A calculating secret society and a forbidden love affair between the children of its Evangelist leaders intertwine to dangerous effect in this powerful story about political terrorism and corruption in Nigeria.

An authentic new voice in crime fiction. Determined to overrule the Nigerian President, a powerful secret society employs a terrorist cell to carry out attacks in Northern Nigeria under the guise of forming an Islamic state. A young man and woman in Southern Nigeria hide their love affair from their fathers. When the girl goes missing, the men employ all their resources to find her, but do they know more than they suggest? As the police search for the missing girl, a series of attacks are launched against members of the Order. With the terrorist attacks intensifying and The Sacred Order losing control, an investigation is launched to identify the killers, before it is too late...

On her deathbed, Leona seeks forgiveness by confessional. Dastardly as the sin is, it is an act of love, loyalty, disobedience, and perceived fairness. How did she get here, where she, an internationally renowned model, is forced to kill her father-in-law to avenge her mother's death? Set against a background of real events, Colours of Hatred is a complex web of plots detailing a woman's journey from childhood through the fire and anvil of love, loss, betrayal, lust, and duty. Obinna Udenwe's Colours of Hatred is a daring novel that spans decades in its examination of how the effects of violence, political upheaval and revenge can alter the lives of individuals irrevocably. -Karen Jennings, Author of Finding Soutbek and other titles. A densely textured novel that produces a fresh view of the diverse ethnicities and impressive cultures of two countries; Nigeria and Sudan, with its deeper currents that work beneath the surface to reveal the otherness that hasn't been comprehensibly perceived. Socio-cultural fusions and clashes are deftly sketched and explored through a bi-cultural perspective, where one can see the variables on both sides of the equation. The wonderfully evocative narrative shines a bold light on the darkest corners of ethnic tensions, wars that leave unmistakable scars on both people and homes, where the worst fears are painfully confirmed. -Lemya Shammat, Assistant professor and former head of the languages and cultural studies department at King Saud Bin Abdul Aziz University in Jeddah. Udenwa's Colours of Hatred is both a commentary on contemporary Nigeria and an exploration of the power of love. He writes passionately about innocence and the loss of it, loyalty and betrayal, love and lust. -Chika Unigwe, author of On Black Sisters Street and other titles. Obinna Udenwe paints vivid pictures of life and family complexities in this novel. Colours of Hatred is a contemporary tale of malice, of mental health, of parenting, and of posterity. -Amara Chimeka, Editor and Publisher at Purple Shelves.

This project comes from our need to harness voices in Africa and Latin America, giving these voices an opportunity to converse, argue, synthesize, agree, and share ideas on the craft of writing, on life, on being, on thinking, so that we will all benefit. Sixty-two writers and poets are included, of which 19 were purely fiction writers, six were mixed genres writers, one a non-fiction writer, one a playwright, and 35 are poets. Altogether there are 92 pieces in two languages: English and Spanish.

Cultural Representation of the Second Wife: Literature, Stage, and Screen, is a multifaceted, interdisciplinary, cross-cultural work that provides insights into the realities of second wives the world over. This book allows the reader a three-dimensional view of the second wife experience. It asks: What does it mean, and what does it feel like, to be a second wife in a polygamous union or in a monogamous partnership? Is there a difference? Together, the writers in this book cleverly create an in-depth study of the subject through the productions referred to in the title, to offer a different approach to the popularly held views of the second wife. The book addresses the intricacies, customs, practices and lifestyles of the various Eastern and Western cultures and demonstrates the abilities of the Humanities to connect and interrelate with other disciplines as well as with the reader’s own world.

Mamo and LaMamo are twin brothers living in the small Nigerian village of Keti, where their domineering father controls their lives. With high hopes the twins attempt to flee from home, but only LaMamo escapes successfully and is able to live their dream of becoming a soldier who meets beautiful women. Mamo, the sickly, awkward twin, is doomed to remain in the village with his father. Gradually he comes out of his father's shadow and gains local fame as a historian, and, using Plutarch's Parallel Lives as his model, he embarks on the ambitious project of writing a "true" history of his people. But when the rains fail and famine rages, religious zealots incite the people to violence--and LaMamo returns to fight the enemy at home. A novel of ardent loyalty, encroaching modernity, political desire, and personal liberation, Measuring Time is a heart-wrenching history of Nigeria, portrayed through the eyes of a single family.

I Cannot Undo What They Have Made Of Me. I Cannot Go Back And Smoothen Out The Wrinkled Brow Of My Childhood . . . There Are Things I Must Settle, Gaps I Must Fill. Both For Their Sake And Mine. It Is The 1930S And The Fire Of The Freedom Movement From Distant Bengal And Delhi Is Warming The Languid Bones Of The Small Town In Mysore, Where Kaveri And Setu Grow Up. Theirs Is A Liberal, Prosperous Household And The Family Takes Its Privileges For Granted. Mylaraiah, Their Father, Believes That They Are Twice Protected From Such Delusions As Swaraj Once By The British And Then By The Maharaja. While Setu Absorbs Their Father S Unquestioning Veneration Of The British, Kaveri, Profoundly Affected By Mahatma Gandhi S Visit To Their Town, Comes To Recognize Their Attempts To Be More English Than The English As Rather Shameful. In An Attempt To Follow Her Heart And Take Charge Of Her Own Future, Kaveri Defies Her Father And Participates In The Quit India March Organized By Shyam, The Hot-Headed Revolutionary She Is Attracted To. Angered And Jealous, And Loyal To His Father, Setu Is Forced Into Betraying His Sister. The Small Town Is Shaken Into Life Quite Brutally When It Faces A Police Firing For The First Time In Its History. But Kaveri Is Safe And Home, Or So Setu Thinks . . . Fifty Years Later, Setu S Daughter Tries To Unravel The Circumstances Of Her Uneasy Upbringing, Of The Grit-In-The-Eye Feeling To Her Childhood; Understand Her Cold Father, Her Self-Effacing Mother And Their Refusal To Talk About Their Past. Two Books And A Letter Found In A Tea Tin In The Attic Lead Her To Kaveri And It Is Kaveri, Whose Fate Remains Shrouded In Mystery, Who Has The Answer To Her Questions. But Even With All The Pieces Of The Jigsaw In Hand, The Picture Eludes Her. She Is Forced To Come To Terms With The Insidiousness Of Family Bonds As She Realizes That The Truth, If It At All Exists, Is Made Of Elisions And Imperfections.

This book is a comprehensive study of some ways of treating the subject that demonstrate new and unusual perspectives, and provides a different approach to the popularly-held views of mothers-in-law; and that further address these works as popular culture; and as texts in their own right from within the framework of literary theory; and as works that demonstrate the ability to reach and connect with, and satisfy, both the general reader, the student, and the scholar, from all levels and walks of life.

What are angels? Where were they first encountered? Can we distinguish angels from gods, fairies, ghosts, and aliens? And why do they remain so popular? This Very Short Introduction investigates stories and speculations about angels in religions old and new, in art, literature, film, and the popular imagination.