In his introduction, author Jay Pridmore relates how the Museum was founded by Chicago businessman and philanthropist Julius Rosenwald and how it was installed in the imposing Palace of Fine Arts, an architectural monument from the World's Columbian Exposition of 1893. Then, he leads an entertaining and informative tour of the Museum, featuring the incredibly diverse exhibits in five "zones" - Energy, Transportation, Space and Defense, The Human Body and Communications. Discussed and illustrated are such dramatic "icons" of the Museum's early years as the Coal Mine, a complete working mine operation installed in the basement, and the U-505, a German submarine captured during World War II. Among the many other highlights are a full-size Boeing 727 airliner; the Apollo 8 spacecraft, which circled the Moon in 1968; an early display on the prenatal development of a human baby; and the nation's first permanent exhibit on AIDS.

The imperative of happiness dictates the conduct and direction of our lives. There is no escape from the tyranny of positivity. But is happiness the supreme good that all of us should pursue? So says a new breed of so-called happiness experts, with positive psychologists, happiness economists and self-development gurus at the forefront. With the support of influential institutions and multinational corporations, these self-proclaimed experts now tell us what governmental policies to apply, what educational interventions to make and what changes we must undertake in order to lead more successful, more meaningful and healthier lives. With a healthy scepticism, this book documents the powerful social impact of the science and industry of happiness, arguing that the neoliberal alliance between psychologists, economists and self-development gurus has given rise to a new and oppressive form of government and control in which happiness has been woven into the very fabric of power.

This book charts the history of the worldwide introduction of an operative treatment method for broken bones, osteosynthesis, by a Swiss-based association, called AO. The success of the close cooperation between the AO's surgeons, scientists and manufacturers in establishing a complicated and risky technique as a standard treatment sheds light on the mechanisms of medical innovation at the crossroads of surgery, science and industry and the nature of modern medicine in general.

This book explores a little-studied arena that exists between science and technology, an arena in which a singular and important variety of open-ended, multi-purpose instrumentation is developed by practitioners (neither scientist nor engineer, call them research-technologists) for use in academia, industry, state metrology and technical services, and considerably beyond. The generic instrumentation designed in this almost subterraneously institutionalized/professionalized, interstitial arena fuels both science and engineering work. This involves intermittent crossings of the boundaries that demarcate and protect the conventional cognitive and artefact cultures familiar to many historians and sociologists. Research-technologists thereby comprise a distinctive (but never distinct) transverse science and technology culture that generates a species of pragmatic universality, which in turn provides multiple and diversified audiences with a common repertory of vocabularies, notational systems, images, and perhaps even paradigms. Research-technology practitioners deliver a lingua franca that contributes to cognitive, material, and social cohesion. Research-technology is about the complementarity between boundary-crossing and the stability/maintenance of boundaries.

We've all read about the experts: the artists, the scientists, the engineers—that special group of people known as Imagineers for The Walt Disney Company. But who are they? How did they join the team? What is it like to spend a day in their shoes? Disney Legend Marty Sklar wants to give back to fans and answer these burning questions. When Marty was president of Walt Disney Imagineering, he created a list of principles and ideals for the team, aptly named Mickey's Ten Commandments. Using this code of standards as his organizational flow, Marty provides readers with insights and advice from himself and dozens of hands-on Imagineers from around the globe. It's a true insider's look like no other!

Concentrating on the Industrial Revolution as experienced in Great Britain (and, within that sphere, mainly on the early development of the engineering and chemical industries), the authors develop the thesis that the interaction between theorists and men of practical affairs was much closer, more complex and more consequential than some historians of science have held it to be. Deeply researched, gracefully argued and fully documented. First published in 1969, and established now as a "classic" in the field, the present edition has a new foreword by Margaret C. Jacob. (NW) Annotation copyrighted by Book News, Inc., Portland, OR

On January 5, 1845, the Prussian cultural minister received a request by a group of six young men to form a new Physical Society in Berlin. In fields from thermodynamics, mechanics, and electromagnetism to animal electricity, ophthalmology, and psychophysics, members of this small but growing group—which soon included Emil Du Bois-Reymond, Ernst Brücke, Werner Siemens, and Hermann von Helmholtz—established leading positions in what only thirty years later had become a new landscape of natural science. How was this possible? How could a bunch of twenty-somethings succeed in seizing the future? In Aesthetics, Industry, and Science M. Norton Wise answers these questions not simply from a technical perspective of theories and practices but with a broader cultural view of what was happening in Berlin at the time. He emphasizes in particular how rapid industrial development, military modernization, and the neoclassical aesthetics of contemporary art informed the ways in which these young men thought. Wise argues that aesthetic sensibility and material aspiration in this period were intimately linked, and he uses these two themes for a final reappraisal of Helmholtz’s early work. Anyone interested in modern German cultural history, or the history of nineteenth-century German science, will be drawn to this landmark book.

EMATs for Science and Industry comprises the physical principles of electromagnetic acoustic transducers (EMATs) and the applications to scientific and industrial ultrasonic measurements on materials. The text is arranged in four parts: -PART I is intended to be a self-contained description of the basic elements of coupling mechanism along with practical designing of EMATs for various purposes. There are several implementations to compensate for the low transfer efficiency of the EMATs. Useful tips to make an EMAT are also presented. -PART II describes the principle of electromagnetic acoustic resonance (EMAR), which makes the most of contactless nature of EMATs and is the most successful amplification mechanism for precise velocity and attenuation measurements. -PART III applies EMAR to studying the physical acoustics. New measurements emerged on three major subjects; in situ monitoring of dislocation behavior, determination of anisotropic elastic constants, and acoustic nonlinearity evolution. -PART IV deals with a variety of individual topics encountered in industrial applications, for which the EMATs are believed to the best solutions. The authors' work in this area has shown Electromagnetic acoustic resonance (EMAR) to be applicable not only to the acoustoelastic stress measurements, but also to many other nondestructive evaluation issues, including the determination of attenuation in solids. Noncontact measurement with high enough signal intensity was striking. Basic preconditions of theoretical approaches were realized by eliminating artifacts caused by the contact transducers. EMAR thus illuminated antiquated theories, which were accepted to be of little use or limited to qualitative interpretation of observations. It also uncovered interesting phenomena. Continuous monitoring of attenuation and acoustic nonlinearity resulted in the detection of ongoing microstructure evolutions in deforming or fatiguing metals. The aim of this book is to provide practical answers to the needs of ultrasonic measurements as well as an understanding of a novel methodology.