Bram Stoker award-nominated author Mary SanGiovanni returns with a terrifying tale of madness, murder, and mind-shattering evil . . . Nilhollow—six-hundred-plus acres of haunted woods in New Jersey’s Pine Barrens—is the stuff of urban legend. Amid tales of tree spirits and all-powerful forest gods are frightening accounts of hikers who went insane right before taking their own lives. It is here that Julia Russo flees when her violent ex-boyfriend runs her off the road . . . here that she vanishes without a trace. State Trooper Peter Grainger has witnessed unspeakable things that have broken other men. But he has to find Julia and can’t turn back now. Every step takes him closer to an ugliness that won’t be appeased—a centuries-old, devouring hatred rising up to eviscerate humankind. Waiting, feeding, surviving. It’s unstoppable. And its time has come. Praise for the novels of Mary SanGiovanni “A feast of both visceral and existential horror.” —F. Paul Wilson on Thrall “Filled to the brim with mounting terror.” —Gary A. Braunbeck on The Hollower “Nightmarish and vivid.” —FearZone on The Hollower

Bram Stoker award-nominated author Mary SanGiovanni returns with a terrifying tale of madness, murder, and mind-shattering evil . . . Nilhollow—six-hundred-plus acres of haunted woods in New Jersey’s Pine Barrens—is the stuff of urban legend. Amid tales of tree spirits and all-powerful forest gods are frightening accounts of hikers who went insane right before taking their own lives. It is here that Julia Russo flees when her violent ex-boyfriend runs her off the road . . . here that she vanishes without a trace. State Trooper Peter Grainger has witnessed unspeakable things that have broken other men. But he has to find Julia and can’t turn back now. Every step takes him closer to an ugliness that won’t be appeased—a centuries-old, devouring hatred rising up to eviscerate humankind. Waiting, feeding, surviving. It’s unstoppable. And its time has come. Praise for the novels of Mary SanGiovanni “A feast of both visceral and existential horror.” —F. Paul Wilson on Thrall “Filled to the brim with mounting terror.” —Gary A. Braunbeck on The Hollower “Nightmarish and vivid.” —FearZone on The Hollower

ONE OF BUSTLE'S MOST ANTICIPATED BOOKS OF SUMMER 2020 From the acclaimed author of The Woman in the Dark: a young teacher struggles to solve the mystery of her sister's death while battling hallucinations of her own. Two girls went down to the woods...But only one came back. There's a lot from Tess's childhood that she would rather forget. The family who moved next door and brought chaos to their quiet lives. The two girls who were murdered, their killer never found. But the only thing she can't remember is the one thing she wishes she could. Ten years ago, Tess's older sister died. Ruled a tragic accident, the only witness was Tess herself, but she has never been able to remember what happened that night in the woods. Now living in London, Tess has resolved to put the trauma behind her. But an emergency call from her father forces her back to the family home, back to where her sister's body was found, and to the memories she thought were lost forever...

An emotionally-charged debut novel about the deadly lies hidden beneath a destructive friendship.

The town of Mineola, Arizona is not all it appears. Young Miracle Savage watches the daily beatings of her mother, administered at the hands of her father. When her mother goes missing, those beatings are transferred to her. Her only refuge is neighbor Jaydon Lightfeather.

Ever since the discovery of the New World by Christopher Columbus, the noble savage has been a potent symbol in Western cultures. The notion that there is a land where men and women live in simplicity and innocence has been used to draw unfavourable comparisons with advanced societies. The noble savage has been conscripted by many causes, from the French Revolution to the sexual revolution, but in his most recent incarnation he is the champion of conservation. The native peoples of the earth, according to this version of the legend, live in harmony with nature. They respect the rest of creation. They know how to harvest resources sustainably. They are said to be 'transparent' in the environment. However, we now know that native peoples can be as destructive to their environments as anyone else, and that historically aboriginal tribes often changed whole ecosystems by the repeated burning of forests and by hunting animal species to extinction. The noble eco-savage is a white, Western artefact.When policy issues, such as land rights, are decided on the basis of this misconception, it leads to disappointment and sometimes recriminations against the tribal peoples who fail to conform to the stereotype.

What happens when society finds a wild boy alone in the woods and tries to civilize him? A true story from the author of The Fairy Ring. One day in 1798, woodsmen in southern France returned from the forest having captured a naked boy. He had been running wild, digging for food, and was covered with scars. In the village square, people gathered around, gaping and jabbering in words the boy didn’t understand. And so began the curious public life of the boy known as the Savage of Aveyron, whose journey took him all the way to Paris. Though the wild boy’s world was forever changed, some things stayed the same: sometimes, when the mountain winds blew, “he looked up at the sky, made sounds deep in his throat, and gave great bursts of laughter.” In a moving work of narrative nonfiction that reads like a novel, Mary Losure invests another compelling story from history with vivid and arresting new life. Back matter includes an author’s note, source notes, and a bibliography.

Don’t miss the JOE PICKETT series—now streaming on Paramount+ Wyoming game warden Joe Pickett uncovers a conspiracy in this explosive novel in the #1 New York Times bestselling series. When a massive blast rocks the forests of Twelve Sleep County, Wyoming game warden Joe Pickett is called to the scene to help investigate the death of a colorful environmental activist. The case is wrapped up quickly, explained as an environmental publicity stunt gone wrong, but Joe isn't convinced. He soon discovers clues that suggest a deadly conspiracy–one that will test his courage, his survival skills, and his determination to “do the right thing” despite all costs.

The Savage Detectives elicits mixed feelings. An instant classic in the Spanish-speaking world upon its 1998 publication, a critical and commercial smash on its 2007 translation into English, Roberto Bolaño’s novel has also been called an exercise in 1970s nostalgia, an escapist fantasy of a romanticized Latin America, and a publicity event propped up by the myth of the bad-boy artist. David Kurnick argues that the controversies surrounding Bolaño’s life and work have obscured his achievements—and that The Savage Detectives is still underappreciated for the subtlety and vitality of its portrait of collective life. Kurnick explores The Savage Detectives as an epic of social structure and its decomposition, a novel that restlessly moves between the big configurations—of states, continents, and generations—and the everyday stuff—parties, jobs, moods, sex, conversation—of which they’re made. For Kurnick, Bolaño’s book is a necromantic invocation of life in history, one that demands surrender as much as analysis. Kurnick alternates literary-critical arguments with explorations of the novel’s microclimates and neighborhoods—the little atmospheric zones where some of Bolaño’s most interesting rethinking of sexuality, politics, and literature takes place. He also claims that The Savage Detectives holds particular interest for U.S. readers: not because it panders to them but because it heralds the exhilarating prospect of a world in which American culture has lost its presumptive centrality.

* Chicago Tribune "Fall literary preview: books you need to read now" * Vulture "The Best and Biggest Books to Read This Fall" * The Guardian "A best book of 2019" After moving with his wife and two children to a smallholding in Ireland, Paul Kingsnorth expects to find contentment. It is the goal he has sought — to nest, to find home — after years of rootlessness as an environmental activist and author. Instead he finds that his tools as a writer are failing him, calling into question his foundational beliefs about language and setting him at odds with culture itself. Informed by his experiences with indigenous peoples, the writings of D.H. Lawrence and Annie Dillard, and the day-to-day travails of farming his own land, Savage Gods asks: what does it mean to belong? What sacrifices must be made in order to truly inhabit a life? And can words ever paint the truth of the world — or are they part of the great lie which is killing it?