“You shall never have a penny of my money. Leave me alone or I will shoot you dead!” 1924. After six months in Hollywood, young British widow Emma Blackstone has come to love her new employer, glamourous movie-star Kitty Flint – even if her late husband’s sister is one of the worst actresses she’s ever seen. Looking after Kitty and her three adorable Pekinese dogs isn’t work Emma dreamed of, but Kitty rescued her when she was all alone in the world. Now, the worst thing academically-minded Emma has to worry about is the shocking historical inaccuracies of the films Kitty stars in. Until, that is, Rex Festraw – Kitty’s first husband, to whom she may or may not still be married – turns up dead in her dressing room, a threatening letter seemingly from Kitty in his pocket. Emma’s certain her flighty but kind-hearted sister-in-law has been framed. But who by? And why? From spiteful rivals to jealous boyfriends, the suspects are numerous. But as Emma investigates, she begins to untangle a deadly plot – and there’s something Kitty’s not telling her . . . This gripping first in a brand-new series from NYT-bestselling author Barbara Hambly brings the sights and sounds of Hollywood to life and is a perfect pick for fans of female-fronted historical mysteries set in the roaring twenties.

In this latest installment of his remarkable series of books of alternative science and history, Joseph P. Farrell outlines the consistent pattern and strategy of bankers in ancient and modern times, and their desire to suppress the public development of alternative physics and energy technologies, usurp the money creating and issuing power of the state, and substitute a facsimile of money-as-debt. Here, Farrell peels back the layers of deception to reveal the possible deep physics that the “banksters” have used to aid them in their financial policies. Feral House also published Farrell’s Philosopher’s Stone: Alchemy and the Secret Research for Exotic Matter.

Welcome to Hollywood of the 1920s: a world filled with glamour, fake names . . . and the occasional felony! July, 1924. After nine months of living in Hollywood and working as a companion to her beautiful silent-movie star sister-in-law, young British widow Emma Blackstone is settling into her new role: doctoring film scenarios whenever the regular scenarist is overwhelmed with work, which seems to be most of the time. Shoots for the Western movie Our Tiny Miracle are in full swing, with little seven-year-old Susy Sweetchild playing the lead and acting most professionally. Maybe too professionally, Emma thinks, shocked to the core when the child star is nearly killed in a stunt scene and her mother - former screen siren Selina Sutton - seems only to care that Susy gets the job done. But Emma's concerns only worsen when news reaches her that Susy and her mother have been kidnapped. The ransom note says to keep the cops out of it, so it's up to Emma and Kitty to find them before the unthinkable happens and Emma is forced to rewrite Our Tiny Miracle with a far more tragic ending . . . New York Times bestselling author Barbara Hambly once again brings the glamour and intrigue of Hollywood to life! An unputdownable mystery for fans of female-fronted historical mysteries set in the roaring twenties.

Cult Cinema: an Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including audiences, genres, and theoretical perspectives. Represents the first exhaustive introduction to cult cinema Offers a scholarly treatment of a hotly contested topic at the center of current academic debate Covers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topic

In Scandal Work: James Joyce, the New Journalism, and the Home Rule Newspaper Wars, Margot Gayle Backus charts the rise of the newspaper sex scandal across the fin de siècle British archipelago and explores its impact on the work of James Joyce, a towering figure of literary modernism. Based largely on archival research, the first three chapters trace the legal, social, and economic forces that fueled an upsurge in sex scandal over the course of the Irish Home Rule debates during James Joyce’s childhood. The remaining chapters examine Joyce’s use of scandal in his work throughout his career, beginning with his earliest known poem, “Et Tu, Healy,” written when he was nine years old to express outrage over the politically disastrous Parnell scandal. Backus’s readings of Joyce’s essays in a Trieste newspaper, the Dubliners short stories, Portrait of the Artist, and Ulysses show Joyce’s increasingly intricate employment of scandal conventions, ingeniously twisted so as to disable scandal’s reifying effects. Scandal Work pursues a sequence of politically motivated sex scandals, which it derives from Joyce's work. It situates Joyce within an alternative history of the New Journalism’s emergence in response to the Irish Land Wars and the Home Rule debates, from the Phoenix Park murders and the first Dublin Castle scandal to “The Maiden Tribute of Modern Babylon” and the Oscar Wilde scandal. Her voluminous scholarship encompasses historical materials on Victorian and early twentieth-century sex scandals, Irish politics, and newspaper evolution as well as providing significant new readings of Joyce’s texts.

Illustrated throughout, this one-of-a-kind guide to California's infamous sites covers movie locations; celebrity haunts; cult temples; sites of scandal, murder and mayhem; and the places where rock 'n' roll legends went down. 75 photos.

DIVRather than seeing camp as a mode of reception, a way of reading straight popular culture, Tinkcom sees it as an intentional product of gay men within the film industry./div

The Routledge Handbook of Victorian Scandals in Literature and Culture exposes, explores, and examines what Victorians once considered flagrant breaches of decorum. Infringements that were fantasized through artforms or were actually committed exceeded entertaining parlor gossip; once in print they were condemned as socially contaminative but were also consumed as delightfully sensational. Written by scholars in diverse disciplines, this volume: Demonstrates that spreading scandals seemed to have been one of the most entertaining sources of activities but were also normative efforts made by the Victorians to ensure conformity of decorum. Provides a broad spectrum of infractions that were considered scandalous to the Victorians. Identifies Victorian transgressions that made the news and that may still shock modern readers. Covers a gamut of moral infractions and transgressions either practiced, rumored, or fantasized in art forms. This handbook is an invaluable resource about Victorian literature, art, and culture which challenges its readers to ponder perplexing questions about how and why some scandals were perpetrated and propagated in the nineteenth century while others were not, and what the controversies reveal about the human condition that persists beyond Victoria’s reign of propriety.

From the 1880s through the 1920s a motley collection of American scholars, soldiers of fortune, institutional bureaucrats, and financiers created the academic fields that give us our knowledge of the ancient Near East. Bruce Kuklick's new book begins with the story of the initial adventure of these determined investigators--a twelve-year dig near the Biblical Babylon, at Nippur, conducted at intervals from 1888 through 1900 and bankrolled by the Babylonian Exploration Fund. To unearth tens of thousands of cunneiform tablets, the leaders of this venture faced harsh living conditions in the desert and an academic war of each against all that was quickly begun at the site itself. As their knowledge increased, they risked their personal religious beliefs in the search for historical truth. Kuklick discusses their tribulations to illuminate two other contemporary developments: first, the maturation of the American university, particularly in contrast to its German counterpart; and second, the influence of religious-secular conflict on the ways in which Western scholarship appropriated or appreciated other cultures. The Nippur expedition spawned unseemly (and entertaining) fights among the University of Pennsylvania, Johns Hopkins, Yale, Harvard, and Chicago for leadership in the study of ancient Near East--not to mention disagreements with their own developing museums and an international scandal called the Hilprecht controversy. More significant than these quarrels was the concern for the meaning of history displayed in this period of Near Eastern scholarship. The field was linked to Biblical criticism and Judeo-Christian interests, and many of the orientalists originally possessed strong religious commitments--which some put aside as they struggled for objectivity. As recent critics have shown, "orientalism" was an example of the West's ability to appropriate the "other" for its own purposes. However, Kuklick's study demonstrates that the censure of orientalism hinges on modes of argumentation that scholars of the ancienet Near East helped to legitimate, and at no small cost to themselves. Bruce Kuklick is Killbrew Professor of History at the University of Pennsylvania. Among his books are To Every Thing a Season: Shibe Park and Urban Philadelphia, 1909-1976 (Princeton), Churchmen and Philosophers: Jonathan Edwards to John Dewey, and The Rise of American Philosophy: Cambridge Massachusetts, 1860-1930. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.