"The war in the Bear Highen is over. Aster, at thirteen, has defeated her uncle and become the High Queen. Peace is good, but things are still difficult: political challenges confront her, personal challenges stymie her, and the massive Hemoth Bear, symbol of the House of the Bear, is beginning to resist her control. When, during a royal hunt, Aster stumbles on a young girl living in a nest of wyverns, matters become even more complex. Because this girl is not a girl at all. She is a living star, come down from her constellation, on a mission both terrible and glorious. And there is no shortage of those who want to use her cosmic powers for their own ends--rival kings, rival friends, and even three deadly sisters from the plane of demons, one of whom has an offer for Aster she may find it difficult to refuse" -- Provided by publisher.

Return to the gritty medieval world of the Bear Highen in this thrilling high fantasy follow-up to The Bear House. The war in the Bear Highen is over. Aster, at thirteen, has defeated her uncle and become the High Queen. Peace is good, but things are still difficult: political challenges confront her, personal challenges stymie her, and the massive Hemoth Bear, symbol of the House of the Bear, is beginning to resist her control. When, during a royal hunt, Aster stumbles on a young girl living in a nest of wyverns, matters become even more complex. Because this girl is not a girl at all. She is a living star, come down from her constellation, on a mission both terrible and glorious. And there is no shortage of those who want to use her cosmic powers for their own ends—rival kings, rival friends, and even three deadly sisters from the plane of demons, one of whom has an offer for Aster she may find it difficult to refuse.... A Junior Library Guild Gold Standard Selection

Return to the gritty medieval world of the Bear Highen in this thrilling high fantasy follow-up to The Bear House. The war in the Bear Highen is over. Aster, at thirteen, has defeated her uncle and become the High Queen. Peace is good, but things are still difficult: political challenges confront her, personal challenges stymie her, and the massive Hemoth Bear, symbol of the House of the Bear, is beginning to resist her control. When, during a royal hunt, Aster stumbles on a young girl living in a nest of wyverns, matters become even more complex. Because this girl is not a girl at all. She is a living star, come down from her constellation, on a mission both terrible and glorious. And there is no shortage of those who want to use her cosmic powers for their own ends—rival kings, rival friends, and even three deadly sisters from the plane of demons, one of whom has an offer for Aster she may find it difficult to refuse.... A Junior Library Guild Gold Standard Selection

In a gritty medieval world where the ruling houses are based on the constellations, betrayal, intrigue, and a king's murder force the royal sisters of the Bear House on the run! Moody Aster and her spoiled sister Ursula are the daughters of Jasper Lourdes, Bear Major and high king of the realm. Rivals, both girls dream of becoming the Bear queen someday, although neither really deserve to, having no particular talent in... well, anything. But when their jealous Uncle Bram murders their father in a bid for the crown, the girls are forced onto the run, along with lowly Dev the Bearkeeper and the half-grown grizzly Alcor, symbol of their house. As a bitter struggle for the throne consumes the kingdom in civil war—and attracts demonic attention from even darker powers—the sisters must rely on Dev, the bear cub, two mysterious princes from opposing houses, and each other to survive… and find wells of courage, cunning, and skill they never knew they had. For there are many houses in the Bear Highen—the House of the Hemoth Bear, the House of the White Bear, the House of the Ox, the House of the Lion, the House of the Lynx, the House of Hounds, the House of the Blue Giraffe, and the House of the Shadow Dragon—each of them guided and protected by a ferocious namesake beast. But only one can rule. Perfects for fans of Shannon Messenger, Holly Black, John Flanagan, and Diane Magras, this action-packed fantasy-adventure has sky-high stakes, electrifying action, stellar magic, powerful girls, and surprises for even the canniest reader… “An epic, complex narrative.”—Publishers Weekly “Stellar… Thrilling… Enchanting.”—Kirkus Reviews “Truly wonderful.”—School Library Journal “Magnificent.”—The Canadian Children’s Book Center A Junior Library Guild Gold Standard Selection

A pioneering call for a new understanding of scale across the humanities How is it possible that you are—simultaneously—cells, atoms, a body, quarks, a component in an ecological network, a moment in the thermodynamic dispersal of the sun, and an element in the gravitational whirl of galaxies? In this way, we routinely transform reality into things already outside of direct human experience, things we hardly comprehend even as we speak of DNA, climate effects, toxic molecules, and viruses. How do we find ourselves with these disorienting layers of scale? Enter Scale Theory, which provides a foundational theory of scale that explains how scale works, the parameters of scalar thinking, and how scale refigures reality—that teaches us how to think in terms of scale, no matter where our interests may lie. Joshua DiCaglio takes us on a fascinating journey through six thought experiments that provide clarifying yet provocative definitions for scale and new ways of thinking about classic concepts ranging from unity to identity. Because our worldviews and philosophies are largely built on nonscalar experience, he then takes us slowly through the ways scale challenges and reconfigures objects, subjects, and relations. Scale Theory is, in a sense, nondisciplinary—weaving together a dizzying array of sciences (from nanoscience to ecology) with discussions from the humanities (from philosophy to rhetoric). In the process, a curious pattern emerges: attempts to face the significance of scale inevitably enter terrain closer to mysticism than science. Rather than dismiss this connection, DiCaglio examines the reasons for it, redefining mysticism in terms of scale and integrating contemplative philosophies into the discussion. The result is a powerful account of the implications and challenges of scale, attuned to the way scale transforms both reality and ourselves.

An exploration of the fundamental bond between cinema and the cosmos The advent of cinema occurred alongside pivotal developments in astronomy and astrophysics, including Albert Einstein’s theories of relativity, all of which dramatically altered our conception of time and provided new means of envisioning the limits of our world. Tracing the many aesthetic, philosophical, and technological parallels between these fields, Stardust explores how cinema has routinely looked toward the cosmos to reflect our collective anxiety about a universe without us. Employing a “cosmocinematic gaze,” Hannah Goodwin uses the metaphorical frameworks from astronomy to posit new understandings of cinematic time and underscore the role of light in generating archives for an uncertain future. Surveying a broad range of works, including silent-era educational films, avant-garde experimental works, and contemporary blockbusters, she carves out a distinctive area of film analysis that extends its reach far beyond mainstream science fiction to explore films that reckon with a future in which humans are absent. This expansive study details the shared affinities between cinema and the stars in order to demonstrate how filmmakers have used cosmic imagery and themes to respond to the twentieth century’s moments of existential dread, from World War I to the atomic age to our current moment of environmental collapse. As our outlook on the future continues to change, Stardust illuminates the promise of cinema to bear witness to humanity’s fragile existence within the vast expanse of the universe.

What is dust? More than you think. What can it do? You will be surprised. Dust may seem small, dark, dirty, and dull. But it's the secret behind one of the largest, most colorful sights on earth.

In Origins of Life Volume II, life and its origin are inspected from traditional and unexpected points of view. The book takes an interdisciplinary approach, discussing astrobiology; chemical evolution; and how the Universe accommodates life, molecular biology, and philosophy. It is an open-minded approach, fully referenced throughout, and each chapter includes a further reading section for anyone wishing to learn more about that perspective on the origins of life. First, everything started, with the Big Bang, from nothing. It appears now that everything was aiming toward our existence, some 13.75 × 109 years later, being capable of understanding it all. We did it using powerful tools: science, philosophy, and religion. Although we appreciate the contributions made by philosophy and religion, our contemplations and doubts are based on the plentiful scientific evidence provided. The reader will be guided from make-up of the "life stage" (Universe), tools and materials needed for the living matter to be formed in the small part of the Universe, which one could call Human Neighborhood, or the Local Universe. It contains galaxies, galaxy clusters, and voids, and the Milky Way and its satellites influencing each other during this time span. The book is easy to read, accompanied by numerous references; it could be of use to the expert in the field as well as for curious minds with a scientific, philosophical, or religious background.