Winner of Historic Seattle's Preservation Education and Publications Award Seattle Architecture: A Walking Guide to Downtown opens with an historical overview and timeline featuring the people and events that have shaped the Seattle that we know today. The guidebook is divided into nine tours beginning where Seattle did, at Pioneer Square, and ending at Seattle Center, the location of the futuristic-themed 1962 Century 21 World's Fair. The front flap folds out, providing a map of the areas covered in the book. Each tour is accompanied by an introduction and area map with points of interest identified by numbers that correspond to individual entries. Architect names and dates of completion are provided at the beginning of each entry, and an icon indicates when a building is on a local or national landmarks register.

The first edition of Shaping Seattle Architecture, published in 1994, introduced readers to Seattle’s architects by showcasing the work of those who were instrumental in creating the region’s built environment. Twenty years later, the second edition updates and expands the original with new information and illustrations that provide an even richer exploration of Seattle architecture. The book begins with a revised introduction that brings the story of Seattle architecture into the twenty-first century and situates developments in Seattle building design within local and global contexts. The book’s fifty-four essays present richly illustrated profiles that describe the architects' careers, provide an overview of their major works, and explore their significance. Shaping Seattle Architecture celebrates a wide range of people who helped form the region's built environment. It provides updated information about many of the architects and firms profiled in the first edition. Four individuals newly included in this second edition are Edwin J. Ivey, a leading residential designer; Fred Bassetti, an important contributor to Northwest regional modernism; L. Jane Hastings, one of the region’s foremost women in architecture; and Richard Haag, founder of the landscape architecture program at the University of Washington and designer of Gas Works Park and the Bloedel Reserve. The book also includes essays on the buildings of the Coast Salish people, who inhabited Puget Sound prior to Euro-American settlement; the role that architects played in speculative housing developments before and after World War II; and the vernacular architecture built by nonprofessionals that makes up a portion of the fabric of the city. Shaping Seattle Architecture concludes with a substantial reference section, updated to reflect the last twenty years of research and publications. A locations appendix offers a geographic guide to surviving works. The research section directs interested readers to further resources, and the appendix “Additional Significant Seattle Architects” provides thumbnail sketches of nearly 250 important figures not included in the main text.

It closes with the sudden collapse of Seattle's economy in the Panic of 1893 and the ensuing depression that halted the city's building boom, saw the closing of a number of architects' offices, and forever ended the dominance of Romanesque Revival in American architecture.".

Few figures in the American arts have stories richer in irony than does architect Minoru Yamasaki. While his twin towers of New York’s World Trade Center are internationally iconic, few who know the icon recognize its architect’s name or know much about his portfolio of more than 200 buildings. One is tempted to call him America’s most famous forgotten architect. He was classed in the top tier of his profession in the 1950s and ’60s, as he carried modernism in novel directions, yet today he is best known not for buildings that stand but for two projects that were destroyed under tragic circumstances: the twin towers and the Pruitt-Igoe housing project in St. Louis. This book undertakes a reinterpretation of Yamasaki’s significance that combines architectural history with the study of his intersection with defining moments of American history and culture. The story of the loss and vulnerability of Yamasaki’s legacy illustrates the fragility of all architecture in the face of natural and historical forces, yet in Yamasaki’s view, fragility is also a positive quality in architecture: the source of its refinement, beauty, and humanity. We learn something essential about architecture when we explore this tension of strength and fragility. In the course of interpreting Yamasaki’s architecture through the wide lens of the book we see the mid-century role of Detroit as an industrial power and architectural mecca; we follow a debate over public housing that entailed the creation and eventual destruction of many thousands of units; we examine competing attempts to embody democratic ideals in architecture and to represent those ideals in foreign lands; we ponder the consequences of anti-Japanese prejudice and the masculism of the architectural profession; we see Yamasaki’s style criticized for its arid minimalism yet equally for its delicacy and charm; we observe Yamasaki making a great name for himself in the Arab world but his twin towers ultimately destroyed by Islamic militants. As this curious tale of ironies unfolds, it invites reflection on the core of modern architecture’s search for meaning and on the creative possibilities its legacy continues to offer. Beautifully illustrated with over 100 color illustrations of Yamasaki’s buildings, this book will be of interest to students, academics and professionals in a range of disciplines, including architectural history, architectural theory, architectural preservation, and urban design and planning.

"Architect Tom Kundig is known worldwide for the originality of his work. This paperback edition of Tom Kundig: Houses, first published in 2006, collects five of his most prominent early residential projects, which remain touchstones for him today. In a new preface written for this edition, Kundig reflects on the influence that these designs continue to have on his current thinking. Each house, presented from conceptual sketches through meticulously realized details, is the product of a sustained and active collaborative process among designer, builder, and client. The work of the Seattle-based architect has been called both raw and refined--disparate characteristics that produce extraordinarily inventive designs inspired by both the industrial structures ubiquitous to his upbringing in the Pacific Northwest and the vibrant craft cultures that are fostered there." --

With useful lists of featured houses by style and by neighborhood, this essential resource is both an important portrait of the city and an invaluable guide to a rich chapter in the history of residential architecture in the Pacific Northwest."--BOOK JACKET.

“The Architecture of Seattle’s Historic Prostitution Trade” is a photographic examination of 48 documented and probable buildings employed in Seattle’s historical sex commerce. The edition illuminates the historical background, building detailing and known anecdotes behind each structure. The principal Seattle red-light neighborhoods include the Pioneer Square and the Ballard districts. The infamous LaSalle Hotel in Pike Place Market and the former Lester Apartment complex located on Beacon Hill round out the compilation. The 500-unit Lester building was once considered the largest operating brothel in the world. Seattle’s wide-open frontier environment in the late 19th century stimulated a proliferation of vice related services including gambling houses, saloons and houses of prostitution. Statutes were loosely enforced, law enforcement corruption rampant and the tax revenues levied against brothels and sex workers essential to maintaining a financially destitute municipality. Many historians have noted that the prostitution industry saved the expanding settlement and literally paved the sidewalks of the commercial district. The timber industry, Klondike Gold Rush (1896-1899) and the city’s seaport location swelled the region’s influx of males seeking entertainment, social diversions and female companionship. The book profiles some of the most colorful and influential personalities including theatre impresario John Considine and notable Madams Mary Ann Boyer (nicknamed Madame Damnable), Lou Graham and Nellie Curtis. The author elaborates on the documented history, owners, architects, tenants and historical uses of each building. His text cites distinctive architectural details on the composition, façade components and alterations over the decades following the initial construction. Each building is photographed from multiple angles offering a multi-faceted glimpse of a historic era.

Reveals Holl's working method from watercolor sketches to working drawings to construction shots.

This illustrated edition captures the city’s architecture and constructions built between 1890-1930. Over 300+ photographs document historical structures establishing a visual profile and economic time capsule of Seattle’s early economic legacy. The edition portrays the most influential downtown constructions including the Smith and Seattle Towers, Washington Mutual Triangle, Coliseum Theatre and the Interurban, Arctic, Dexter Horton, and Pioneer Buildings. Photographs from multiple perspectives accentuate distinctive architectural traits and detailing. Contemporary Seattle is undergoing a dynamic resurgence of architectural construction consisting primarily of skyscrapers. Each completed monolith provides an intriguing and often imposing contrast to the modestly scaled structures from a distant era. Historical preservation has enabled Seattle to assume a distinctive and prominent in West Coast architecture. Seattle’s integration of traditional and contemporary design reinforces its image as a desirable urban living environment. Few American cities can still document the precise stages of their evolution by the remaining strata of their architecture. Seattle is an exemplary example showcasing that capability. Historically Seattle was deeply traumatized by a devastating June 6th, 1889 fire that decimated the entire downtown commercial district. The entire composition of wood framed structures was destroyed. The catastrophe ironically rejuvenated the downtown, resulting in a fervent reconstruction program consisting exclusively of stone and brick structures. Most remain standing today. Wood framed building construction was prohibited. The nationwide financial Panic of 1893 compounded the calamity causing a massive slowdown in construction. The Klondike gold rush of 1896 spurred regional economic activity, particularly in providing goods and services to the Alaskan bound miners. During the first two decades of the 20th century, Seattle accommodated a massive incoming immigration. The influx resulted in the creation of outlying tightly concentrated neighborhoods. The downtown core swelled minus coordinated zoned planning. Steep hillsides were lowered to enable fresh constructions and greenbelt territories. Parklands, bridges and public works projects proliferated creating a diverse blend of ambiance and chaos. In 1914, the 38-story Smith Tower was constructed and named after firearm and typewriter magnate Lyman Cornelius Smith. The skyscraper was Seattle’s first and among the tallest outside of New York City at the time of its completion. It remained the tallest building west of the Mississippi until 1931 and was only eclipsed within Seattle upon the construction of the iconic Space Needle in 1962. “Seattle Early and Modernism Architecture” showcases the unique charm of urban Seattle that was and still remains.

Gordon Walker has designed an extraordinary number of architectural projects, several of them at a very large scale, encompasing the entire American coastal west. His work includes commercial and mid-rise residential buildings in California, Oregon, and the Puget Sound region. He has designed over thirty residences in California, Oregon, Washington, Idaho, and the San Juan Islands. --From back cover.