The suedehead subculture was an early-1970s offshoot of skinhead subculture in the UK and Ireland. Although sharing similarities to 1960s skinheads, suedeheads grew their hair longer and dressed more formally, and although often working class like skinheads, some had white collar jobs, which bred a more formal attire such as brogues or loafers instead of heavy boots. Though there were similarities in musical taste at the beginning, by the late 1970's Suedeheads were listening to 2-Tone artists such as 'The Beat', and glam rock bands such as 'Slade' and 'Mott The Hoople'. Beautifully illustrated throughout and with a foreword from none other than Paul Weller, this is the definitive visual history of one of Britain's subcultures from the 1970's.

Mod may have been born in the ballrooms and nightclubs around London but it soon rampaged throughout the country. Young kids soon found a passion for sharp clothes, music and dancing, but for some it was pills, thrills and violence. The original Mod generation tell it exactly how it was, in their very own words. First hand accounts of the times from the people who were actually on the scene. Top faces, scooterboys, DJs, promoters and musicians build up a vivid, exciting snapshot of what it was really like to be with the in-crowd. Packed with rare pictures, ephemera, art and graphics of the era. Featuring interviews with Eddie Floyd, Martha Reeves, Ian McLagan, Chris Farlowe and many more.

Thrust into the global spotlight on her engagement to Prince William, Kate wore a sapphire blue wrap dress by London-based label Issa that promptly sold out. It was the first step in Kate's evolution to become the modern royal style icon she is today – the Duchess of Cambridge. In the decade since, Kate has become the Duchess of Cambridge, a future Queen and a mother of three. Her outfits range from high street to haute couture, with women worldwide fascinated by her style and eager to copy it. The Duchess has used her clothing to make diplomatic gestures, to send messages of solidarity and to show respect. One day, her wardrobe underscores her status as a senior royal; the next it's all about being just like any 30-something Mum. But thanks to an explosion of 24/7 news coverage and social media, her choices are analysed more closely than those of any royal before. In this book, Bethan Holt marks the tenth anniversary of Kate's royal life by taking readers on a highly illustrated journey through the Duchess's style evolution.

Web 2.0 and Beyond: Principles and Technologies draws on the author's iceberg model of Web 2.0, which places the social Web at the tip of the iceberg underpinned by a framework of technologies and ideas. The author incorporates research from a range of areas, including business, economics, information science, law, media studies, psychology, social

Examining and illustrating the art scene surrounding the birth of modernism and its simultaneous rise among the burgeoning working class Mod scene of the Sixties, Paul Anderson's Mod Art is the definitive work on the visual culture of Mod. With interviews from key artists, scene members and a rich understanding of the how the collision of high art and mass culture formed, Mod Art will appeal to fans of history, music, fashion and art. Gorgeously illustrated with a treasure trove of hundreds of colour photographs of famous, rediscovered and rare images from the era, Mod Art will be read and re-read for years to come. Paul Anderson's previous book, Mods: The New Religion, is a best seller in the genre and considered a defining work on the subculture.

Complex memoir about 1980's punk culture by the band True Sons of Liberty's front man.

Seven drinking buddies decide to buy a racehorse and embark on the journey of a lifetime in the book that inspired the film Outside Bet. It's 1985 - Thatcher is in power, Sade is on the radio and the print workers have gone on strike. A motley rabble of seven firm friends: Thimble, Gudger, O'Sh, Fred the Shoe, Dave, Alfie and Bax meet every Sunday in their favourite South London boozer for banter of the highest order and a lot of taking the mick. Then, out of the blue, one of their number receives some news which knocks him and his merry band for six. Reeling from this shock and confused about how to deal with it, the boys meet and rally in standard fashion, in the Dutchman with a few light ales and an aim to set the world to rights. One day an unknown character approaches the crew and asks them a most intriguing question...'Does anyone here want to buy a racehorse?!' From that simple but surreal question unfolds the story of seven likely lads who embark on a unique journey in the name of their mate, and what happens when they just decide to go the whole bifta.

"Trojan's mission was to bring Jamaican music to the world. Over the past half century it has done just that, releasing many of the defining albums of ska, rock steady, dub and reggae, from artists including The Upsetters, Jimmy Cliff, Desmond Dekker, The Maytals, Dennis Brown, John Holt, Lee 'Scratch' Perry, and Bob Marley & The Wailers, as well as the hughly popular Tighten Up compilations. This book includes interviews with many of the artists, as well as those behind the scenes, and features a wealth of rare and long-unseen images and memorabilia."--Back cover

When fate conspires many things have to happen in just the right order, and at just the right time. In Britain during the early 60s a youth culture revolution was taking place. The austerity of the late 50s was rapidly becoming a distant memory with full employment and the children of the post war baby boom moving into adulthood. The new British youth were divided into primarily two groups, mods and rockers, based on their musical tastes. The mods had formed an allegiance to R&B and British rock bands like The Who and Small Faces; perhaps most significantly they had taken to Jamaican ska. When the psychedelic 60s hit Britain the mods split into a wide variety of fashions and styles including hippies and the skinhead. This period is where the style of the skinhead was first defined. Skinhead fashion was intended to show a pride in the traditional English working class look. The hard mod's who couldn't empathise with the hippie attitude and style got harder, and with a little influence from the Jamaican rude boys the traditional skinhead was born. The musical force in Jamaica during 67 was rocksteady having slowed down from the energetic ska beat that had dominated the Islands output from the early sixties. Ska was flirting with the UK charts with Train To Skaville from The Ethiopians making it to number 40 in September 1967. In 1968 Bunny 'Striker' Lee came to England to meet Dave Betteridge from Island Records and had a chance meeting with the Palmer brothers. He returned to Jamaica with a request to speed up the music making it more appealing to the youth, in particular a new movement that was starting out all over, following on from the Mods. Bunny returned to Jamaica and as he will tell you reggae was born, with the organ shuffle introduced on Bangarang, upping the tempo once again. In 1968 Wet Dream was released and picked up by the emerging skinheads, and along with Israelites and It Meik reggae began charting, now bought in volumes by the skinheads and the

This title presents a handbook of the potent skinhead cult. It traces the development of the skinhead movement in England, describes the characteristics and behaviour of these gangs, and explains their attitudes towards school, the police, and the government.