Seascape’s Aground ! - A Reluctant White Knight novel - Volume 3 Reviewed By: Editorial Board, The Columbia Review of Books & Films 1/22/2015 “Seascape’s Aground” is the third installment in “A Reluctant White Knight” – an action adventure series of novels from author T.W. Anderson. Building up on the first two novels, “Seascape Aground” starts off with the bang and only gets better. The story opens with our hero, Tom Rowter, about to board a helicopter for another mission, but held back for a last goodbye kiss from his loving wife, Sunny. For those who trust the feminine sixth sense, this scene provides the reader with the required premonition: Something bad is going to happen. And it does. As the story gets on the way, Tom answers a call to duty, and things get rapidly more complicated. There are good guys and bad guys (and good guys who turn out to be bad), conflict and violence, and difficult choices that bear risky consequences. The action scenes are tense and believable, and so are the tender moments. Especially for readers who have experienced firsthand the pleasures and challenges of second chances, relationship wise, and of romance later in life, this volume provides a bonus in sharing a more intimate and authentic window into the trials and tribulations that test — and strengthen — the relationship between Tom and Sunny. In summary, this third novel in the series provide an enjoyable combination of action, conflict, and suspense, spiced up with romance and family tensions, government corruption and drug cartels, plus a host of exotic locations that add excitement and interest. We look forward to the next installment in “A Reluctant White Knight” – a promising series from author T.W. Anderson. Type: Books Genre: Fiction Title: Seascape’s Aground ! Series: A Reluctant White Knight – Volume/Book 3 By: T.W. Anderson (Author) 3rd Edition eBook Stats: 426 pages Published by T.W. Anderson 2023 Summary: "Conflict, violence, and difficult choices that bear risky consequences." Quoted by permission from The Columbia Review. 1/22/2015 The Editorial Board of The Columbia Review selects new books and films of interest, as well as paid submissions and sponsored reviews from authors, publishers, directors, agents and producers

This book explores the unprecedented surge or oceanic feeling in the aesthetic expression of the romantic century. As secular thought began to displace the certainties of a sacral universe, the oceans that give life to our planet offered a symbol of eternity, rooted in the experience of nature rather than Biblical tradition. Images of the sea permeated the minds of the early Romantics, became a significant ingredient of romantic expression, and continued to emerge in the language, literature, art, and music of the nineteenth century. These pages document the evidence for this oceanic consciousness in some of the most creative minds of that century.

Dive into this uniquely elegant visual exploration of the sea An informative and utterly beautiful introduction to marine life and the ocean environment, Oceanology brings the riches of the underwater world onto the printed page. Astounding photography reveals an abundance of life, from microscopic plankton to great whales, seaweed to starfish. Published in association with the Smithsonian Institution, the book explores every corner of the oceans, from coral reefs and mangrove swamps to deep ocean trenches. Along the way, and with the help of clear, simple illustrations, it explains how life has adapted to the marine environment, revealing for example how a stonefish delivers its lethal venom and how a sponge sustains itself by sifting food from passing currents. It also examines the physical forces and processes that shape the oceans, from global circulation systems and tides to undersea volcanoes and tsunamis. To most of us, the marine world is out of reach. But with the help of photography and the latest technology, Oceanology brings us up close to animals, plants, and other living things that inhabit a fantastic and almost incomprehensibly beautiful other dimension.

The sea and Great Lakes have inspired American authors from colonial times to the present to produce enduring literary works. This reference is a comprehensive survey of American sea literature. The scope of the encyclopedia ranges from the earliest printed matter produced in the colonies to contemporary experiments in published prose, poetry, and drama. The book also acknowledges how literature gives rise to adaptations and resonances in music and film and includes coverage of nonliterary topics that have nonetheless shaped American literature of the sea and Great Lakes. The alphabetical arrangement of the reference facilitates access to facts about major literary works, characters, authors, themes, vessels, places, and ideas that are central to American sea literature. Each of the several hundred entries is written by an expert contributor and many provide bibliographical information. While the encyclopedia includes entries for white male canonical writers such as Herman Melville and Jack London, it also gives considerable attention to women at sea and to ethnically diverse authors, works, and themes. The volume concludes with a chronology and a list of works for further reading.

This book is a multidisciplinary study of the Indian Ocean region, bringing together perspectives from the disciplines of history, defense and strategic studies, cultural and religious studies, and environmental studies. From the earliest exchanges through Sumerian and Harappan trade, to emerging geopolitical alliances in the twenty-first century, this volume demonstrates both the continuity and change of the region as well as its unity and diversity. The expanse of this ocean and its littoral rim is connected through the social imaginary, which enables these processes. It is with the stories of the peoples inhabiting this rim that this book is concerned—told both through micro studies of the everyday lives of the region’s people and through macro studies centered around civilizations, empires, nation-states, and climate change.

In the years between 1776 and 1815, grand square-rigged sailing ships dominated warfare on the high seas. Fighting Sail is a tabletop wargame of fleet battles in this age of canvas, cannon, and timbers. Players take on the roles of fleet admirals in battles ranging from the American War of Independence to the Napoleonic Wars and the War of 1812. Each fleet has access to different ships, tactics, and command personalities – each with its own strengths and weaknesses. Offering a unique blend of detail and simplicity, the scenarios included enable the recreation of historic actions or 'what-if' scenarios. Join the battle and experience the adventurous age of the fighting sail!

For thousands of years pirates, privateers, and seafaring raiders have terrorized the ocean voyager and coastal inhabitant, plundering ship and shore with impunity. From the victim's point of view, these attackers were not the rebellious, romantic rulers of Neptune's realm, but savage beasts to be eradicated, and those who went to sea to stop them were heroes. Engaging and meticulously detailed, Pirate Hunting chronicles the fight against these plunderers from ancient times to the present and illustrates the array of tactics and strategies that individuals and governments have employed to secure the seas. Benerson Little lends further dimension to this unending battle by including the history of piracy and privateering, ranging from the Mycenaean rovers to the modern pirates of Somalia. He also introduces associated naval warfare; maritime commerce and transportation; the development of speed under oar, sail, and steam; and the evolution of weaponry. More than just a vivid account of the war that seafarers and pirates have waged, Pirate Hunting is invaluable reading in a world where acts of piracy are once more a significant threat to maritime commerce and voyagers. It will appeal to readers interested in the history of piracy, anti-piracy operations, and maritime, naval, and military history worldwide.

First English-language edition of Emmanuel Bénézit's Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs, based on the 14-volume French edition published in 1999. It has been revised, adapted and updated.--Preface.

Corbin argues that with few exceptions people living before the eighteenth century knew nothing of the attractions of the coast, the visual delight of the sea, the desire to brave the force of the waves or to feel the coolness of sand against the skin. The image of the ocean in the popular consciousness was coloured by Biblical and mythical recollections of sea monsters, voracious whales, and catastrophic floods. It was perceived as sinister and unchanging, a dark, unfathomable force inspiring horror rather than attraction. These associations of catastrophe and fear in the minds of Europeans intensified the repulsion they felt towards deserted and dismal shores.