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Winner or finalist in the 'Best Books' National Book Award Poetry Anthology of the Year; Benjamin Franklin Audio Book of the Year; Foreword Magazine Audio Book of the Year; and the Bill Fisher Award for Best New Fiction. Over 750 pages of poetry spanning from 4,000 BC up to the present day and including a broad cross-section of global poetry. Footnotes for each poem specify each poem's form, define unusual or archaic words, and include notes about interpretation. Multiple indexes, including an index by subject, simplify finding exactly the right poem for any situation. The poems were specifically selected to appeal to readers new to poetry, but even experienced poetry readers will find new and enjoyable poems. The poems from the book are also available on audio CD.

As the first book-length account of Wordsworth's complex engagement with geography, this study will be read enthusiastically by Romanticists and those interested in spatial studies. The neglect of geography in most historicist discussions of Wordsworth and Romanticism, along with the increasing awareness of the social and the cultural importance of spatiality, has made Romantic Geographies necessary and gives it a broad appeal. While the study addresses theoretical issues which specialists will find important, it also introduces the period's geography and Wordsworth's relationship to it in ways that non-specialists will find useful and interesting.

What was the appeal of 'the Sonnet's scanty plot of ground' to Romantic and Victorian poets? How did a form which had fallen into disuse in the early eighteenth-century become a central and enduring part of nineteenth-century poetry? This study traces the history and development of the sonnet throughout the nineteenth-century, examining the work of Wordsworth, Keats, Elizabeth Barrett Browning, Christina Rossetti, George Meredith and a number of other key canonical and non-canonical writers.

Forty-five scholars here combine their skills in tribute to their colleague, teacher, and friend. This collection includes 27 English and 18 Hebrew essays on literary criticism, rabbinic literature, Hebrew word studies, Septuagint, Qumran, textual criticism, and many other topics. Moshe Greenberg is perhaps best known for his commentary on Ezekiel in the Anchor Bible series.

The Modern Irish Sonnet: Revision and Rebellion discusses how and why the sonnet appeals to Irish poets and has grown in popularity over the last century. Using a thematic approach, Tara Guissin-Stubbs argues for the significance of the Irish sonnet as a discrete entity within modern and contemporary poetry, and shows how the Irish sonnet has become a debating chamber for discussions concerning the relationship between Irish and British culture, poetry and gender, and revision and rebellion. The text reshapes the poetic and critical field, exploring canonical and non-canonical poems by male and female poets so as to challenge outmoded views of the thematic and formal limitations of the sonnet.

Barrington Moore bequeathed comparativists a problem: how to reconcile his causal claim of 'no bourgeoisie, no democracy' with his normative 'dream of a free and rational society'. Lichbach harmonizes causal methodology and normative democratic theory, illustrating their interrelationship. Using a dialogue among four specific texts, Lichbach advances five constructive themes. First, comparativists should study the causal agency of individuals, groups and democracies. Second, three types of collective agency should be paired with an exploration of three corresponding moral dilemmas: ought-is, freedom-power and democracy-causality. Third, at the center of inquiry, comparativists should place big-P Paradigms and big-M Methodology. Fourth, as they play with research schools, creatively combining prescriptive and descriptive approaches to democratization, they should encourage a mixed-theory and mixed-method field. Finally, comparativists should study pragmatic questions about political power and democratic performance: in building a democratic state, which democracy, under which conditions, is best, and how might it be achieved?

An innovative and riveting look at briefs from a highly respected author that can be used a primary text in an advanced legal writing class or as a secondary text in a basic legal writing course. The chapters can be taken in any order. In the first part of the book, individual chapters cover advanced legal writing topics such as rhetoric, voice, emotion, metaphor, and narrative. The second part of the book introduces famous cases, with the story of each case. Chapter introductions provide interesting insights, such as historical context, the story of the case and of the litigation of it, information about the lawyers who wrote the briefs on both sides, what the courts decided, and, where relevant, about what has happened since. Compelling content makes it easy to engage students while photos throughout enliven the text. Features: Highly respected author Flexibility can be used as core text in advanced legal writing with other materials secondary text in a basic legal writing course chapters can be taken in any order High-interest, engaging content Each chapter focuses on important legal writing topics rhetoric voice emotion metaphor narrative Features famous case Chapter introductions with compelling insights historical context the story of the case and its litigation information about the lawyers who wrote the briefs on both sides what the courts decided what has happened since Full-text cases and briefs offered on a companion website Photos that enliven the text