The Life and Adventures of Joaquin Murieta (1854) is a novel by John Rollin Ridge. Published under his birth name Yellow Bird, from Cheesquatalawny in Cherokee, The Life and Adventures of Joaquin Murieta was the first novel from a Native American author. Despite its popular success worldwide—the novel was translated into French and Spanish—Ridge’s work was a financial failure due to bootleg copies and widespread plagiarism. Recognized today as a groundbreaking work of nineteenth century fiction, The Life and Adventures of Joaquin Murieta is a powerful novel that investigates American racism, illustrates the struggle for financial independence among marginalized communities, and dramatizes the lives of outlaws seeking fame, fortune, and vigilante justice. Born in Mexico, Joaquin Murieta came to California in search of gold. Despite his belief in the American Dream, he soon faces violence and racism from white settlers who see his success as a miner as a personal affront. When his wife is raped by a mob of white men and after Joaquin is beaten by a group of horse thieves, he loses all hope of living alongside Americans and turns to a life of vigilantism. Joined by a posse of similarly enraged Mexican-American men, Joaquin becomes a fearsome bandit with a reputation for brutality and stealth. Based on the life of Joaquin Murrieta Carrillo, also known as The Robin Hood of the West, The Life and Adventures of Joaquin Murieta would serve as inspiration for Johnston McCulley’s beloved pulp novel hero Zorro. With a beautifully designed cover and professionally typeset manuscript, this edition of John Rollin Ridge’s The Life and Adventures of Joaquin Murieta is a classic work of Native American literature reimagined for modern readers.

On a hot July dawn in 1853, a gunfight took place on the western edge of the San Joaquin Valley, midway between San Francisco and Los Angeles. When the smoke cleared, Joaquin Murrieta, one of the most notorious bandits of the Gold Rush lay dead. Soon his severed head was traveling around the new state of California in a pickling jar. Murrieta would have an unparalleled afterlife in dime novels and movies, Mexican folksongs and Gold-Rush legends. Anglos regarded him as a homegrown Robin Hood, while Mexicans on both sides of the border celebrated him as an enemy of Yankee rule. And as the legendary bandit's myth grew and his deeds and death were celebrated throughout the world, every detail of his story, down to the color of his eyes, was debated and contested. Not until Bruce Thornton has anyone tried to unravel his legend from his life and to understand the meanings Murrieta has acquired on his way to literary and cultural immortality. A penetrating look at the life and times of a celebrated bad man, "Searching for Joaquin" also probes the role Joaquin Murrieta has played in the myth of the old Hispanic California, that sunlit lazy land of missions and ranchos, moonlit plazas and fiestas, high passion and derring-do. As Thornton shows, that myth is accepted as history by many even today, and Murrieta continues to play many roles: the chivalric outlaw who settles conflict with violence; and the emblem of a simpler world where life is lived more intensely and passionately; and most of all, the avenging angel who rectifies Anglo misdeeds against powerless Hispanics. "Searching for Joaquín" opens a window onto a vanished past and also shows how myth and history flow in and out of each other and continue to affect the way we live now.

National Book Award Winner, PEN America Award Winner, and New York Times Bestseller! Perfect for fans of This Is Us, Robin Benway’s beautiful interweaving story of three very different teenagers connected by blood explores the meaning of family in all its forms—how to find it, how to keep it, and how to love it. Being the middle child has its ups and downs. But for Grace, an only child who was adopted at birth, discovering that she is a middle child is a different ride altogether. After putting her own baby up for adoption, she goes looking for her biological family, including— Maya, her loudmouthed younger bio sister, who has a lot to say about their newfound family ties. Having grown up the snarky brunette in a house full of chipper redheads, she’s quick to search for traces of herself among these not-quite-strangers. And when her adopted family’s long-buried problems begin to explode to the surface, Maya can’t help but wonder where exactly it is that she belongs. And Joaquin, their stoic older bio brother, who has no interest in bonding over their shared biological mother. After seventeen years in the foster care system, he’s learned that there are no heroes, and secrets and fears are best kept close to the vest, where they can’t hurt anyone but him. Don't miss this moving novel that addresses such important topics as adoption, teen pregnancy, and foster care.

A timely new edition of a pioneering work in Latino literature, National Book Award nominee Gary Soto's first collection (originally published in 1977) draws on California's fertile San Joaquin Valley, the people, the place, and the hard agricultural work done there by immigrants. In these poems, joy and anger, violence and hope are placed in both the metaphorical and very real circumstances of the Valley. Rooted in personal experiences—of the poet as a young man, his friends, family, and neighbors—the poems are spare but expansive, with Soto's voice as important as ever. This welcome new edition has been expanded with a crucial selection of complementary poems (some previously unpublished) and a new introduction by the author.

At 6'4" and 375 pounds, Jack Garcia looked the part of a mobster, and he played his part so perfectly that his Mafia bosses never suspected he was an undercover agent for the FBI. 'Big Jack Falcone', as he was known inside La Cosa Nostra, learned all the inside dirt about the Gambino organized crime syndicate and its illegal activities - from extortion and loan-sharking to assault and murder. The result was a string of busts and a quarter of a million dollar contract put out on his life. A fascinating inside look at the struggle between law enforcement and organized crime, MAKING JACK FALCONE sheds new light on two organizational cultures that continue to exert an unparalled grip on our imagination.

Paolo calls Rufus "a Mack truck with no one driving." Rufus is the O'Neil family dog, and he shows up one morning with part of a twenty-dollar bill in his teeth. Twelve-year-old Paolo figures that there must be more where that bill came from, and since his cousin Billy needs to repair a bent wheel on his bike, there's a reason for looking. Soon Paolo, his brother Georgie, and Billy end up in the monsignor's garden behind the Cathedral of San Joaquin, but it's not exactly treasure they find, it's a hand that shoots out of the undergrowth to grab Paolo's neck. The search for the stash leads the boys -- sometimes scared spitless -- on many a byway around Orange Grove City, California, in the summer of 1951. And onto the byway of conscience.

Joaquin Murrieta. In the California gold camps of the 1850s, his very name struck terror into the hearts of miners. A bounty was put on his head and a new law-enforcement agency created just to capture or kill him. Joaquin was a lover, a leader, and a legend. While terrorizing white miners, he earned respect and devotion from the many Mexicans and Latin Americans in the gold fields. Although he tried to live an honest, hardworking life, the racism and intolerance he encountered altered his course. Forced into a life of crime, he struck back, forming a band of outlaws and then an army of patriots, with the intent of driving the Americans from the land that had so recently been Mexican territory. The historical epic novel Blood and Gold: The Legend of Joaquin Murrieta, by Jeffrey J. Mariotte and Peter Murrieta, is the definitive account of the life and legend of the "Robin Hood of the El Dorado"--the first fictional treatment of these events that benefits from memories handed down through generations of the Murrieta family.