SD, or Sachin Dev Burman, the man who gave Hindi film music its grammar, is perhaps the most enigmatic figure in Indian cine history. As the young scion of the Tripura royal family, SD struck out into the world of cinema and popular music. The early years were difficult, professionally and personally. His unconventional choice of profession and marriage to a 'commoner' caused his family to ostracize him, and his formal training was not enough to stave off rejections. This well-researched biography is both a tribute to a great artist, and a deep inquiry into what made his music great. Going well beyond merely listing his greatest songs, it explores hitherto unknown stories about the creation of each gem: 'Mera sundar sapna beet gaya' (Do Bhai, 1948); 'Thandi hawaein' (Naujawan, 1951); 'Yeh raat yeh chandni' (Jaal, 1952); 'Babu samjho ishaare' (Chalti Ka Naam Gaadi, 1958); 'Meet na mila re mann ka' (Abhiman, 1973), and more. The book is packed with insights into SD's life, work and his astute understanding of Hindi cinema. Despite the fact that he was an outsider who spoke little Hindi or Urdu, SD was the man who introduced Sahir Ludhianvi to the world, and the one who gave Kishore Kumar's musical brilliance its due. His readiness to adapt to modern sounds and techniques, his unwavering faith in Lata Mangeshkar's virtuosity, his closeness to Dev Anand that was seen as nepotism, charges of plagiarism-S.D. Burman: The Prince-Musician provides unmatched insight into both the genius of one of India's most significant composers and a crucial aspect of its glorious cinematic history. An essential addition to every film music aficionado's library.

Incomparable Sachin Dev Burman is a personal and in depth overview of the all time great music maestro SD Burman. Hardly a situation goes by when one does not see a reference to "SDB" or "SD Burman" or "Sachin Karta" when Hindi film music or modern Bengali songs are discussed. He was part of the DNA of these genres. What began in the early thirties of the last century continues to draw attention even today as his music had an allure and flavour that remains unprecedented. He was an institution ... as a composer, as a singer. Here was a master who also drew out the best from his singers, lyricists and instrumentalists and helped them excel in their craft. Dhaka-based author HQ Chowdhury, offers a full fledged story of the composer-singer SD Burman covering his successes, failures, idiosyncrasies and what peers thought of him. A Special Foreword written by Santoor maestro Padma Vibhushan Pandit Shiv Kumar Sharma and an Introduction by Film Music Historian Manek Premchand lend valuable added perspectives to the remarkable personality and genius of SD Burman. Painstakingly meticulous and accurate, this biography of music maestro SD Burman is written with incredible thoroughness by HQ Chowdhury. It chronicles his family background, childhood, early days in Comilla and Calcutta, his amazing passion for music of the rustic hinterland and his rigorous training under his gurus. His work in the world of Hindi film music, his association with his singers, lyricists, fellow composers and stars and filmmakers is detailed with indepth research, archival material and the author's own personal interactions with the people who worked with the maestro. In the world of Hindi film music, he was popularly known as the music composer SD Burman or Burman Dada. But in West Bengal and Bangladesh he was an all-time great singer, Sachin Karta or Sachindev. The book traverses the two musical worlds of Sachin Dev Burman - one as a composer and the other, as a singer - and makes it available in a language common to all. Burman Dada's thoughts and beliefs, successes and failures, his innocence and penchant for perfection, and his style of working - all come through in the detailed descriptions, facts, analyses, interviews and anecdotes, collected and written by HQ Chowdhury. The complete and detailed Discography lists all the songs Burman Dada has sung or given music for in Bengali and Hindi. Along with a collection of rare pictures this book will serve as a great resource of students of modern Bengali songs, Hindi film songs and vintage Bollywood films. About HQ Chowdhury HQ Chowdhury is a freelance writer on music and films. He first wrote in the late 1960s for the People, an English daily from Dhaka and then for a while in the early 1970s for Cine Advance, published from Kolkata and Mumbai. He is a recipient of the 2006 'Sachin Dev Burman Award' from the Government of Tripura, India. HQ Chowdhury is the CEO of Plasma Plus, an application laboratory of science and technology of which he is also the founder. He was listed in the Marquis WHO's WHO in the World of Professionals from 1997 to 2002.

S.D. Burman was singer, musician, composer and teacher all at once - a trailblazer in the truest sense of the term. He was a prince who lived a commoner's life, a singer who created tunes instead, a classically trained musician who composed for the lay listener. His incredible career in Hindi cinema spanned three decades - through all the years of which his spirit was as fresh and young as when he started. His compositions were filmed on succeeding generations of stars to unflaggingly wonderful effect. This chronicle of the life of S.D. Burman tells his story through a kaleidoscope of montages from the inner and outer worlds he inhabited. Fragmented memoirs of his days in the sylvan surroundings of Comilla, interviews, press clippings and archival material piece together the story of the man who created some of Hindi cinema's most enduring songs. Facts and records are knitted into a multidimensional narrative that carries the reader into the little-known world of a man whose contradictions made him unique and gave him a place all his own in music. Sun Mere Bandhu Re ... The Musical World of S.D. Burman is a biography unlike any you have read before.

To a nation fed on classical music, the advent of Rahul Dev Burman with his repertoire of Western beats was a godsend. RD revolutionized Hindi film music in the 1970s, and with his emphasis on rhythm and beats, this Pied Piper of Hindi film music had young India swinging to his tunes. At the same time, this genius proved his many detractors who criticized him for corrupting popular taste wrong by composing some of the most influential raga-based songs in Hindi cinema and showing an immense comfort with all kinds of music, including Indian folk. RD: The Man, The Music looks at the phenomenon called R.D. Burman and how he changed the way Indians perceived Hindi film music. Through anecdotes and trivia that went into the making of Pancham's music - the many innovations he introduced, like mixed rhythm patterns, piquant chords and sound mixing - and through interactions with the musicians who were part of RD's team, the authors create a fascinating portrait of a man who, through his music, continues to thrive, even fifteen years after his death.

On the life and works of Sachin Dev Burman, 1906-1975, Bengali and Hindi film music director.

This volume traces the evolution of the Hindi film song to its present status as the cultural barometer of the country through an evaluation of the work of over 50 outstanding composers. Interviews with icons like Lata Mangehskar and Dev Anand are included.

Yesterday’s Melodies Todays Memories is a rare collection of profiles of all important music-makers of the Hindi Film Industry between 1931 and 1970. It not only gives a biographical background of each music artiste, but it goes further to interview many of the surviving giants and completes the task by listing some of the best songs with which that person is associated. Here are singers that include the whole gamut from KL Saigal to Asha Bhosle, lyricists that include Sahir and Gulzar, music composers from Naushad to RD Burman, artistes that were part-time singers and full time actors like Ashok Kumar, melody queens like Noor Jahan and Lata Mangeshkar, gentlemen lyricists like Prem Dhawan and gentlemen singers like Manna Dey, mischief-makers like Kishore Kumar and rebels without pause like OP Nayyar and Majrooh Sultanpuri. In fact, this book is a house in which all these great talents live happily, each in a separate room, given space for self-expression. The serious research that has gone into this book is evident as you move from one chapter to another, opening layers after layers presented non-seriously. Over 100 music makers are presented this way and many more in a huge single chapter.

A must-read for Dev Anand fans and students of film history “A broken nose sometimes makes a great boxer,” said the evergreen Bollywood star Dev Anand after his movie Ishq Ishq Ishq did not work at the box office. In his sixty-five years of unchallenged dominance as the most-loved Hindi film star, Dev Anand gave us several memorable hits like Guide, Taxi Driver, Hum Dono, Johny Mera Naam, and Hare Rama Hare Krishna. He was not only an exceptionally handsome and stylish hero. His ‘man of the future’ philosophy is worth emulating by persons of all generations. He neither celebrated his successes nor lamented over his failures. A Karma Yogi, in the true sense of the term, he produced, directed, and acted in a lead role in a movie at the age of eighty-eight, which is without parallel in the history of Bollywood. The book attempts to analyse why his philosophy of life is a source of inspiration for all. It also gives a detailed filmography from Hum Ek Hain to Charge Sheet, with a separate chapter on Guide, and a special write-up on his genius brother Vijay Anand.

The definitive saga, at once riveting and revelatory – studded with rare nuggets of information and fascinating anecdotes – that sparkingly brings out the life and times of an internationally acclaimed incredibly versatile singer. Asha Bhosle – a Guinness world record holder plus recipient of the Padma Vibhushan and the Dadasaheb Phalke Award – has held one and all spellbound for six decades now. Her voice, both fluid and flexible, has infused neo life into a variety of genres – from the melancholy melody to the rollicking rock-’n’-roll; from the soulful creation to the vibrant disco; from the romantic rhapsody to the rambunctious folk song; from the dainty ghazal to the boisterous qawwali; and from the pathos-filled rendition to the naughty-naugthy seductive number. The author – on the strength of his vast and varied exposure and experience – turns the focus on enthralling behind-the-scenes happenings that shaped the advance of this artiste with a remarkable range and a noteworthy body of work. ‘The world has no time for losers’ has remained Asha’s performing credo. This volume captures Asha Bhosle in her numberless shades. It is about how – in her silken rivalry with elder sister Lata Mangeshkar – she moved with panache from O. P. Nayyar to S. D. Burman to R. D. Burman. It is about how she served a galaxy of composers; about how, in the end, she reached the pinnacle all by herself. Against odds that would have driven any other woman into quitting. No quitter ever, Asha Bhosle, as the supernova supreme, just went on to underline the adage: ‘No power like woman power’. No more can you stay away from this marvel of a musical biography than you can stay away from the matchless musicality of Asha Bhosle. If she is one of a kind, so is this musical masterpiece capturing all the resonances and nuances going with her piquant persona. Here is a long-awaited career study shedding light on the twists and turns marking the starry-eyed world of Hindustani film music.

A collection of articles and memoirs from those who loved the legendary Hindi playback singer Mohammed Rafi