Discovering unknown worlds. An illustration anthology focusing on Science Fiction. A devastated apocalyptic world, a society with advanced science, humans and cities that are a fusion of machines and advanced technology, characters traveling through an infinite universe, novel gadgets with huge potential, the future that we dreamed of during childhood... This book is a large-format anthology that introduces 32 contemporary creators and their works depicting near-future and imaginary worlds with a variety of illustration styles and outstanding techniques. Enjoy these highlights from the world of science fiction illustration printed in vivid color and with beautiful binding. Also, at the end of the book, a feature showing the making of the illustrations by Atsuya Uki, a visual artist and illustrator who has been creating a unique world with his vivid colors and bold compositions.These dramatic and captivating visions invite us to explore unknown worlds and remind us of the discoveries of a future yet to be seen. From the "S"ukoshi "F"ushigi (A Little Weird) world hidden in the daily lives of boys and girls to mysterious creatures and robotic mecha that stir up the imagination of the story, you'll come to appreciate various genres of the "S"cience "F"iction world.Immerse yourself in the breathtaking and astounding worldview and images created by 32 creators.

A richly illustrated collection of the newest and most exciting talent in sci-fi art and illustration. SCI-FI ART NOW brings together for the first time the finest, freshest, and most exciting talents in the world of sci-fi illustration. Artists from around the world-from China and Singapore to the United States and Europe-are represented in this volume, which focuses on the latest and most imaginative work being produced today. This book brings to light the most groundbreaking and talked about sci-fi art, ranging in media from comic books, movies, and TV programs to art, posters, toys, literature, collectibles, board games and video games. SCI-FI ART NOW is a comprehensive compilation that reveals fascinating background information, anecdotes, ideas, and inspirations relied on by the crÈme de la crÈme of contemporary science fiction painters, illustrators, and creators (whether established professionals such as Brett Norton, Liam Sharp, Paul McCaffrey, Klaus Hutter, and John Picacio, or brave new talents forging into the future). By analyzing how technique, tools, materials and media are applied to popular sub-genres such Sirens of Sci-Fi, Spacecraft and Astronauts, Aliens and Alien Worlds, Radical Robots, Incredible Cities, Future War, and Steampunk, each chapter illustrates the astounding artistry and diverse imagination behind this perennially popular genre. Crammed full of exquisite art from around the world and fascinating insights from the artists and creators, SCI-FI ART NOW is perfect for the many fans of science fiction.

"Aspiring art students who have a special interest in science fiction-inspired graphic novels, computer games, book illustrations, and posters will find the help they're looking for in this comprehensive self-teaching course. The author instructs on ways to blend the exotic with the familiar in order to create believable yet dramatic future cityscapes, vehicles, extraterrestrial creatures, and more. From rough concept to finished illustration, his book shows artists how to convert their imaginings into dynamic and memorable images. He deals with all standard media, from pencil and acrylics to digital software, and he shows students how to blend colors in ways that give their pictures ethereal and futuristic atmospheres. Each lesson includes an "Idea File " sidebar feature that offers special tips and useful insights. Art students will also find helpful cross-references to closely related lessons. Vivid, how-to illustrations in color fill virtually every page of this highly instructive book"--Publisher's description.

More than 200 book and magazine covers featuring Normand's work have been published in Canada and the United States. A professional illustrator, he has specialized in science fiction and fantasy for the past 30 years.

From deep in the heart of imagination, where galaxies grow, robots rule, and Martians cause mayhem, comes Worlds of Tomorrow: The Amazing Universe of Science Fiction Art. Teeming with gigantic insects, spaceships, and scantily clad heroines, the science fiction pulp and paperback covers of the 1920s through the 1960s represented a generation's vision of the future. New military technology and increased information about space travel fuelled the minds of artists and writers to new heights. Predictions of planetary doom stood side-by-side with visions of Utopia on bookshelves and magazine racks worldwide. Written by lifetime science fiction collector, fan, and B-Movie icon Forrest Ackerman, more than 300 beautifully displayed science fiction covers come back to life in text and chapters grouped by theme. Explore the creative geniuses that moulded our vision of the great unknown into what it is today.

Aliens - Astronauts - Symbolism - Fantasy - Barbarians - Spacecraft - Futuropolis - Other worlds - Supernatural - Robots - Humour - Back to Earth.

Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories of each of the magazines, an issue by issue roster of contents, a technical analysis of the art work, brief authors' biographies, poetry and letter indexes, a theme and motif index of approximately 30,0000 entries, and general indexes. Science-Fiction: The Gernsback Years is not only indispensable for reference librarians, collectors, readers, and scholars interested in science-fiction, it is also of importance to the study of popular culture during the Great Depression in the United States. Most of its data, which are largely based on rare and almost unobtainable sources, are not available elsewhere.

The fourth volume in this series of interviews with the top science fiction writers of today.

This third volume in Mike Ashley's four-volume study of the science-fiction magazines focuses on the turbulent years of the 1970s, when the United States emerged from the Vietnam War into an economic crisis. It saw the end of the Apollo moon programme and the start of the ecology movement. This proved to be one of the most complicated periods for the science-fiction magazines. Not only were they struggling to survive within the economic climate, they also had to cope with the death of the father of modern science fiction, John W. Campbell, Jr., while facing new and potentially threatening opposition. The market for science fiction diversified as never before, with the growth in new anthologies, the emergence of semi-professional magazines, the explosion of science fiction in college, the start of role-playing gaming magazines, underground and adult comics and, with the success of Star Wars, media magazines. This volume explores how the traditional science-fiction magazines coped with this, from the

 By examining important aspects of science fiction in the twentieth century, this book explains how the genre evolved to its current state. Close critical attention is given to topics including the art that has accompanied science fiction, the subgenres of space opera and hard science fiction, the rise of SF anthologies, and the burgeoning impact of the marketplace on authors. Included are in-depth studies of key texts that contributed to science fiction's growth, including Philip Francis Nowlan's first Buck Rogers story, the first published stories of A. E. van Vogt, and the early juveniles of Isaac Asimov, Arthur C. Clarke and Robert Heinlein.