Techniques for creating flawless lighting show photographers of all levels how to take full control of their photographic atmosphere in this indispensable guide. Illustrating the physics that govern light; the visual difference between the eye and camera; the qualities of incident and reflected light; and the effects of the size, intensity, direction, contrast, and ratio of light, this manual offers tools for sculpting the face for remarkable portraits. The three desirable positions for the main light are described in detail, as well as how to use those arrangements to accentuate all types of faces—oval, long, angular, heart-shaped, and square—to create portraits with a variety of different effects, from romantic to edgy to high fashion.

"'Stone carving is a slow, meditative experience. The process can be transformative. Each of my projects has taken life's rough moments and opens them up to the discovery of our shared humanity. The finished work may be the sculpture, but the creative process is never ending.' Sculpting Towards the Light is an intimate and insightful story of a sculptor and his work. It follows the paths of imagination and activity which gave birth to a unique work of art. The paths are diverse and unexpected, twisting into personal history, racing forward into the future, and then resting in the euphoric moments when the mind and its thoughts no longer exist and the carving occurs as if of its own accord. Here is a unique story about play and work, imagination, and action. Costanzo looks at the past that has shaped him and his future as an artist working in an ancient medium, while the world races toward digital Armageddon."--

"Stone carving is a slow, meditative experience. The process can be transformative. Each of my projects has taken life's rough moments and opens them up to the discovery of our shared humanity. The finished work may be the sculpture, but the creative process is never ending." Sculpting Towards the Light is an intimate and insightful story of a sculptor and his work. It follows the paths of imagination and activity which gave birth to a very unique work of art. The paths are diverse and unexpected, twisting into personal history, racing forward into the future, and then resting in the euphoric moments when the mind and its thoughts no longer exist and the carving occurs as if of its own accord. The author writes, "There is a point in each sculpture where my energies collide. At first there is the initial inspirational emotion, full of conviction, demanding that I communicate its essence. The emotion has been concretely felt but the sculptural representation of that emotion remains vague. It is as if I am sleepwalking, unaware of where I am going. I can also feel playful in a place of excitement where there are no time pressures and few expectations. My mind becomes an elevator with predetermined automatic stops: journal writing, pencil sketches, listening to music, reading and meditative walking in nature. Eventually, a three-dimensional structure materializes from the midst of this contemplation." Here is a unique story about play and work, imagination and action. Costanzo looks at the past that has shaped him and his future as an artist working in an ancient medium, while the world races toward digital Armageddon.

If you are working in theater involved in set creation, lighting or costume design this book will inspire you to reach the heights of the masters as you learn how they succeeded. To move a world from text to stage requires unique and considered design. Sculpting Space in the Theater reveals the philosophy and process of the most influential set, costume and lighting designers working in theater today. The designers profiled in this book - all of whom have established a visible signature and particular design process - have had a remarkable impact in the field of theater design worldwide. Interviews, illustrated with photographs and working sketches, reveal the vision behind designs, and personal anecdotes reveal lessons learnt, providing a practical insight into how designers approach their work, and achieve the effects they want.

A long-overdue publication that restores Wilfred to the art-historical canon Lumia presents a long-overdue reevaluation of the groundbreaking artist Thomas Wilfred (1889-1968), whose unprecedented works prefigured light art in America. As early as 1919, many years before the advent of consumer television and video technology, Wilfred began experimenting with light as his primary artistic medium, developing the means to control and project unique compositions of colorful, undulating light forms, which he referred to collectively as lumia. Manifested as both live performances on a cinematic scale and self-contained structures, Wilfred's innovative displays captivated audiences and influenced generations of artists to come. This publication, the first dedicated to Wilfred in over forty years, draws on the artist's personal archives and includes a number of insightful essays that trace the development of his work and its relation to his cultural milieu. Featuring a foreword by the celebrated artist James Turrell, Lumia helps to secure Wilfred's rightful place within the canon of modern art.

... This book has been written to help you discover what the eye of the photographer can teach you . You may become an inspired photographer can teah you. You may become an inspired photographer after reading this book, or become a collector of photographs, or become a more appreciative visitor to photographic exhibitions in museums and galleries. Any of these will have made this book worthwhile. But even more important is the hope that your life may be enriched by the art of seeing ...

In 1941 the Swiss art critic Pierre Courthion interviewed Henri Matisse while the artist was in bed recovering from a serious operation. It was an extensive interview, seen at the time as a vital assessment of Matisse's career and set to be published by Albert Skira's then newly established Swiss press. After months of complicated discussions between Courthion and Matisse, and just weeks before the book was to come out--the artist even had approved the cover design--Matisse suddenly refused its publication. A typescript of the interview now resides in Courthion's papers at the Getty Research Institute. This rich conversation, conducted during the Nazi occupation of France, is published for the first time in this volume, where it appears both in English translation and in the original French version. Matisse unravels memories of his youth and his life as a bohemian student in Gustave Moreau's atelier. He recounts his experience with collectors, including Albert C. Barnes. He discusses fame, writers, musicians, politicians, and, most fascinatingly, his travels. Chatting with Henri Matisse, introduced by Serge Guilbaut, contains a preface by Claude Duthuit, Matisse's grandson, and essays by Yve-Alain Bois and Laurence Bertrand Dorleac. The book includes unpublished correspondence and other original documents related to Courthion's interview and abounds with details about avant-garde life, tactics, and artistic creativity in the first half of the twentieth century.

From the Japanese-American internment camps to the creation of the San Francisco School of the Arts, Ruth Asawa's life journey is one filled with challenges and obstacles turned into triumphs through perseverance and a unique vision. -- Provided by publisher

Over a period of some twenty years, Mexican-born artisan Dionicio Rodríguez created imaginative sculptures of reinforced concrete that imitated the natural forms and textures of trees and rocks. He worked in eight different states from 1924 through the early 1950s but spent much of his early career in San Antonio, where several of his creations have become beloved landmarks. More than a dozen of Rodríguez’s works have been included on the National Register of Historic Places. Patsy Pittman Light has spent a decade documenting the trabajo rústico (“rustic work”) of Rodríguez, along with its antecedents in Europe and Mexico, and the subsequent work of those Rodríguez trained in San Antonio. Rodríguez’s unique and unusual art will fascinate those new to it and delight those to whom it is familiar. San Antonio sites such as the bus stop on Broadway, the faux bois bridge in Brackenridge Park, and the “rocks” on the Miraflores Gate at the San Antonio Museum of Art, along with the Old Mill at T. R. Pugh Memorial Park in North Little Rock and Memorial Park Cemetery in Memphis, are just a few of the locations covered in this volume celebrating the life and work of a Latino artisan. Students and devotees of Texas and Southwestern art will welcome this book and its long-overdue appreciation of this artist. Additionally, this book will commend itself to those interested in Latino studies, art history, and folklore.