Uses colorful illustrations to demonstrate examples of "wordles," or wordplay phrases that sound alike but have different meanings, including "I see" and "icy," and "I scream" and "ice cream."

Twenty-eight-year-old Jeffrey Lucas is addicted to the thrilling sensation that comes with fulfilling each of his assignments. A soccer player by day and contract killer by night. Lucas has emerged from a rocky childhood to transform into a ruthless mercenary who efficiently eliminates one unlucky soul after the other. After Lucas murders his newest victim, the brother of the deceased begins developing a vengeful plan to execute a political nominee who is connected to Lucas. As Lucas becomes intertwined romantically with his latest victim’s wife, Chelsea, he soon learns that the FBI is targeting him and that he has a young daughter. While Lucas becomes embroiled in a dangerous game of cat and mouse with corrupt politicians, a chain of catastrophic events unfolds that leads him down a dark path where he is left to contemplate his future and his own death. The Silent Scream I is the thrilling tale of a contract killer’s quest to stay alive as his world crumbles around him and survival becomes his greatest mission.

Shiver-inducing science not for the faint of heart. No one studies fear quite like Margee Kerr. A sociologist who moonlights at one of America's scariest and most popular haunted houses, she has seen grown men laugh, cry, and push their loved ones aside as they run away in terror. And she's kept careful notes on what triggers these responses and why. Fear is a universal human experience, but do we really understand it? If we're so terrified of monsters and serial killers, why do we flock to the theaters to see them? Why do people avoid thinking about death, but jump out of planes and swim with sharks? For Kerr, there was only one way to find out. In this eye-opening, adventurous book, she takes us on a tour of the world's scariest experiences: into an abandoned prison long after dark, hanging by a cord from the highest tower in the Western hemisphere, and deep into Japan's mysterious "suicide forest." She even goes on a ghost hunt with a group of paranormal adventurers. Along the way, Kerr shows us the surprising science from the newest studies of fear -- what it means, how it works, and what it can do for us. Full of entertaining science and the thrills of a good ghost story, this book will make you think, laugh -- and scream.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. When you are born, the first thing you do is scream. Be it a response to fear, anger, sadness, or happiness, the scream is a declaration of being alive. The metal vocalist cupping the microphone blares out a deafeningly harsh scream. The drill instructor screams out commands to their soldiers. And then there's the bloodcurdling screams we know from horror films. A scream has many meanings, but it is an instinctive and reflexive action that, at its core, reveals raw emotion. Investigating popular and alternative cultures, art, and science, Michael J. Seidlinger tracks the resonance of the scream across media and literature and in his own voice. Object Lessons is published in partnership with an essay series in The Atlantic.

From the "astounding" (Entertainment Weekly), "spectacularly evocative" (The Atlantic), and "brilliant" (Los Angeles Times) author of the New York Times bestsellers The Recovering and The Empathy Exams comes a return to the essay form in this expansive book. With the virtuosic synthesis of memoir, criticism, and journalism for which Leslie Jamison has been so widely acclaimed, the fourteen essays in Make It Scream, Make It Burn explore the oceanic depths of longing and the reverberations of obsession. Among Jamison's subjects are 52 Blue, deemed "the loneliest whale in the world"; the eerie past-life memories of children; the devoted citizens of an online world called Second Life; the haunted landscape of the Sri Lankan Civil War; and an entire museum dedicated to the relics of broken relationships. Jamison follows these examinations to more personal reckonings -- with elusive men and ruptured romances, with marriage and maternity -- in essays about eloping in Las Vegas, becoming a stepmother, and giving birth. Often compared to Joan Didion and Susan Sontag, and widely considered one of the defining voices of her generation, Jamison interrogates her own life with the same nuance and rigor she brings to her subjects. The result is a provocative reminder of the joy and sustenance that can be found in the unlikeliest of circumstances. Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay One of the fall's most anticipated books: Time, Entertainment Weekly, O, Oprah Magazine, Boston Globe, Newsweek, Esquire, Seattle Times, Baltimore Sun, BuzzFeed, BookPage, The Millions, Marie Claire, Good Housekeeping, Minneapolis Star Tribune, Lit Hub, Women's Day, AV Club, Nylon, Bustle, Goop, Goodreads, Book Riot, Yahoo! Lifestyle, Pacific Standard, The Week, and Romper.

Fans of Monday's Not Coming and Girl in Pieces will love this award-winning novel about a girl on the verge of losing herself and the unlikely journey to recovery after she is removed from anything and everyone she knows to be home. Moving from Trinidad to Canada wasn't her idea. But after being hospitalized for depression, her mother sees it as the only option. Now, living with an estranged aunt she barely remembers and dealing with her "troubles" in a foreign country, she feels more lost than ever. Everything in Canada is cold and confusing. No one says hello, no one walks anywhere, and bus trips are never-ending and loud. She just wants to be home home, in Trinidad, where her only friend is going to school and Sunday church service like she used to do. But this new home also brings unexpected surprises: the chance at a family that loves unconditionally, the possibility of new friends, and the promise of a hopeful future. Though she doesn't see it yet, Canada is a place where she can feel at home--if she can only find the courage to be honest with herself. "Allen-Agostini uses frank yet gentle prose...[in this] hopeful story about finding one's place and the sometimes-difficult journey to self-acceptance."-Kirkus Reviews, Starred review "An accessible look at teen anxiety and depression...[Home Home] shines in its depictions of the physical and emotional aspects of anxiety and depression...[and] teens of color coping with mental illness will find common cause with this Trini girl's journey toward self-actualization and healing."--Booklist "Allen-Agostini depicts the culture of her homeland with honesty and enlightening details,...delivering important messages about acceptance and mental illness."-SLJ

DIVEssays on film soundtracks composed of popular music (rather than the composed film score) both in relation to the films, and circulating separately on record./div

Robin Fear is out to destroy Dierdre Bradley, her father, and Fear Park but one person's waiting for revenge.

The mayor of Copenhagen is found murdered in his luxury apartment. Detective Lars Winkler is put on this sensitive case, which is further complicated by the fact that the victim’s mother is the leader of the country’s most radical political party and the current minister of finance. Lars notices the minister and her husband are strangely untouched by their son’s death. When he begins to dig into the mayor’s past, he slowly uncovers the dark story of a young, idealistic man who had only one wish: to free himself of his family and live his own life. Dark and chilling, The Scream of the Butterfly is Scandinavian crime at its best.