity with the dark realities of crime and corruption, Brunetti is the perfect companion for any walk across La Serenissima. Over a dozen walks, encompassing all six regions of Venice as well as the lagoon, lead readers down calli, over canali, and through campi. Important locations from the best-selling novels are highlighted and major themes and characters are explored, all accompanied by poignant excerpts from the novels. This is a must-have companion book for any lover of Donna Leon’s wonderful mysteries.

Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.

Monkey can't wait to use his new camera in Venice... but along the way he discovers something more precious than sight-seeing! Monkey, an endearing soft toy finds himself in all sorts of scrapes in which he learns all manner of things about himself and the world around him. Imaginative, nostalgic and quirky, the 'Monkey's Great Adventures' series by Tina Wilson, with bespoke hand knitted toys, is beautifully photographed in locations all around the world. In the first book, 'Afloat in Venice', Monkey finds himself entranced by a "magical floating city that seems to grow straight out of the sea." This work includes original music composed by the multi-award winning and highly acclaimed, Matt Ottley, with two versions narrated by the author ensuring the story can be enjoyed by the visually impaired, or anyone with or without the book. Heartwarming and unique this series brilliantly captures the innocence of childhood and will be enjoyed by all ages.

In the era of the Grand Tour, Venice was the cultural jewel in the crown of Europe and the epitome of decadence. This edited collection of eleven essays draws on a range of disciplines and approaches to ask how Venice’s appeal has affected Western culture since 1800.

A witty and warm-hearted memoir of abandoning fast-paced American days in favor of discovering the Italian secrets of food, community, and life. Moving across the globe meant Michelle Damiani soon found herself untangling Italian customs, delighting in glorious regional cuisine (recipes included), and creating lasting friendships. From grandmothers eager to teach the ancient art of pasta making, to bakers tossing bread into fiery ovens with a song, to butchers extolling the benefits of pork fat, Il Bel Centro is rich with captivating characters and cultural insights. Throw in clinking glasses of Umbrian red with the local communists and a village all-nighter decorating the cobblestone streets with flower petals; as well as embarrassing language minefields and a serious summons to the mayor’s office, and you have all the ingredients for a spellbinding travel tale. Exquisitely observed, Il Bel Centro is an intimate celebration of small town Italy, as well as a thoughtful look at raising a family in a new culture and a fascinating story of finding a home. Ultimately though, this is a story about how travel can change you when you’re ready to let it. With laugh-out-loud situations and wanderlust-inspiring storytelling, Il Bel Centro is a joyous and life-affirming read that will have readers rushing to renew their passports. “This is one of the most beautiful book I’ve ever read.” “I absolutely couldn’t get enough of this book.” “This book made me want to pack my bags.” “I loved, loved this book. Fabulously written, engaging, and entertaining.” “A magical read.”

"The tourist Venice is Venice," Mary McCarthy once observed—a sentiment very much in line with what most of the fourteen million tourists who visit the city each year experience, but at the same time a painful reality for the 65,000 Venetians who actually live there. Venice is viewed from a new perspective in this engaging book, which offers a heady, one-city tour of tourism itself. Conducting readers from the beginnings of Venetian tourism in the late Middle Ages to its emergence as a form of mass entertainment in our time, the authors explore what happens when today's "industrial tourism" collides with an ancient and ever-more-fragile culture. Giving equal consideration to those who tour Venice and those who live there, their book affords rare insight into just what it is that the touring and the toured see, experience, and elicit from each other.

Den amerikanske kunstner John Singer Sargents (1856-1925) skildringer af Venedig.

The noted historian explores the mysterious origins and surprising adventures of four iconic bronze statues as they appear and reappear through the ages. In July 1798, a triumphant procession made its way through the streets of Paris. Echoing the parades of Roman emperors many years before, Napoleon Bonaparte was proudly displaying the spoils of his recent military adventures. There were animals—caged lions and dromedaries—as well as tropical plants. Among the works of art on show, one stood out: four horses of gilded metal, taken by Napoleon from their home in Venice. The Horses of St Mark's have found themselves at the heart of European history time and time again: in Constantinople, at both its founding and sacking in the Fourth Crusade; in Venice, at both the height of its greatness and fall in 1797; in the Paris of Napoleon, and the revolutions of 1848; and back in Venice, the most romantic city in the world. Charles Freeman offers a fascinating account of both the statues themselves and the societies through which they have travelled and been displayed. As European society has developed from antiquity to the present day, these four horses have stood and watched impassively. This is the story of their—and our—times.