A collection of science fiction stories.

Before Robert Silverberg won multiple Hugo and Nebula awards and became Grand Master of science fiction, he was a young man learning the art and craft of writing the genre. In Science Fiction: 101, Silverberg reveals the roots of modern science fiction with thought-provoking essays about some of the field’s most groundbreaking stories—included in this volume—which inspired him and taught him to write. These insightful analyses, along with the skills and strategies Silverberg developed to build his successful career, make this an indispensable volume for readers interested in science fiction history. Featuring Thirteen Classic Stories by Brian W. Aldiss, Alfred Bester, James Blish, Philip K. Dick, Damon Knight, C. M. Kornbluth, Henry Kuttner, C. L. Moore, Frederik Pohl, Bob Shaw, Robert Sheckley, Cordwainer Smith, and Jack Vance

Thirteen of the greatest science fiction stories--including "Four one," "The Monsters," "Colony," and "Day million"--are accompanied by in-depth critical analyses and by an autobiographical essay entitled "The Making of a Science Fiction Writer"

The Grand Master details his development as a writer and shares thirteen favorite sci-fi stories from his youth and what they taught him about writing. Every writer must start somewhere. Robert Silverberg was once simply a young man learning the art and craft of writing before he found success. But how did he get from there to winning four Hugo Awards, three Locus Awards, and six Nebula Awards, as well as being named a Grand Master of science fiction? In Science Fiction 101, the prolific author looks back to his roots in the genre to answer that question. With thought-provoking essays, Silverberg details the inspiration, lessons, strategies, and skills he gained from thirteen groundbreaking science fiction stories from the 1940s, ’50s, and ’60s—all included in this volume. It’s an entertaining and enlightening read, perfect for those interested in sci-fi history and the craft of writing. Featuring thirteen classic stories from Brian W. Aldiss, Alfred Bester, James Blish, Philip K. Dick, Damon Knight, Cyril M. Kornbluth, Henry Kuttner, C. L. Moore, Frederik Pohl, Bob Shaw, Robert Sheckley, Cordwainer Smith, and Jack Vance. Previously published as Robert Silverberg’s Worlds of Wonder Praise for Science Fiction 101 “An excellent introduction to the most important roots of modern SF.” —The Washington Post “Offers encouragement and sound counsel . . . Anyone interested in writing science fiction and fantasy will profit from this book.” —San Francisco Examiner-Chronicle “A virtual primer on the writing of science fiction . . . a fascinating portrait of a young man becoming a writer . . . Finally, we have the 13 stories, almost all of which are classics in the field, wonderful to reread and in some cases to encounter for the first time.” —Publishers Weekly “A unique and successful work.” —Los Angeles Times

Inhaltsangabe:Abstract: Since Kurt Vonnegut passed away aged 84 earlier this year (11th April 2007), his life and work received considerable media recognition. While FOX-news could not refrain from expressing rather hostile criticism in their Vonnegut obituary, admirers of Vonnegut's works reacted with angry comments to the aforementioned programme. All over the internet bloggers expressed their regrets and wrote their own obituaries commenting on Vonnegut's life as well as his books. Why does the death of an 84 year old author leaving a body of 14 novels, three collections of short stories, one compilation of fictitious interviews with dead celebrities, four works of non-fiction, five plays and one requiem lead to public reactions which differ so widely? How can the works of an author who persisted to write his last book on an old typewriter be so relevant for the technophiles of the blogosphere? These questions alone justify the continuation of an academic discourse on the works of Kurt Vonnegut which has been going on four almost forty years following the publication of Slaughterhouse-Five in 1969. Ever since that novel, critics rarely fail to mention the considerable influence of science fiction on Vonnegut's writing. Man's relationship to technology and the effects of technology on inter-human communication are central motifs in science fiction: hence, the web 2.0 generation's reaction to Vonnegut's death provides an extraordinary indication that the problems pondered upon in Vonnegut's science fiction are still relevant today. However, it has to be said that most critics' references to science fiction elements in Vonnegut's works remain limited to a surface level and evoke the impression that either the scholar is not well informed about the implications of the term 'science fiction' or fails to name his or her references. The effect of such an approach is that the works on the subject will either seem to be apologetic annexions of Vonnegut's novels by science fiction buffs and space opera fans or attempts to minimise the role of science fiction in the works of Kurt Vonnegut to mere parody. Neither impression is adequate for a thorough understanding of the role of science fiction in the works of Kurt Vonnegut. Therefore, in this paper a coordinate system discussing the implication of the term science fiction will be set up, in which Vonnegut's works can be located. In order to find a valid reference point, a fixed set of aspects will be [...]

For students, scholars, readers' advisors, and curious SF readers and fans, this guide provides an easy-to-use launch pad for researching and learning more about science fiction writers and their work. Emphasizing the best popular and contemporary authors, this book covers 100 SF writers, providing for each: • a brief biographical sketch, including a quote from theauthor, awards, etc. • a list of the author's major works (including editions and other writings) • research sources-biographies, criticism, research guides, and web sites • In addition, you'll find read-alike lists for selected authors. For anyone wanting to find information on popular SF authors, this should be the first stop.

Science fiction has recently been identified as providing the narrative paradigm for postmodernity. This volume of essays combines theoretical discussions of the nature of science fiction, with specific studies of utopian and dystopian narratives. Alongside of this, the essays here address feminist and African American issues, the envisioning of radical alternative realities and futures, cyborgs, cyberpunk and cyber-space, age and aging, hybridity and monstrosity, and contemporary society and the postmodern condition.

The Oxford Handbook of Science Fiction attempts to descry the historical and cultural contours of SF in the wake of technoculture studies. Rather than treating the genre as an isolated aesthetic formation, it examines SF's many lines of cross-pollination with technocultural realities since itsinception in the nineteenth century, showing how SF's unique history and subcultural identity has been constructed in ongoing dialogue with popular discourses of science and technology.The volume consists of four broadly themed sections, each divided into eleven chapters. Section I, "Science Fiction as Genre," considers the internal history of SF literature, examining its characteristic aesthetic and ideological modalities, its animating social and commercial institutions, and itsrelationship to other fantastic genres. Section II, "Science Fiction as Medium," presents a more diverse and ramified understanding of what constitutes the field as a mode of artistic and pop-cultural expression, canvassing extra-literary manifestations of SF ranging from film and television tovideogames and hypertext to music and theme parks. Section III, "Science Fiction as Culture," examines the genre in relation to cultural issues and contexts that have influenced it and been influenced by it in turn, the goal being to see how SF has helped to constitute and define important(sub)cultural groupings, social movements, and historical developments during the nineteenth, twentieth, and twenty-first centuries. Finally, Section IV, "Science Fiction as Worldview," explores SF as a mode of thought and its intersection with other philosophies and large-scale perspectives on theworld, from the Enlightenment to the present day.

"Abbott offers a fruitful new way to read science fiction, one that also greatly enriches our understanding of western history and its impact on our collective imagination. Detailing the overlap of science fiction and western fiction - especially relating to their mutual interest in and concerns about frontier expansionism - he reveals an unsuspected common ground that informs the writings of both camps." "Reviewing the work of many Hugo and Nebula Award winners, as well as drawing upon popular film and television series (like the Buck Rogers serials), Abbott's study journeys across the far reaches of science fiction's universe."