If there's one thing I've learned from comic books, it's that everybody has a weakness—something that can totally ruin their day without fail. For the wolfman it's a silver bullet. For Superman it's Kryptonite. For me it was a letter. With one letter, my dad was sent back to Afghanistan to fly Apache helicopters for the U.S. army. Now all I have are his letters. Ninety-one of them to be exact. I keep them in his old plastic lunchbox—the one with the cool black car on it that says Knight Rider underneath. Apart from my comic books, Dad's letters are the only things I read more than once. I know which ones to read when I'm down and need a pick-me-up. I know which ones will make me feel like I can conquer the world. I also know exactly where to go when I forget Mom's birthday. No matter what, each letter always says exactly what I need to hear. But what I want to hear the most is that my dad is coming home.

Cal Innes is fresh out of Strangeways, playing PI and running from a past muddied with ties to local ganglord Uncle Morris Tiernan. When Tiernan tells him to track down a rogue casino dealer who's absconded with a hefty chunk of cash, Innes is thrust into a cat-and-mouse game with Tiernan's psychotic son. Finding the thief proves potentially fatal as the case points north to Newcastle and the sordid truth threatens to put blood on his hands. With Tiernan's son on his tail, and a Manchester cop determined to put Innes back on the spurs, Saturday's child definitely has to work hard to keep living.Praise for Ray Banks"Memorable characterisation, Manchester at night and at its most sinister, lives flooding down the plughole - this is British noir in all its sordid splendour by a writer who has taken more than just an excursion to the dark side." - The Guardian"A pitch perfect novel" - Crime Fiction Lover"Brimming with pitch-black humour and written with a claustrophobic mania to rival the finest noir exponents, it's compelling and finely honed stuff." - The Big Issue"Dark, nasty, funny, and painfully human" - Spinetingler Magazine"A tight and pacy read, the prose stripped to the bone and the dialogue pitch-perfect. Fans of Colin Bateman and Elmore Leonard will find it hits their sweet spot. Cohen brother lovers; one for you too." - Loitering With Intent"A great story. It's tight as hell and it's so deliberate that it's a complete joy to read."- Dead End Follies"An intensive masterclass in how to write." - Helen FitzGerald "Banks writes in a clean style, looped with inky black humor, and the plot goes at a lightning pace, heaping dread upon dread." - On The Book Beat"Ray Banks writes with harshness, humour and elegance, and his punchy dialogue teems with vigorous authenticity." - The Times"Banks is one of the freshest voices in hard-boiled crime fiction today." - Library Journal"Banks has an ear for the vernacular as sharp as, but a shade or two bluer than, that of George V. Higgins. Let the squeamish stick with Tony Soprano; this is the real tough stuff." - KirkusRay Banks is the author of nine novels, including Sucker Punch (Cal Innes #2), Dead Money and Angels of the North.

This story covers 47 years of physical, sexual, and spiritual abuse, yet the author leaves the reader with a feeling of hope and spirituality. It also gives a personal glimpse into two other lives, one who was able to express the family secret and receive counseling, return to college and receive a degree and certification in family counseling, and one young lady who could not receive help even though she tried and has been institutionalized. The book tells of the difficulties of being a victim and the success in becoming a whole and emotionally well and productive individual.

An amazing trajectory: From child star to prize-winning writer to feminist icon Robin Morgan is famous as a bestselling author of nonfiction, a prize-winning poet, and a founder and leader of contemporary feminism. Before all of that, though, she was a working child actor. From the age of two, “Saturday’s child had to work for a living.” She had her own radio show on New York’s WOR, Little Robin Morgan, by the time she was four; starred during the Golden Age of television in TV’s Mama from ages seven to fourteen; and was named the Ideal American Girl when she was twelve. In Saturday’s Child, she writes for the first time about her working youth, her battles to break away from show business and from her mother, her search for her absent, abandoning father, her entrance into the literary world, and the development of her politics, relationships, and writing. Morgan describes her tumultuous but successful life with startling honesty: her flight from child stardom into literature, her twenty-year marriage to a bisexual man, her joyful motherhood, her lovers, both male and female, her actions as a “temporary terrorist” on the left during the 1970s, and her travels and experiences in the global women’s movement. She writes about compiling and editing the famous anthologies Sisterhood Is Powerful and Sisterhood Is Global and later cofounding with Simone de Beauvoir the Sisterhood Is Global Institute. Saturday’s Child follows this “Ideal American Girl” on her path to becoming the feminist icon she is today. Epic in scope, witty, and bravely insightful, this is the tale of half of humanity rising up and demanding its rights, told through the intensely personal story of one remarkable woman.

"Saturday's Child" by using Kathleen Thompson Norris is a charming novel that weaves a story of affection, sacrifice, and resilience towards the backdrop of early 20th-century America. The narrative follows the existence of Judith Traherne, born on a Saturday, and explores the demanding situations she faces as she navigates the complexities of family, relationships, and societal expectations. Judith's adventure unfolds with a rich tapestry of characters and activities, showcasing the writer's keen knowledge of human nature. As she matures from a younger and idealistic girl right into a woman confronting the realities of adulthood, readers witness her trials and triumphs. The novel delves into issues of self-discovery, the pursuit of goals, and the iconic electricity of love. Kathleen Thompson Norris, a prolific American author acknowledged for her insightful portrayals of cutting-edge lifestyles, crafts a story that resonates with authenticity and emotional depth. Through "Saturday's Child," she invitations readers to mirror on the generic demanding situations of growing up and finding one's region within the world. The novel is a poignant exploration of the human experience, full of moments of joy, heartbreak, and the indomitable spirit of the protagonist.

A spooky, funny mystery with ghost-hunting, useless adults ... and tea Thruppence and Tim don't know what they're getting themselves into when they ring the bell at the house with dusty windows and a tarnished name plate to enquire about the advertised 'Saturday Person'. What could be so difficult about an unspecified Saturday job? Well, had that name plate been properly cleaned, Thruppence and Tim might not have been so keen to enter ... Pressured by the stern Minister Beeston from the Department of Economies, the Ministry of Ghosts has been given three months to prove the existence or non-existence of ghosts, or else it will be shut down! As it seems that children are particularly magnetic to ghosts and supernatural beings, Thruppence and Tim are added to their ghost-catching team. And although neither of them are scared by talk of ghosts or monsters, they couldn't have imagined the truth behind what they will find ...