Death is not only the final moment of life, it also casts a huge shadow on human society at large. People throughout time have had to cope with death as an existential experience, and this also, of course, in the premodern world. The contributors to the present volume examine the material and spiritual conditions of the culture of death, studying specific buildings and spaces, literary works and art objects, theatrical performances, and medical tracts from the early Middle Ages to the late eighteenth century. Death has always evoked fear, terror, and awe, it has puzzled and troubled people, forcing theologians and philosophers to respond and provide answers for questions that seem to evade real explanations. The more we learn about the culture of death, the more we can comprehend the culture of life. As this volume demonstrates, the approaches to death varied widely, also in the Middle Ages and the early modern age. This volume hence adds a significant number of new facets to the critical examination of this ever-present phenomenon of death, exploring poetic responses to the Black Death, types of execution of a female murderess, death as the springboard for major political changes, and death reflected in morality plays and art.

With the advent of the reformation, concepts of living and dying were profoundly reconfigured. As purgatory disappeared from the spiritual landscape, other paths to the afterlife were rediscovered. Thus, when life draws to a close, the passage to the afterlife becomes a last pilgrimage, a popular early modern metaphor that has received little critical commentary. In a rigorous historical and theological reading, Cyril L. Caspar explores five major English poets - John Donne, Sir Walter Raleigh, George Herbert, Edmund Spenser, and John Milton - to unveil the poetical potential of the last pilgrimage as a life-transcending metaphor.

Despite the vigorous study of modern American fiction, today's readers are only familiar with a partial shelf of a vast library. Gordon Hutner describes the distorted, canonized history of the twentieth-century American novel as a record of modern classics insufficiently appreciated in their day but recuperated by scholars in order to shape the grand tradition of Hemingway, Fitzgerald, and Faulkner. In presenting literary history this way, Hutner argues, scholars have forgotten a rich treasury of realist novels that recount the story of the American middle-class's confrontation with modernity. Reading these novels now offers an extraordinary opportunity to witness debates about what kind of nation America would become and what place its newly dominant middle class would have--and, Hutner suggests, should also lead us to wonder how our own contemporary novels will be remembered.

For nearly half a century, James D. Hart's Oxford Companion to American Literature has offered a matchless guided tour through American literary culture, both past and present, with brief biographies of important authors, descriptions of important literary movements, and a wealth of information on other aspects of American literary life and history from the Colonial period to the present day. In this second edition of the Concise version, Wendy Martin and Danielle Hinrichs bring the work up to date to more fully reflect the diversity of the subject. Their priorities have been, foremost, to fully represent the impact of writers of color and women writers on the field of American literature, and to increase the usefulness of the work to students of literary theory. To this end, over 230 new entries have been added, including many that cover women authors; Native American, African American, Asian American, Latino/a, and other contemporary ethnic literatures; LGBT, trans, and queer studies; and recent literary movements and evolving areas of contemporary relevance such as eco-criticism, disability studies, whiteness studies, male/masculinity studies, and diaspora studies.

American Night, the final volume of an unprecedented trilogy, brings Alan Wald's multigenerational history of Communist writers to a poignant climax. Using new research to explore the intimate lives of novelists, poets, and critics during the Cold War, Wa