"Solving these riddles is not simply a matter of logic and calculation, though these play a role. Luck and inspiration are factors as well, so beginners and experts alike may profitably exercise their wits on Gardner's problems, whose subjects range from geometry to word play to questions relating to physics and geology. We guarantee that you will solve some of these riddles, be stumped by others, and be amused by almost all of the stories and settings that Gardner has devised to raise these questions." --Back cover.

Presents a chronological survey of this genre from the beginnings of modern science and technology to the present.

A collection of short fiction and novellas showcases the work of such popular science fiction writers as Alastair Reynolds, Stephen Baxter, and John Meaney.

Eight hundred years after the most horrific battle of the Idiran war, light from its world-destroying detonations is about to reach the Masaq Orbital, home to the Culture. Major Quilan has supposedly come to take the exiled Composer Ziller back to their war-ravaged home world, Chel. But despite the major's civilized veneer, his true mission may be the death and destruction of an entire civilization.

Martin Gardner is widely known for his writing on recreational mathematics, not least for the myriad problems he has devised over some 25 years for Scientific American. In this book are 36 of his best brainteasers. These are not simply cunning puzzles, but serve to illustrate the art of the mathematician as problem solver, and their solution draws on ideas from topology, probability, number theory, logic and beyond. Fully worked answers are given, which, in turn, lead to additional problems for the reader. For anybody who likes to solve mathematical problems, this book will be both entertaining and a challenge.

Here is Martin Gardner''s first collection of short stories. Culled from fiction written over the years for such magazines as Esquire and the London Mystery Magazine, The No-Sided Professor is proof that Gardner''s expertise does not stop at his scientific and mathematical works. Only Gardner can infuse short stories with the same masterful charm, wit, and philosophical brio that have brought him legions of fans through his mathematical-puzzle books and investigations into science and pseudoscience. Gardner introduces us to the "No-Sided Professor," Dr. Stanislaw Slapenarski, who by means of a kind of mathematical yoga blips himself and his nemesis into another dimension. In "At the Feet of Karl Klodhopper," Gardner tells an engrossing story of lust and murder in the art world. These and other stories reveal Gardner''s astonishingly wide range of intellectual insight and cultural acumen. The No-Sided Professor is full of tales of fantasy, humor, the bohemian life, topological wizardry, and mystery. All are stamped with the unmistakable seal of a master storyteller.

In his acclaimed collection Tales Before Tolkien, Douglas A. Anderson illuminated the sources, inspirations, and influences that fired J.R.R. Tolkien’s genius. Now Anderson turns his attention to Tolkien’s colleague and friend C. S. Lewis, whose influence on modern fantasy, through his beloved Narnia books, is second only to Tolkien’s own. In many ways, Lewis’s influence has been even wider than Tolkien’s. For in addition to the Narnia series, Lewis wrote groundbreaking works of science fiction, urban fantasy, and religious allegory, and he came to be regarded as among the most important Christian writers of the twentieth century. It will come as no surprise, then, that such a wide-ranging talent drew inspiration from a variety of sources. Here are twenty of the tributaries that fed Lewis’s unique talent, among them: “The Wood That Time Forgot: The Enchanted Wood,” taken from a never-before-published fantasy by Lewis’s biographer and friend, Roger Lancelyn Green, that directly inspired The Lion, the Witch, and the Wardrobe; E. Nesbit’s charming “The Aunt and Amabel,” in which a young girl enters another world by means of a wardrobe; “The Snow Queen,” by Hans Christian Andersen, featuring the abduction of a young boy by a woman as cruel as she is beautiful; and many more, including works by Charles Dickens, Kenneth Grahame, G. K. Chesterton, and George MacDonald, of whom Lewis would write, “I have never concealed the fact that I regarded him as my master.” Full of fascinating insights into Lewis’s life and fiction, Tales Before Narnia is the kind of book that will be treasured by children and adults alike and passed down lovingly from generation to generation. INCLUDING SEVENTEEN MORE WORKS BY THE PROGENITORS OF MODERN FANTASY AND SCIENCE FICTION: “Tegnér’s Drapa” by Henry Wadsworth Longfellow “The Magic Mirror” by George MacDonald “Undine” by Friedrich de la Motte Fouqué “Letters from Hell: Letter III” by Valdemar Thisted “Fastosus and Avaro” by John Macgowan “The Tapestried Chamber; or, The Lady in the Sacque” by Sir Walter Scott “The Story of the Goblins Who Stole a Sexton” by Charles Dickens “The Child and the Giant” by Owen Barfield “A King’s Lesson” by William Morris “The Waif Woman: A Cue—From a Saga” by Robert Louis Stevenson “First Whisper of The Wind in the Willows” by Kenneth Grahame “The Wish House” by Rudyard Kipling “Et in Sempiternum Pereant” by Charles Williams “The Dragon’s Visit” by J.R.R. Tolkien “The Coloured Lands” by G. K. Chesterton “The Man Who Lived Backwards” by Charles F. Hall “The Dream Dust Factory” by William Lindsay Gresham

Publisher description

Science fiction-noveller.