The author's Dutch ancestors were skippers/shipowners on the Lower Rhine river, presumably coming from the port city of Tiel on the river Waal. However, the bits of written information available about them did not provide much more than names and life records back to the year 1691. And earlier times were totally uncharted. Details about how these ancestors had mastered their life as skippers were unknown. The author wanted more than just to collect names and vital records, but to discover as many generations of skippers as possible and fill their history with lives. But how should he expand his knowledge about people who had no fixed address because they had been traveling on the Rhine between Dutch port cities and Cologne for many years? Fortunately, they already had a family name the author could look for! This was by no means a matter of course, as the research periods date back to the 15th century. This family name and the Internet were the keys to the successful search for clues.

This book is a collection of scientific papers written over 30 years by Karin Groen on aspects of the painting of Rembrandt, Frans Hals, Leyster, Vermeer, Van Gogh etc. The author tracks the historical development of the application of scientific techniques in research into artists techniques and materials and examines phenomena such as the changing of green pigments to blue, the use of red in preparatory layers, binding media, blanching and organic pigments. Contents: In memoriam: Karin Groen Introduction: Perspectives on the evolution of science for art history and conservation, and its current state Part I - Grounds and binding media Chapter 1 - Halcyon days for art history Chapter 2 - Grounds in Rembrandt's workshop and in paintings by his contemporaries Chapter 3 - Earth Matters. The origin of the material used for the preparation of the Night Watch and many other canvases in Rembrandt's workshop after 1640 Chapter 4 - In the beginning there was red Chapter 5 - Investigation of the use of the binding medium by Rembrandt. Chemical analysis and theology Part II - Changing colours Chapter 6 - Towards identification of brown discolouration on green paint Chapter 7 - Towards identification of brown discolouration on green paint revisited Chapter 8 - The foliage tends almost to blue Chapter 9 - Scanning electron-microscopy as an aid in the study of blanching Part III - Study of painting techniques Chapter 10 - Frans Hals: a technical examination (Co-author: Ella Hendriks) Chapter 11 - Judith Leyster: a technical examination of her work (Co-author: Ella Hendriks) Chapter 12 - Scientific examination of Vermeer's Girl with the Pearl Earring (Co-authors: Inez van der Werf, Klaas Jan van den Berg and Jaap J. Boon) Summary Samenvatting Bibliography Acknowlegdements

Describes the Canadian's European war during the final eight months. First Canadian Army's role was to guard the Allied flank during the rapid advance from Normandy across France to Belgium and Holland. While not as glamorous as other phases of pursuit, the tasks of the Canadians were as brutally punishing as any. By the Spring of 1945, much of Holland had been liberated. All the while Canadian sailors fought bitter campaigns to clear European waters of German submarines and surface vessels.

Excerpt from Steamboating on the Upper Mississippi, the Water Way to Iowa: Some River History Thus, at the suggestion of Boutwell, the name Itasca was coined by Schoolcraft, by taking from the expression veritas caput the last four letters (itas) of the word veritas and combining them with the first two letters (ca) of the word caput which gives the new word Itasca. It may be added that the fanciful creation of new words or names by dividing two familiar words and com bining the parts as in the case of Itasca was not uncommon in the period of the Schoolcraft explorations. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Unwilling and the Reluctant: Theoretical Perspectives on Disobedience in the Military and The Apathetic and the Defiant: Case Studies of Canadian Mutiny and Disobedience, 1812-1919 are the first two volumes in a series devoted to disobedience issues in the Canadian military. Now with The Insubordinate and the Noncompliant, the trilogy is complete. Military leadership has both formal and informal dimensions. The formal leadership of any organization must ensure that it minimizes the divergence between institutional aims and the actions of informal leaders. When this separation occurs, the result is sometimes mutiny. These incidents of insubordination and noncompliance represent a form of dialogue between military personnel and their leadership. The Insubordinate and the Noncompliant offers a perspective on the Canadian experience with military mutiny in the twentieth century in an effort to provide relevant lessons for today.